For Singing, Playing, and More!. Par . 101 Songs and Games for Singing, Playing and More! is a companion volume to Teaching Strategies: Rhythmic and Melodic Elements for Intermediate Grades. A follow-up to 100 Little Songs and Rhymes for Primary Grades, this book includes a variety of more advanced songs and games suggested for the preparation, presentation and practice of each element, suitable f…

Tone Poem for Band. Par HOSAY JAMES L.. The mighty conflict between the great Civil War ships, the Monitor and the Merrimac, plays out once again on your concert stage! Dramatic and inventive, heroic themes and rhythmic undercurrents bring the historic battle to life. It's a programmatic work with powerful percussion, effective use of dissonance, and distinguished writing for the entire band. It's…

Par THOMPSON JOHN. A comprehensive step-by-step course specifically designed to suit the needs of all children beginning the piano. Includes: characters and illustrations * writing exercises * sight reading drills * review work * accompaniments * and more. / Niveau : Facile / Méthode / Méthode / Piano

Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the…

Par KOSMA JOSEPH / FERNANDEZ MICHELE (Arr.). Your students will love this very accessible, yet exciting Salsa twist on this timeless jazz standard. The rhythmic horn writing and expertly detailed rhythm section parts will enable your band to sound authentic on this Cuban Son-Montuno style version. Playable with 1 or 2 percussionists. / Date parution : 2022-11-29/ Répertoire / Jazz Ensemble

Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617, and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwin…

Toutes les chansons de l'album sorti en 1999, de ces superstars du RnB, arrangées au standard intermédiaire pour piano avec paroles complètes et grilles d'accord de guitare. Inclus les tubes 'Bills, Bills, Bills', 'Bug A Boo' et 'Say My Name'. / Piano/Vocal/Guitare (PVG) / niveau : Intermédiaire / Partition

Par MOORE PHILIP. Philip Moore's Lo! God is here! was commissioned by the Dean and Chapter of St Paul's Cathedral for the Cathedral's Tercentenary Celebrations. It is within the technical grasp of most amateur choirs, and could be programmed in a concert and throughout the liturgical year. The work beautifully juxtaposes accompanied plainsong with homophonic writing. / Niveau : Assez Facile / Feu…

Par HAHN. Having been considered as a 'fashionable' and 'cliche' composer of his day, Hahn 's compositions are possibly not as well-known as they ought to be. Rondels for SATB choir and Piano however, shatter these prejudices held, representing the engaging diversity of the composer's music. Venezuelan born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a hi…

Par CHAS / DAVE. 20 absolute classics arranged for piano, voice and guitar. Chas and Dave have been entertaining us for over thirty years with their no-nonsense rock 'n' roll and humorous cockney vocals, all underlined by a real gift for song-writing. This book covers all their songs, from their 1970s 'rockney', through their heyday of chart success, TV appearances and football collaborations in t…

Love me sweet was composed for the occasion of the composer's wedding in July 2010. The text consists of four verses taken from Elizabeth Barrett Browning's ironic poem A Man's Requirements which ends with the couplet, 'I will love thee - half a year - As a man is able.' This setting responds to the purer sentiments of the earlier verses, employing a lilting metre, a harmonic idiom and a piquant s…

Conducteur Ba 10927 et Ba 10928. Par SAINT-SAENS CAMILLE. Ludwig van Beethoven's overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to produce his two contributions to the genre. Couched in classicism, they relate in form and style to early 19th-century French quartets and to a ti…

10 Fugues For String Quartet Vol. 2. Par BACH JOHANN-SEBASTIAN. The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets', Op. 20. The spirit and influence of J.S. Bach, in particular his Well Tempered Clavier, Book II, courses through these three miraculous Haydn fugues. Like the viol consort, the …

This 1979 Hot 100 hit by Earth Wind and Fire still sizzles! Straight-forward vocal writing and a hot horn chart make it perfect for pop showcases any time of year. / Voix Mixtes

'The idea of writing a 'Jazz Suite for cello solo' came out when I tried to imagine how it would have sounded like if one of the baroque masters (Gabrielli, Buxtehude, Bach) had lived in our time and wanted to write a suite of dances. I thought it would probably still keep some of the conventions of the traditional form, like maybe the use of a Prelude to establish the key and the alternation of s…