Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all th…

Par MOZART WOLFGANG AMADEUS. Piano scores for mixed choir, solo voice and piano. Soli: SATB and Choir: SATB / Hymnes et chorals / Répertoire / Choeur Mixte, Soprano et Orchestre

Par LEVINAS MICHAEL. Précédé de Je, tu, il, prologue à La Métamorphose sur un texte de Valère Novarina. Au sortir d'un rêve agité, Grégor Samsa s'éveille pour vivre un véritable cauchemar, celui de sa transformation en énorme cancrelat. Tout le monde connaît cette nouvelle de Kafka - elle appartient désormais à nos mythologies contemporaines. L'idée d'en faire un opéra est tellement excitante qu'o…

B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Ch…

Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The first edition of a Missa in F by Giovanni Platti [ca. 1690–1763] is a rarity. Platti served at the Court of the Counts of Schönborn-Wiesentheid, and during his more than 40 years of service at the Court he worked for more than five masters and each of them knew how to make use of his musical abilities. Thus, in addition to …

Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The first edition of a Missa in F by Giovanni Platti [ca. 1690–1763] is a rarity. Platti served at the Court of the Counts of Schönborn-Wiesentheid, and during his more than 40 years of service at the Court he worked for more than five masters and each of them knew how to make use of his musical abilities. Thus, in addition to …

B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Ch…

Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The first edition of a Missa in F by Giovanni Platti [ca. 1690–1763] is a rarity. Platti served at the Court of the Counts of Schönborn-Wiesentheid, and during his more than 40 years of service at the Court he worked for more than five masters and each of them knew how to make use of his musical abilities. Thus, in addition to …

B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Ch…

Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The first edition of a Missa in F by Giovanni Platti [ca. 1690–1763] is a rarity. Platti served at the Court of the Counts of Schönborn-Wiesentheid, and during his more than 40 years of service at the Court he worked for more than five masters and each of them knew how to make use of his musical abilities. Thus, in addition to …

Par ROSSINI GIOACHINO. La 'Petite Messe solennelle' est le plus beau travail ces dernières années de Rossini. Il a composé entre 1863 et 1864 à l'âge de 71 ans à titre de commission pour la comtesse Louise Pillet-Will pour la consécration de sa chapelle privée, où le travail a reçu sa première représentation en Mars 1864. Avec le 'Stabat mater', la masse est l'une des oeuvres sacrées mostimportant…

Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann’s sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of th…

Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann’s sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of th…

Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann’s sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of th…

Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann’s sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of th…