Cette réédition de la célèbre édition Novello propose des six quatuors de Haydn '', le quatuor 'Hoffmeister', et trois quatuors 'prussiens'. Basé sur les manuscrits corrigés publiés par la veuve du compositeur, cette fameuse partition d'étude constitue la première édition authentique de ces oeuvres. Le score est complété par plus de 60 pages de la matière première par le célèbre musicologue Alfred…

This School of Organ Playing presupposes a certain technical facility on the piano. The pedal exercises at the beginning are rudimentary and should be practiced in all keys, gradually accelerating the tempo. The studies are graded according to their polyphony, beginning with simple two part exercises, followed by those in three and more parts. This acquaintance with the strict principles of po…

Continuing in the tradition of previous publications in the Classics series: Classic Solos and Classic Duets, Mary Karen Clardy has selected 24 of the most significant standard études from Carl Joachim Andersen's op. 21, 30, 33, 37 and 41, Antoine Benoit Tranquille Berbiguier's Studies and Ernesto Köhler's Romantic Études op. 66. Performance notes, composers' biographies and a glossary of terms ar…

This vocal score of Mozart's concert and insert arias is based on the New Mozart Edition (NMA).The musical text presented in this edition is free from practical references on performance aspects or suggestions on performance practice. An accompanying booklet gives detailed explanations on the execution of appoggiaturas and other performance practice phenomena relevant to each aria. In addition, th…

Dvorák's 'String Quintet in G major? op. 77, had five movements when it was premiered on 18 March 1876. Its second movement was the 'Intermezzo? from his 'String Quartet in E minor? (1870). Later Dvorák removed this movement from the quintet, expanded it, and published it as a separate 'Notturno? for string orchestra op. 40. The 'Intermezzo? is included in its original version in the appendix of t…

Cette partition vocale de concert et insert arias de Mozart est basé sur la nouvelle édition Mozart ( NMA ) .Le texte musical présenté dans cette édition est exempt de références pratiques sur les aspects de la performance ou des suggestions sur la pratique de la performance . Un livret d'accompagnement donne des explications détaillées sur l'exécution des appoggiatures et autres phénomènes de la …

Kantaten Nr. 1 - 15 für eine Singstimme, ein Instrument und Basso continuo. Der Partitur sind Stimmenbände für das obligate Instrument und ein Continuo-Instrument beigefügt. Urtext der Telemann-Ausgabe Series : Telemann Musikalische Werke, Band 2 Edition : Score; Set of Parts; Complete Edition Editor : Fock, Gustav Binding : cloth bound Instrumentation : SingSt, Instrument, Basso continuo Neujah…

Béla Bartók Chants de Noël roumains Editeur: László Somfai Doigtés: Béla Bartók Les «Chants de Noël roumains» de Bartók reposent sur des mélodies populaires associées à un rite païen de la célébration du solstice d'hiver et avaient fait sur Bartók «une impression plutôt de sauvagerie guerrière que de piété religieuse». Il choisit cependant parmi ces «Colinde» vingt mélodies pour les publier en ta…

33 pieces on the innocent sideInstrument : pianoNombre de Pages : 48Gradations is music of variety, of change, of progression, of growing up, even. Mozart?s first keyboard minuets are here, as is a pair of Marcello sonatas. A sonatina by Clementi sits alongside 'Kaleidoscope' by Benjamin Lees. Bartók and Bach knew all about children?s keyboard development and are each represented by absolute gems.…

This is a new edition of Béla Bartók's popular Romanian Folk Dances in its original scoring for Solo Piano. With fascinating background notes and unique imagery, this publication is essential for pianists interested in the work of the Hungarian composer.When Bartók was just 23 years old, he visited the Transylvanian town of Gerlicepuszta. Overhearing a lullaby sung by a teenage servant girl named …

Arranged For Violoncello et Piano. Par DVORAK ANTONIN. In 1891 Dvorák arranged the final eighth dance of his popular first set of the Slavonic Dances Op. 46 for violoncello and piano. The Czech composer Jirí Gemrot, born in 1957, has followed his example and has arranged the remaining dances for the same scoring. However in order to approach Dvorák’s ideal sound Gemrot based his arrangements on th…