Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Based on the traditional folk tune used in the 2015 Disney film, Cinderella, this simple arrangement is divided into 3 violin, 3 viola, 3 cello, and 2 double bass parts. It would be ideal for an ensemble of mixed abilities: every instrument can either play the melody, or one of the harmony or bass line parts. Alternatively, students can take turns picking one of the parts and changing lines during…

Méthode 130 pages avec CD 1 heure Play-back.
Rappel des Connaissances de base. Tablatures. Solfège. Harmonie. Blues basics. Technique guitar, etc. Les harmonies du blues. Delta. Chicago. Texas. Jazz Modern and Fusion. Riffs and Rythmiques. 30 exemples/30 tubes. Les Gammes du Blues. 50 plans à connaître. Toutes les gammes pentatoniques. Le secret des blue note. Techniques d'Improvisation et …

Par BERIO LUCIANO. This set of arrangements of Luciano Berio’s “Duetti”, originally for two violins, represents a fascinating expansion of the limited repertoire for two violas. Berio originally conceived these duets as a collection of occasional pieces, each dedicated to someone who was close to him, rather like Elgar’s “Enigma” Variations, but they eventually developed into a full compositional …

Classroom Pops!Classroom Pops! is a highly effective, flexible new collection of classroom songs for children, each complete with a lesson plan and backing track CD. Designed to involve the whole classroom and suitable for both class teachers and music specialists alike, this new series is an exciting, user-friendly approach to getting children singing! Lesson Plan Each Classroom Pops! song has be…