Par IWAN EWA. Scrabble or Macao - these aren't that hard games yet. But how to play scales on the violin? It turns out that the rules are simple. First, you have to learn the song, because it gives you tips on how to play a new scale. Now even a minor scale full of flats will not be scary anymore! A song can be sung and played. The next step is to practice the melody and play it with the accompani…

Par SZELIGOWSKI. / Répertoire / Piano

Par CHOPIN FREDERIC / EKIER. Komponowane przez Chopina nieprzerwanie od 1825 do 1849 roku, wyszed szy od gatunku na wpó u ytkowego, przeznaczonego do ta ca, sta y si form liryki refleksyjnej, wypowiedzi najbardziej osobistej. Stanowi wyraz t sknoty Chopina za krajem rodzinnym. Charakteryzuj si ograniczeniem rodków fakturalnych, miniaturowo ci i przejrzysto ci formy, kondensacj rodków harmonicznych…

Par KREISLER FRITZ / DUBISKA. / Répertoire / Violon et Piano

Par GORECKI HENRYK MIKOLAJ. / Répertoire / Flûte Traversière et Piano

Par KRZANOWSKI. / Répertoire / Violoncelle

Par KULENTY HANNA. I composed Aisthetikos Duo for soprano saxophone and piano immediately after Aisthetikos for soprano saxophone, piano and orchestra. I hit on the idea of preparing a work that could be performed more often. I was approached with a request to write such a version of Aisthetikos by its first performers: Magdalena and Bartlomiej Dus. A composition for two soloists and orchestra is …

Par BACEWICZ / UMINSKA. / Répertoire / Violon et Piano

The etudes by Chopin are usually described in two categories: as a 'compendium on knowledge of piano performance? or as 'small musical poems.? Both those definitions are correct, and do not exclude each other. The etudes will always remain an example of exeptional harmony between the instrumental and aesthetic-emotional aspects of a musical composition. / Piano

Par JAKUSZEW ANDRZEJ. / Date parution : 2022-11-08/ Répertoire / Trompette, Saxophone, Percussion, Alto et Contreba

Par KRZANOWSKI ANDRZEJ. The sequence of expressively and dynamically contrasting tempi (Lento assai e tranquillo – Allegro con vigore – Lento assai e tranquillo – Allegro con vigore – Lento assai – Allegro con vigore – Lento assai e tranquillo – Allegro con vigore – Lento assai da lontano) creates a distinctly twofold form. Yet the two agogic-expressive strands display two features in common: musi…

Par HERTZ MICHAL. / Répertoire / Quatuor à Cordes

Par KRZANOWSKI ANDRZEJ. Despite the rich palette of colours and articulation, Relief IX is a static work, and its slowed narrative creates the impression of being stretched out over time, thereby leading the listener into an unreal, unfamiliar world. This composition has often been described as a surrealistic and contemplative work. As Andrzej Chlopecki wrote: ‘[Relief IX] directs its expression t…

Par KILAR. 'The Pianist'' is a story of W adys aw Szpilman, pianist and composer who lived in Warsaw during the war and escaped from train to Auschwitz. ''It is my most personal movie'' - said Roman Pola ski. ''The Pianist'' won a main prize ''Golden Palm'' at Cannes Festival as well and was awarded in 7 categories by ''Cesar'' in France including music). Roman Pola ski and Wojciech Kilar has met …

Par DIVERS AUTEURS / WOZNY. / Répertoire / Piano