Par THOMAS AMBROISE. Compositeur d’opéras avant tout (Mignon, 1866 ; Hamlet, 1867), Ambroise Thomas (1811-1896) laisse une œuvre religieuse se limitant à une quinzaine de compositions dont ­quelques motets, une Messe solennelle (1852) et une Messe de requiem (1833). L’Agnus Dei présenté ici n’est pas répertorié dans le catalogue des œuvres du compositeur contrairement à ce qu’affirme Elisabeth Rog…

Par . Santorella Publications is proud to present our Instrumental Fingering Poster Series. Perfect for the bandroom, classroom, private studios, or simply as a beginner’s quick reference guide while practicing at home. These 11 x 17 graphic illustrations of assorted brass, reeds, woodwinds, and stringed instruments printed on sturdy - 100 pound - heavy stock are meant to mount on any wall. This e…

Par L\'ESTRANGE ALEXANDER / PILLING T.. Partitions saxo alto enregistrements play-along. / Date parution : 2005-08-11/ Recueil / Violon et Piano

Carnival in Paris Op. 9. Par SVENDSEN JOHAN S.. Johan Svendsen (1840-1911) composed “Carnival in Paris” in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in …

Full Score. Par HILLBORG ANDERS. Hillborg's first Violin Concerto, composed in the early 90s, is a pivotal work in his oeuvre. Composed in the wake of his highly experimental Clang and Fury and Celestial Mechanics - both of which employ complex and unconventional tuning systems - the concerto displays a more pragmatic approach, though the drama it sets up is far from conventional, with a very flui…

Beautiful Airs and Ballads of the British Isles. Par DUNCAN CRAIG. Beautiful Airs and Ballads of the British Isles is a collection of 29 traditional Irish, Scottish and English melodies that are particularly suited to being played on the fiddle. Traditional fiddle airs, love songs, songs of home and longing as well as compositions of Turlough O Carolan and J. Scott Skinner make up the collection. …

Zum Nahmensfest des Bonapart produciret. Par HAYDN FRANZ JOSEF. For the first time this work ascribed earlier to Joseph Haydn will be edited here under the name of his brother, Johann Michael Haydn, and based on the most reliable source from 1765 from the Benedictine monastery Göttwieg. There, in the course of a century the work was heard forty times for opening of the solemn High Mass, as also in…

An Den Wassern Zu Babylon. Par LISZT FRANZ. S 17 / Hymnes et chorals / Répertoire / Solo S, Choeur SSAA, Violon, Piano, Orgue et Harpe

An Den Wassern Zu Babylon. Par LISZT FRANZ. S 17 / Hymnes et chorals / Répertoire / Solo S, Choeur SSAA, Violon, Piano, Orgue et Harpe

Par HUREL PHILIPPE. Ayant joué du violon dans mon enfance, j'ai toujours repoussé le moment d'écrire pour les cordes seules, comme si la peur d'aborder mon instrument reprenait corps lors du passage à l'écriture. Mais l'amitié fait des miracles et Alexis Descharmes n'a eu aucun mal à me convaincre d'écrire pour le violoncelle. Il faut dire que notre collaboration au sein de Court-circuit n'a fait …

Edward Huws Jones' popular series of traditional fiddle repertoire, now available with expertly-recorded audio CD. Containing colourful instrumental backing tracks and full demonstrations, the new audio resource will aid and inspire your private practice and public performance alike. These generous collections of authentic music, some familiar, some more exotic, but all of it faithfully arranged, …

Par ANDERSON JULIAN. A collection of eight engagingly quirky miniatures from 1997, Julian Anderson’s Poetry Nearing Silence was inspired by the work of artist Tom Phillips. The highly contrasted, often bizarre juxtapositions of Phillips’s The Heart of a Humument – whichsees him ‘treating’ an obscure late Victorian novel by selecting certain words and phrases, and then painting over the rest of eac…

Par PERNON GERARD. Cette histoire de la musique expose, pour chaque époque, ce que fut la vie de la musique, sa pratique, son style, ses formes, les instruments de musique utilisés, son contexte aussi. Le propos n'y est pas de quêter une sorte de progression vers la musique d'aujourd'hui, ni d'établir un recensement chronologique des compositeurs. L'idée directrice est qu'à chaque époque la musiqu…