Study Score. Par DVORAK ANTONIN. Dvorák n'avait que vingt ans quand il écrivit son Quatuor à cordes n o 1 en la majeur, op. 2 (1862). Le travail est considéré comme le deuxième compositeur travail le plus important, après le Quintette à cordes en la mineur op. 1. Dvorák ne sont pas retournés au travail sur op. 2 jusqu'à 1887, quand il a été la révision de ses premières oeuvres. Il a supprimé les s…

Par RAVEL MAURICE. In 1920 Maurice Ravel was asked by his publisher Durand to contribute to an issue of La Revue Musicale dedicated to Claude Debussy. A supplement included the first movement of Ravel’s Sonata as well as works contributed by Debussy’s friends Stravinsky, Satie, Dukas, Bartok and de Falla to name only a few. This 1st movement of Ravel’s Sonata, of which the autograph is lost, then …

This flexible collection offers a wealth of excellent material for singing in rounds. All of the standard rounds are represented, including many by master composers as well as anonymous ones. The book is divided into three main sections: rounds with texts, rounds without texts and selected rounds in score format. In addition to a complete alphabetical index, there are separate listings of rounds w…

Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For thi…

Sinfonische Fantasie. Par SIBELIUS JEAN. The tone poem Pohjola's Daughter Op. 49 - a ‘ Symphonic Fantasy for Large Orchestra' - was written by Finnish composer Jean Sibelius in 1906. The story is a variation of Orpheus in the Underworld, depicting a hero (Väinämöinen) who spotted the beautiful ‘ daughter of the North' (Pohjola), seated on a rainbow. The hero asked her to join him, but …

Ballet Heroïque With A Prologue And Four Acts. Par RAMEAU JEAN-PHILIPPE. The main body of the new edition of Les Indes galantes, published in Opera Omnia Rameau (OOR IV.2, 7), restores the version authorised by Rameau in 1736. This basic editorial decision has made it possible to present a fully coherent and authenticated reading of the work (after the adjustments from the earliest performances). …

Arranged For Violoncello et Piano. Par DVORAK ANTONIN. In 1891 Dvorák arranged the final eighth dance of his popular first set of the Slavonic Dances Op. 46 for violoncello and piano. The Czech composer Jirí Gemrot, born in 1957, has followed his example and has arranged the remaining dances for the same scoring. However in order to approach Dvorák’s ideal sound Gemrot based his arrangements on th…

Par HAENDEL GEORG FRIEDRICH. The episode from Ovid‘s “Metamorphoses” in which Daphne attempts to escape Apollo’s advances by turning into a laurel tree, causing the devastated god to weave a laurel crown in memory of the nymph, has inspired the masterworks of many artists. Gian Lorenzo Bernini, whose famous marble sculpture is housed in the Galleria Borghese in Rome, is only one example of this. M…

Full score. Par COLL FRANCISCO. Francisco Coll's Four Iberian Miniatures glitter with sharp, Andalusian light. Premiered by Pekka Kuusisto and the Britten Sinfonia under Coll's mentor Thomas Adès, this dazzling 12-minute work sees the flamboyant soloist dancing through lucid textures which filter flamenco through Coll's own fractured and surreal musical voice./ Répertoire / Violon et Orchestre de …

Sinfonische Fantasie. Par SIBELIUS JEAN. The tone poem Pohjola's Daughter Op. 49 - a ‘ Symphonic Fantasy for Large Orchestra' - was written by Finnish composer Jean Sibelius in 1906. The story is a variation of Orpheus in the Underworld, depicting a hero (Väinämöinen) who spotted the beautiful ‘ daughter of the North' (Pohjola), seated on a rainbow. The hero asked her to join him, but …

Par MENDELSSOHN-BARTHOLDY FELIX. The Overture to Ruy Blas, Felix Mendelssohn Bartholdy’s last overture, was not composed as an autonomously conceived score, but as the opening piece of a stage work. Nevertheless, its immediate success at the Leipzig first performance in 1839, as well as the fact that no further contributions to Victor Hugo’s drama followed from Mendelssohn’s pen soon made it well …

In Full Score. With Mozart's Cadenzas for Nos. 9 and 10. Par MOZART WOLFGANG AMADEUS. Mozart's supremacy as a composer is nowhere more apparent than in his piano concertos, which were a lifelong preoccupation for him. This volume includes the Triple Concerto No. 7 in F, Mozart's only concerto for three pianos, with the composer's cadenzas for all three movements. Reproduced and unabridged from the…

Par MOUSSORGSKY MODEST / RAVEL MAURICE (Arr.) . Ravel’s brilliant compositional interpretation of the Pictures at an Exhibition is, to this day, the most famous and independent orchestration of Mussorgsky’s masterpiece. When the French composer turned his attention to his Russian colleague’s piano cycle in 1922, he was at the height of his mastery and Paris was enraptured by Russian music. Notated…

La méthode de chaîne complet qui couvre tout! Une série de succès ensemble de cordes méthode pour salle de classe ou l'étude individuelle. Fournit le joueur chaîne commençant par une base solide dans tous les aspects de cordes jouant avec un accent sur la force rythmique. Les sujets comprennent: Démarrage par coeur Commençant par la note instrument positions poignées Bow le rythme théorie t…