The 'Hallelujah' Chorus, arguably the most famous choral work of the western classical tradition, is the closing number of the second part of Handel's Messiah. Such is the strength of Handel's word setting that this empathic, triumphal paean retains its appeal in spite of the cultural overexposure and controversy to which it has been subjected, remaining a firm favourite with choirs. The premiere …

Par ALAKOTILA TIMO. Composer, musician Timo Alakotila (b. 1959) is a distinguished, active and versatile talent in the Finnish music scene whose long career working with different genres of music ? folk music in particular ? has been ground-breaking. Alakotila?s works showcase his versatility: he has produced highly acclaimed classical music compositions and arrangements for Pekka and Jaakko Kuusi…

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Par BROSSE DIRK. This work was written at the pivotal point of both two centuries and two millennia. With its hopeful melodies and triumphant parts in the brass section, the opening pictures the dawning of a new era of great expectations, characterized by the high speed of communicating all over the world, which is one of the most important aspects of life in the 21st century. This is achieved by …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Musique A Grande Vitesse (MGV ) translates as 'high speed music' and was commissioned by the Festival de Lille for the inauguration of the TGV North European Paris-Lille line in 1993.The piece runs continuously, but was conceived as an abstract, imaginary journey- or rather five inter-connected journeys, each ending with a slow, mainly stepwise melody which is only heard in its 'genuine' form when…

This Baroque opera chorus from Vivaldi's La fida ninfa was first heard at the grand opening of the Teatro Filarmonico in Verona, Italy. Available for 2- and 3-part choirs, this edition includes buoyant choral polyphony, a jubilant music text, and an optional flute obbligato. / Choeur SAB

Par MOZART WOLFGANG AMADEUS. Mozart composed his two “Lodron Serenades” for open-air performances on the name day of Countess Antonia Lodron in June 1776 and 1777. Their bright “al fresco” character is immediately recognisable. Alfred Einstein considered these two divertimentos to be “among the purest, gayest, most satisfying, and most perfect that ever assumed musical form”. For both works Mozart…

The conclusion of this power-packed acoustic blues guitar method begins with a review of transposition and immediately proceeds to great acoustic blues music. It provides an in-depth and exciting exploration of fingerstyle blues---with lots of pieces in standard, open and alternate tunings. Slide guitar technique is also covered, with examples in standard and open tunings. The book takes a much cl…

All it takes is the thumb and index finger! This book allows you to explore this traditional, often easier way of playing the banjo: the original two-finger style. It covers thumb lead, up-picking, frailing/clawhammer (stroke style), and drop-thumb variation techniques and is presented in various tunings with easy to read tablature plus accompanying chord symbols and diagrams with audio tracks onl…

This book is great for acoustic guitarists who have learned the basics and are ready to take the next step. Beginning with a brief review of reading standard music notation and TAB, this book takes you further into three major areas of study: sounds, grooves and special techniques- theory and improvisation- and alternate tunings. You'll be introduced to a variety of styles including acoustic funk,…

Par MARK JONES. Learn from the best. Grandpa Jones was a country music legend and a member of the Country Music Hall of Fame. He was very well known and respected for his own style of clawhammer banjo. The instructions are helpful for the beginner, with tips on caring for your banjo to keep it sounding its best. The text covers tunings, chord diagrams, and the right hand rhythm patterns that made …

Par NELSON MARK KAILANA. Put some aloha into your playing with Hawaiian and Polynesian Music for Appalachian Dulcimer! More than just a repertoire collection of classic Pacific island melodies, this book includes the history and background stories of the individual tunes and a brief language pronunciation guide. In addition, the author provides humorous and insightful observations on interpretatio…

Par DVORAK ANTONIN. Antonín Dvorák’s five-movement “Suite in A major” for piano was completed in New York on 1 March 1894, shortly after the triumphant success of his “New World” Symphony. As he himself noted in the autograph, it was the fifth piece he composed during his stay abroad. In a letter to his publisher Simrock he called the Suite, alongside the “Biblical Songs”, his finest achievement t…