Spectrum for Trumpet is a unique collection of contemporary works for trumpet and piano. The 16 pieces included have been specially commissioned from some of today's leading composers and reflect current compositional trends. They range in difficulty from Grades 1 to 8, so there's something here for players of all ages and abilities.Spectrum for Trumpet comes with a recording of the 16 pieces, per…

An entertaining collection of ten well-known TV themes, arranged for cello students to learn and enjoy, including the well-known Mission: Impossible and The Persuaders ! The book comes complete with a CD of inspiring demonstrations and play-along backing tracks, with a separate pull-out part featuring simple Piano accompaniments. / Violoncelle Et Piano

Swedish bassist, cellist, composer and arranger Lars Danielsson is renowned and admired throughout the International jazz world for his lyrical melodies and strong groove. This collection brings together 20 Impromptus For Piano And 1 Solo Piece For Contrabass, composed by Danielsson in his idiosyncratic style. Born in 1958, Danielsson originally studied classical Cello at the conservatory in Goth…

Par WATERFIELD POLLY / BEACH L.. This is a celebration of music from the time the pioneers explored the vast reaches of North America. A presentation of eleven imaginative and idiomatic arrangements for elementary Violin (Grade 1-3) with Piano. Helpful background notes help players to understand the style and spirit of the music. The book is also compatible with the Viola and Cello editions, givin…

Description The 'Sonata d'arpeggione' was originally written for the guitarre d'amour or arpeggione - a kind of enlarged guitar that could be bowed cello-style. The instrument did not survive longer than a few years, but this piece by Schubert is a lovely reminder. This edition is transcribed for flute by James Galway and edited by Phillip Moll for the Great Performer's Edition series. The…

This Concerto en Ut mineur for cello and piano was first published in 1947 by Editions Salabert, being attributed to Johann Christian Bach with harmonization by Henri Casadesus. Certain musicological studies after its publication proved that the Concerto should not have been attributed to Johann Christian Bach after all, as it had actually been composed 'in the style of Bach? some two centuries la…

At the beginning of the 1870s, Saint-Saëns displayed a particular partiality for the violoncello. He composed his first cello sonata in December 1872, immediately after having completed the first cello concerto. It was presumably directly after this that he wrote the 'Allegro appassionato? for Cello and Piano op. 43 that also appeared in a version for orchestra three years later. We do not know wh…

Par RIMSKI-KORSAKOV NICOLAI. Avec ces exigeant des pièces de performance romantique pour violoncelle et piano, Belaieff démarre une nouvelle série dans laquelle ' trésors cachés ' provenant d'archives de l'éditeur, c'est-à-dire oeuvres de compositeurs russes qui sont difficilement connus, out-of-print ou difficiles à obtenir, sont repris sous la forme de reproduit les premières éditions./ Répertoi…

George A. Speckert has arranged the loveliest Argentine tangos for cello with piano accompaniment. Among them are such classics as 'El choclo?, gems by Eduardo Arolas and Rosendo Mendizabal, and lesser known titles such as 'El día que me quieras? by Carlos Gardel - simple but effective for the cellist, concise and stylistically apt for the pianist.- The loveliest tangos for cello and piano- Effect…

Les oeuvres originales pour alto par des compositeurs russes au tournant du siècle sont une véritable rareté. Pour cette raison, ce volume comprend également les travaux pour lesquels les auteurs ont permis à deux différentes possibilités de performance - avec alto ou violonce / Alto Ou Violoncelle Et Piano

Par CASTELNUOVO-TEDESCO MARIO. Born into a family that had lived in Florence since the expulsion of the Jews from Spain in 1492, Mario Castelnuovo-Tedesco (1895-1968) entertained only a distant relationship with the music he heard at synagogue: a Renaissance church held more appeal for the Florentine artist than the Oriental décor of his forefathers' place of worship. It was only when he discove…