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 | Ogni Anno Punto E Da Capo (ROTA NINO) Piano seul Schott
 Suite Per Pianoforte. Par ROTA NINO. Ogni anno punto e da capo (Every Year Again) is a one-act comedy by Eduardo De Filippo, which premiered in 1931 at the Teatro Nuovo in Naples. On the occasion of the revival at the Piccolo Teatro in Milan in 1971, De Filippo asked Nino Rota to edit some songs of the Italian Rivista tradition from the thirties and provide them with additional music. Of the music…
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 | George Washington Suite (HANNICKEL MIKE) Orchestre d'harmonie [Conducteur et Parties séparées] Curnow Music
 Par HANNICKEL MIKE. History! Introduce a bit of good old early-Americana to your audiences this year. GEORGE WASHINGTON SUITE is made up of three tunes known to have been composed for (or about) George and Martha Washington in their own time. Probably the best known of the three is the first movement, WASHINGTON’S GRAND MARCH, which is believed to have been written by Francis Hopkinson. He was one…
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 | 40 Easy Studies Op.70 (LEE SEBASTIAN) Violoncelle [Partition] PWM (Polskie Wydawnictwo Muzyczne)
 in the First Positions for Cello. Par LEE SEBASTIAN. Sebastian Lee (1805-1887) went down in music history primarily as the composer of pedagogic works. Successive generations of cellist were brought on his studies, duets, etc, which remain valuable aids for teacher. The collection of 40 Studies Op. 40 with the accompaniment of a second cello (the teacher) is designed for beginners (in the first tw…
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 | Sonate The Tempest op 31/2 (BEETHOVEN LUDWIG VAN) Piano seul [Partition] Wiener Urtext
 ré mineur. Par BEETHOVEN LUDWIG VAN. It owes its much-quoted nickname 'Tempest' to a note by Beethoven's famulus Anton Schindler, whom the composer advised to 'read Shakespeare's Tempest' as a key to the work. But Schindler had also asked for the Sonata op. 57 in the same breath, so that in the end it remained unclear which of the two sonatas was really meant. The preface of the new edition explai…
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 | SCARLATTI D. - SONATES VOL.XI (K.507 - K.555)  Clavecin Heugel
 Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this eleventh and final volume is indispensableto performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modula…
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 | Complete Book Of Bach Chorales (SILVERMAN JERRY) Piano, Voix Mel Bay
 Par SILVERMAN JERRY. This book presents 375 of J.S. Bach's surviving chorale harmonizations with singable English translations of the original German text by choral conductor Henry S. Drinker. Printed in an easy-to-read format, this edition was designed to facilitate both analysis of Bach's musical genius in voice leading and renewed performance of these works by congregations. It is hoped that th…
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 | 2 Steles Orientees (IBERT JACQUES) Voix Moyenne et Flûte [Partition] Heugel
 Par IBERT JACQUES. Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. The composer wrote for a variety of instrumentations and his works remain popular to this day, Deux Stèles Orientees for Voice and Flute being no exception. Composed in 1926, Deux Stèles Orientees for Voice and Flute is based on the poem of the same name by Victor Se…
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 | Concerto En Ré M Op. 36 (RIEDING OSKAR) Violon Barenreiter
 Oskar Rieding (1840-1918) is known to all young violinists for his easy-to-play concertos for violin and piano, of which opp. 34 to 36 remain entirely in first position. In op. 36 catchy melodies are coupled with first technical difficulties such as eighth-note arpeggios, 16th-note runs and chromaticism. These appear in small measures throughout the entire work. The Concerto in D major is well-sui…
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 | Guy-Claude Luypaerts: Partita (LUYPAERTS GUY) Flûte traversière Leduc, Alphonse
 Having studied under Jean Pierre Rampal and Tony Aubin at the Conservatoire National de Paris, flautist Guy-Claude Luypaerts now divides his time between his work as a soloist, teacher and orchestral conductor, without neglecting his compositional activity. Luypaerts has remained true to his childhood land: for this resident of the seaside village of Panne in western Flanders, the North Sea coast…
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 | Mefisto Valzer And Other Works (LISZT FRANZ) Piano seul [Partition] Dover Publications
 Par LISZT FRANZ. A prolific composer and virtuoso pianist, Franz Liszt (1811-1886) was the most lionized musical personality of his time. His compositions for solo piano continue to be loved and admired by pianists and their audiences for their lush romanticism and technical fireworks. They remain among the most frequently performed works in the reportoire. This choice selection of Liszt piano wor…
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 | Flûte En Suite (WIDMANN JORG) Flûte traversière, Orchestre Schott
 This ?Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom.Almost every individual movement allots the solo flute a specific tonal …
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 | My Faith Looks Up to Thee Orgue [Partition] Lorenz Publishing Company
 Organ Music on American Hymn Tunes. Par . The familiar hymns that James J. Stanley has chosen for this collection are of American origin, come primarily from the 19th century, and remain favorites in nearly every hymnal. As usual, Stanley employs a very creative approach to his hymn settings, sometimes coming at a tune with a different perspective than is usually expected. This allows the performe…
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 | 24 Pieces For Children Op. 39 (KABALEVSKY DIMITRI) Piano seul Hal Leonard
 Pedagogical in nature, these editions offer insightful interpretive suggestions, pertinent fingering, and historical and stylistic commentary. The book with audio versions remain available as well, priced slightly higher. / Piano
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 | Beethovens Heiligenstadter Testament (SHCHEDRIN RODION) Orchestre [Conducteur d'étude / Miniature] Schott
 Symphonic Fragment for Orchestra. Par SHCHEDRIN RODION. Emotional depth and riveting virtuosity - these elements are what characterise many compositions by Rodion Shchedrin. Even though he has been a cosmopolitan for a long time, the Moscow-born Shchedrin has remained an original Russian composer whose bond with the musical folklore and poetry of his home country has never been severed.
This 'Symp…
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 |  Beethoven L. (van) - Six Great Piano Trios In Full Score   Piano Trio: piano, violon, violoncelle Dover Publications
 Here are six of the most studied, performed, and recorded trios for piano, violin, and cello. They include the popular trio in D Major, Op. 70, No. 1, which was named the Ghost trio by Beethoven's student, Carl Czerny, who thought the eerie second movement suggested the specter of Hamlet's father. Additional works include the trio in E-flat Major, Op. 1, No. 1; the trio in G Major, Op. 1, No. 2; t…
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 | Classical Favourites from Russia 2 Flûtes traversières (duo) Universal Edition
 A compilation of the best-loved classical tunes of Russian composers, from Borodin to Prokofiev, arranged for two flutes.
Wonderfully romantic: These arrangements of world-famous orchestra tunes for two flutes will be loved by young and older players alike. The melodies of Russian master composers are sure to inspire a dance of the fingers. Many people grow up with melodies from ballets such as T…
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 | Bagatelle for Piano in A minor WoO 59  Für Elise  (Lettre à Elise) (BEETHOVEN LUDWIG VAN) Piano seul [Partition] Barenreiter
 Par BEETHOVEN LUDWIG VAN. A number of questions regarding Beethoven’s most famous bagatelle, „Für Elise“, remain unanswered until today: What happened to the complete autograph and who was „Elise“? The bagatelle was written between 1808 and 1810. It was first published in 1867 by the Beethoven scholar Ludwig Nohl who still had access to Beethoven’s autograph. What has survived, however, is an exte…
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 | Premiers Solos Concertos Classiques:N022 Violon Et Piano (VIOTTI GIOVANNI BATTISTA / CATHERINE) Violon et Piano [Partition] Leduc, Alphonse
 Concerto no. 22 (Viotti). Par VIOTTI GIOVANNI BATTISTA / CATHERINE. Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Viotti ''s Concerto No. 22 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian Violin virtuoso. He composed a significant 29 concertos for the Violin which rema…
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 | Dueling Carmens: Two Carmen Fantasies (SARASATE PABLO DE / HUBAY JENO) Violon et Piano [Partition] Hal Leonard
 by Hubay and Sarasate for Violin and Piano. Par SARASATE PABLO DE / HUBAY JENO. Georges Bizet\'s opera Carmen had its first performance in Paris in 1875. In the audience was the 17-year-old Hungarian violin virtuoso and budding composer Jenö Hubay. After the performance Hubay started writing his Carmen Fantasy from memory. The following season for his debut recital in Paris, he included his newly …
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 | Piano Exam Pieces Plus Exercises 2023 Grade 6 Piano seul [Partition] Trinity College London
 12 Pieces for Trinity College London Exams from 2023. Par . This book contains 12 newly selected pieces for Trinity Piano Grade 6 exams from 2023, carefully chosen, graded and edited by a panel of experts, along with informative performance notes to help students and teachers get the most out of the repertoire. It also includes the technical exercises required for the exam, which have been newly c…
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 | Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX) Orchestre, Violon [Partition] Barenreiter
 Early Version Of 1844 And Late Version Of 1845. Par MENDELSSOHN-BARTHOLDY FELIX. Replaces BA 9050- The orchestral parts are unchanged and continue to be available as BA 9050-65/-74/-75/-79/-82/-85 Mendelssohn'
s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that …
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 | Stabat Mater (CAFARO PASQUALE) (CAFARO PASQUALE) Soprano, Alto, Cordes et Basse Continue Vigormusic
 Par CAFARO PASQUALE. Pasquale Cafaro, born in S. Pietro in Galantina in 1715; he was directed by his family to 'scientific' studies (science of law) but soon abandoned them for musical ones. He then entered the Conservatorio della Pietà de' Turchini as a son at the age of 18, almost as an adult. His main teacher was one of the greatest musicians of the 18th century, Leonardo Leo, who immediately r…
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 | Hair : The Musical - Easy Piano (MC DERMOT GALT) Piano Facile Amsco Wise Publications
 Thirteen of the most famous and popular songs from one of the most unique stage musicals ever produced are arranged here for Easy Piano. If you're just starting out on the Piano, but you still want to learn these great songs, this book is for you. Rejecting all tropes and traditions of Broadway musicals, Hair, which premiered in 1967, offered both an antidote and something new, surprising and shoc…
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 | Etudes - Edtition Urtext Ekier (CHOPIN FREDERIC) Piano seul PWM (Polskie Wydawnictwo Muzyczne)
 The etudes by Chopin are usually described in two categories: as a 'compendium on knowledge of piano performance? or as 'small musical poems.? Both those definitions are correct, and do not exclude each other. The etudes will always remain an example of exeptional harmony between the instrumental and aesthetic-emotional aspects of a musical composition. / Piano
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 | Farewell Song (NESSLER VICTOR E) Baryton ou Tuba et Fanfare [Conducteur] De Haske Publications
 Arr. Wil Van Der Beek. Par NESSLER VICTOR E.. Farewell Song has been taken from Der Trompetervon Säckingen by Victor E. Nessler (1841-1890). Thisopera tells the sentimental story of a plain musicianwho is eventually allowed to marry the daughter ofa baron. From the first performance in 1884, thisopera was well liked - not so much because of thestory but because of its musical features. Impressivet…
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 | Das Dritte Scho¨Pfungswort (SCHULTZ WOLFGANG-ANDREAS) SATB a Cappella Simrock
 Motette für gemischten Chor. Par SCHULTZ WOLFGANG-ANDREAS. The title's Third Word of Creation refers to verses from Rilke's Book of Hours which indicate the fear of what other delicate experiments God might come up with after 'light' and 'man'. Schultz contradicts the text by combining it with the monolithic beginning of the First Book of Moses in the Old Testament, which is imbued with the rightn…
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 | 3 Steps To Sing: Handel Messiah (Dvd/2Cds) - Soprano Voice Voix Soprano Choraline
 Composed in 1741 Handel's Messiah has remained a popular choice for choir performances for nearly 275 years. With 3 Steps To Sing anyone can now learn and rehearse the piece at home, regardless of their ability to read music.This easy-to-follow learning method for the Soprano part includes the following steps:Step 1 - Visual Learning DVDA voice part recorded by a professional singer (Soprano, Alto…
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 | Final Countdown (TEMPEST JOEY) Quatuor à cordes: 2 violons, alto, violoncelle De Haske Publications
 Recorded by Swedish rock band Europe, Final Countdown has remained one of the classic rock tunes of all time. This international number 1 chart hit has been expertly arranged for String Quartet by Anthony Gröger. Let the Countdown begin! / Quatuor A Cordes
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 | Symphonie Nr. 9 (MAHLER GUSTAV) Orchestre [Conducteur] Breitkopf and Hartel
 Par MAHLER GUSTAV. Mahler’s Ninth sings of beauty, love and impermanence “World! Farewell!” noted Mahler above the final measures. His last completed symphony embraces the world of yesterday, while pushing the door wide open to the modern age.
The composition, created in a “mad urgency and haste,” had already posed puzzles for his copyists. While Mahler was able to clarify some of them already in …
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 | Harmonischer Gottesdienst - Kantaten Aus Der Trinitatiszeit (TELEMANN GEORG PHILIPP) Voix Mezzo-Soprano, Piano [Partition] Barenreiter
 Par TELEMANN GEORG PHILIPP. 74 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Cantatas For The Sundays After Trinity - Medium Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one the leading cantata composers of his time. Thanks to their brevity and their simple scoring, the 72 solo cantatas have…
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