Par DARIN BOBBY. Many of the timeless pop songs from the 1960s are very playable for instrumental groups, and here comes another arrangement from this great music period, arranged for flexible instrumentation in the popular series SHOWBLOW. “Dream Lover” was written by singer-songwriter and actor Bobby Darin. Darin´s real name was Walden Robert Cassotto. When he had his debut as a singer in 1956, …

18 Groovin 'chansons / Clavier / 72 pages / Partition

Partie de la voix pour les chants de ces vingt charmant et inventif. Les harmonies de l'accompagnement au piano complètent les mélodies diatoniques. Full Score et des pièces instrumentales en location. / Voix

Par SWERTS PIET. ‘Martenizza’ is the Bulgarian word for the month March. This work describes an old custom in Bulgaria introduced to the composer was through Ivo Stoykov, a Bulgarian acquaintance. In accordance with tradition good friends give each other a number of white and red pennants on the 1st of March. When a stork has been spotted for the first time in March, the pennants are hung in a tre…

Par HERBERT CHANG. Designed to help people master all 24 major and minor scales. In this book, first, all the violin scales are re-organized to be more simple, practical, and easy to learn. Then all the fingerings of the single-stop scales are classified into only a few basic patterns. When practicing, violinists can study these fingering patterns first and then use them to play all 24 scales easi…

Description A fantastic collection of solos for the English Horn player. Transcribed and edited by Thomas Stacy for Horn with piano accompaniment. Featured pieces includes Faure's Sicilienne , Borodin's Notturno and Mozart's Adagio K.58a . Songlist Adagio [Mozart, Wolfgang Amadeus] Gymnopedie No.1 [Satie, Erik] Intermezzo (Granados) Largo (Symphony No.9 In E Minor 'From The New …

Par POULENC FRANCIS / GENDRON. Born in Paris in 1899, Francis Poulenc soon became a notable composer and pianist. His Serenade, originally composed in 1925-1926 for Voice and Piano, met much success as part of his Bawdy Songs. Therefore, it was well-received when Maurice Gendron transcribed it for Cello and Piano. Poulenc, as a member of Les Six, composed music in a style contrary to that of Richa…

Composed when he was only 10 years old, Emile Serper wrote this about his composition: It is my hope that this setting of Ave Maria may have a positive impact and be shared in many ways. After I heard my friends in choir rehearsing the piece, I thought the music might also say, 'Hail, Mother Earth!' It is meant to transcend religions and to serve as a prayer for our planet. The earth needs our hea…

Par FISHER CHRISTOPHER / KNERR HAGUE JULIE. Piece Cards provide motivation for students to learn and review their pieces. Students earn a card for each piece they complete in the equivalent Repertoire Books. There are four main ways students can use the Piece cards to practice or review pieces: Unit Map - When you assign a piece, the student tapes their piece card on the appropriate place on t…

These songs were written for the Old Vic production of Shakespeare's The Tempest in 1962. The original instrumentation was Piccolo, Flute, Clarinet, Horn, Timpani, Harp, Bells and Harpsichord. The instrumentation in this edition (Piccolo doubling Flute, Clarinet in B flat, Horn in F, optional percussion (small Bass Drum and Bells) and Harpsichord or Piano) is Tippett's revised version.When the acc…

The art of arranging has a long tradition. When arranging three movements from the third and fifth cello suites of J.S. Bach, the trombone virtuoso Mike Svoboda was inspired by the piano parts which had been added to Bach's solo suites by Robert Schumann. A dialogue across the centuries (also available as download in a version for accordion). / Trombone Et Piano

Par OSBOURNE OZZY. Crazy Train was co-written by one of Mark Wood's main influences and favorite guitar players, Randy Rhoads, a neo-classical rock guitar player. When Wood discovered him, Rhoads was fully entrenched in the standard rock/blues style, yet had wonderful control of the flourish and esthetic of classical music in his playing. The influence was perfect for Mark Wood, who was an up-and-…