Dramatic Poem. Par GADE NIELS WILHELM. 'Kalanus”, a 'dramatic poem for soloists, choir and orchestra” op. 48 was composed between June 1867 and March 1869 and is based on a text by Carl Andersen. A historical event during Alexander the Great's Indian campaign (326 AD) serves as the origin of the material: Alexander met Indian philosopher Kaljana, referred to as Kalanos in ancient sources. Gade had…

Par REY / CLAUSIER / TRITSCH. L. Rey and B. Clausier's Dans La Marine Suisse arranged by J. Tritsch for four-part choir (TTBB) a cappella./ Répertoire / Chant

Par GRIER FRANCIS. First performed by the choir of King's College, Cambridge, these reflective pieces are laden with exotic harmonies - rich chordal sections alternate with free-flowing solos. / Niveau : Assez Facile / Feuillet / Choeur

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based…

Arr. Wil Van Der Beek. Par VERDI GIUSEPPE. Cette oeuvre comme le titre l'indique, rassemble les plus grands trimphes d'opéras de Verdi. On retrouve bien entendu Nabucco, Aida ainsi que Rigoletto. Verdi's Triumphs contient les titres suivants : Marche Trimphale ! Del nilo al sacro lido extrait d'Aida, Prisoners' Freedom Choir extrait de Nabucco et La donna è mobile de Rigoletto / Niveau : 3 / Cla…

Par SCHNEIDER ENJOTT. This frenetic assortment of familiar chorale melodies by Martin Luther was composed to mark the celebrations of Luther’s music (and the 800th anniversary of the choir of St Thomas in Leipzig) in 2012. Ein feste Burg ist unser Gott [A mighty fortress is our God] appears as a powerful ritornello theme, elaborated with tender lyricism just before the end. A chorale setting of …

Par PUCCINI GIACOMO. Vocal Score to Giacomo Puccini's Messa Di Gloria for mixed voice choir and Piano accompaniment./ Répertoire / Chant et Piano

Par RATTRAY BRENDA. Brenda Rattray's The Joy of Singing is for children, young people and adults in primary schools, secondary schools, youth groups and churches who would like to build a singing community. Whether a musician or not, the twenty fun songs in this collection will bring variety and enjoyment - perfect for reinforcing confidence in any choir! A wealth of material in here... there are …

/ Choeur D'Enfants Et Piano

Text by Orsolya Karafiáth. Par BELLA MATE. Máté Bella's choral work for children Home at Night was commissioned by the town of Debrecen for the 26th Béla Bartók International Choir Competition in 2014. Its text is the first poem with the subtitle Spiders of the cycle with the same title written by Orsolya Karafiáth. The piece effectively represents the dreamworld of the poem with its strange and s…

Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an arrangemet for organ During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Pas…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Par WALTERS EDMUND. Three playful Christmas songs originally written for the Duncombe Road School Choir of Liverpool in 1977. The three carols are suitable for children's voices and a delightfully unusual selection that will add sparkle to your Yuletide concerts./ Recueil / Choeur d'Enfants et Piano

Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the…

Motet after Friedrich Rückert for Double Male Choir (Organ ad lib.). Par SCHUMANN ROBERT. At first described as 'religious song' by Schumann, the motet 'Verzweifle nicht' could be heard with organ accompaniment for the first time on 4 July 1850 on the occasion of the 25th anniversary of the University's choral society St. Pauli in Leipzig. He wrote the organ version specifically for this performan…