for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no reference to the origin, occasion or a performance of the Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn, 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he …

KV271 'Jeunehomme'. Par MOZART WOLFGANG AMADEUS. Concerto For Piano And Orchestra No. 9 E-flat major K. 271 'Jeunehomme'. Piano Solo, Oboe (2), Horn (2), Violin (2), Viola, Violoncello, Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves …

Passionskantate. Par MOZART WOLFGANG AMADEUS. The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart’s separate autographs for movements 1–6, and 7–8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart’s las…

Passionskantate. Par MOZART WOLFGANG AMADEUS. The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart’s separate autographs for movements 1–6, and 7–8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart’s las…

Passionskantate. Par MOZART WOLFGANG AMADEUS. The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart’s separate autographs for movements 1–6, and 7–8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart’s las…

Passionskantate. Par MOZART WOLFGANG AMADEUS. The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart’s separate autographs for movements 1–6, and 7–8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart’s las…

Passionskantate. Par MOZART WOLFGANG AMADEUS. The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart’s separate autographs for movements 1–6, and 7–8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart’s las…

Passionskantate. Par MOZART WOLFGANG AMADEUS. The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart’s separate autographs for movements 1–6, and 7–8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart’s las…

Aus: Vesperae Solennes De Confessore. Par MOZART WOLFGANG AMADEUS. Tonalité : F-Dur - Horn, Wolfgang (Arr. ) - KV 339 #5 / Musique religieuse / Répertoire / Solo S, Choeur SATB, 2 Violons, Violoncelle/Basson

a-Moll. Par MOZART WOLFGANG AMADEUS. Tonalité : a-Moll - Horn, Wolfgang (Arr. ) - KV 85 (73s) / Psaumes / Répertoire / Solistes ou Choeur ATB (TTB) et Orgue

Aus: Vesperae Solennes De Confessore. Par MOZART WOLFGANG AMADEUS. Tonalité : F-Dur - Horn, Wolfgang (Arr. ) - KV 339 #5 / Musique religieuse / Répertoire / Solo S, Choeur SATB, 2 Violons, Violoncelle/Basson

Aus: Vesperae Solennes De Confessore. Par MOZART WOLFGANG AMADEUS. Tonalité : F-Dur - Horn, Wolfgang (Arr. ) - KV 339 #5 / Musique religieuse / Répertoire / Solo S, Choeur SATB, 2 Violons, Violoncelle/Basson

C-Dur. Par MOZART WOLFGANG AMADEUS. Mozart’s 'Adagio in C major' for English horn, 2 violins and violoncello KV 580a has survived as a fragment but based on a comparison of analogous passages the editor, Helmut Renz, was able to complete the movement. In the Carus edition an arrangement by an unknown author from before 1900 for oboe and string quartet has also been included. The arrangement is wri…