Weihnachtskantate. Par ZECHNER JOHANN GEORG. As the basis for his „Oratorio per il Natale“ Zechner used 4 Verses of the hymn „Ermuntre dich, mein schwacher Geist“ by Johann Rist. He also used some verses by another author. The reason for the reworking of Rist's text was undoubtedly Zechner's idea of writing a dramatic compositon after the model of the Italian cantata, rather than a succession of v…

Par BYRD WILLIAM. The Byrd Edition Volume 17. Edited by Kenneth Elliott Though Byrd's In nomine settings for consort were probably the first of his works to circulate widely, the dating of his consort music in general is problematical. The famous 'Browning' variations are probably an early display of the composer's mastery of the form. The only complete Fantasia à 4 is found in the Psalmes, Songs …

Par SWANN DONALD. SATB and piano Guitar and double bass may be included with the keyboard part in Donald Swann’s popular arrangement of this majestic 4th century Greek hymn. The words are taken by the men; upper voices vocalise in a syncopated descant. Originally from Swann’s The Rope of Love, but by popular request now available separately for the first time./ Feuillet / SATB et Piano

This comprehensive Guitar Workshop Audio Series book and online audio brings together a variety of fingerstyle arrangements featured in three of John Renbourn's video lessons. Illustrates unique and exciting fingerstyle techniques in the performance of traditional ballads and other tunes, using standard and several alternate tunings. In notation and tablature. Includes an extensive discussion abou…

Arr. Philip Sparke. Par BOURGEOIS LOUIS. L’hymne Old Hundredth est une des plus célèbres hymnes chrétiennes de tous les temps. Elle fut publiée pour la première fois en 1551 dans le psautier de Genève Pseaumes octante-trois de David avec accompagnement du Psaume 134. La mélodie est fréquemment attribuée au compositeur français Louis Bourgeois (vers 1510-vers 1560). En 1561, William Kethe, un paste…

Kantate Zum 4. Advent. Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original conc…

Cantata for the 14th Sunday after Trinity. Par BACH JOHANN SEBASTIAN. Jesu, der du meine Seele BWV 78 (Jesu, by Thy Cross and Passion) Cantata for the 14th Sunday after Trinity The cantata Jesu, der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724, the …

Par CARTER SYDNEY. A popular favopurite hymn, Sydney Carter's Lord Of the Dance is a lively and rhythmic song for Unison voices and Organ or Piano accompaniment./ Feuillet / Voix à L'Unisson et Orgue ou Piano

Kantate für den 24. Sonntag nach Trinitatis. Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 26 belongs to the Leipzig cycle of chorale cantatas, 1724/25, and it was first performed on 19 November 1724. The underlying 13-vers hymn by Michael Franck provided Bach and his unidentified librettist with an abundance of metaphors and comparisons which, from verse to verse and movement to movement, illustr…

Par VILLETTE PIERRE. This edition of Salve Regina by Pierre Villette is a version of this Marian hymn for SATB a cappella. It's written with lyrics in Latin and should be sung at a slow tempo (52). The lyrical piece features a long introduction followed by the Soprano solo and a finale. At the end of the solo, the voices alternate between the initial tempo and some slower parts to arrive to the cl…

Par CURNOW JAMES. ased on Eternal Father, Strong to Save, which serves as the U. S. Navy Hymn, this work is truly a joy to play! High-flying melodies, emotive harmonic structures and an electrifying finale combine into a beautifully crafted musical statement. This one is as much a thrill for the audience as it is for the ensemble. Sparkling and heroic! / Niveau : 5 / Pièce de concert / Répertoi…

Ces mélodies irlandaises lovely jouent particulièrement bien sur la flûte moderne. Ils fournissent excellent matériel pour le développement de compétences en tonguing rapide et de longue haleine-control. Beaucoup de ces mélodies ont des histoires fascinantes, datant du XVIIIe siècle jusqu'à l'époque de l'éditeur de musique irlandaise Francis o ' Neill - qui a également été chef de la police de Chi…

Par SMITH PAUL. The text of Let’s Walk Together, by Daniel Simpson, neatly sums up the character of its composer Paul Smith and the vocal ensemble he founded, VOCES8. Connection, interaction and movement are all characteristics. Composed for SSAATTBB unaccompanied choir with baritone solo, this three-minute piece has sonorous hymn-like chords which introduce cascading faster voices in its middle. …

Plus grands hymnes contient des hymnes de partout dans le monde. Ils sont délicieusement disposés dans les milieux frais par certains des arrangeurs avant tout dans le domaine instrumental. Le CD d'accompagnement (inclu dans le livre solo) offre une performance de démonstration de chaque solo. Il permet également la soliste à la pratique ou accomplir avec le CD lorsqu'un accompagnateur n'est pas d…