Encore! Après l'énorme succès du premier volume-seller de l'auteur Hans-Günter Heumann présentés dans ce volume des pièces les plus célèbres et populaires pour le piano. Il joue à travers tous les genres connus de la musique de piano - de conifères, pop, rock et classiques de piano jazzy.Tous les arrangements sont faciles et grand ensemble de résonance et pour n'importe quel débutant au piano faci…

Since its first showing in 2004 The X Factor has showcased the previously undiscovered talent of hundreds of great British singers, such as Leona Lewis, Alexandra Burke and Shayne Ward. This folio features 20 of the best songs from the show arranged for Piano, Voice and Guitar, and includes a bonus CD of backing tracks so you can sing along. Includes Alexandra Burke smash hit version of Leonard Co…

Par BOSSO EZIO. A brand new collection of solo piano pieces by Ezio Bosso from the album The 12th Room, which combines original compositions with famous pages by Bach and Chopin, revisited by Ezio and included in the suite Bach Was in Another Room (2-7), and by John Cage with In a Landscape. The collection is completed by three pieces belonging to three other projects: Six Breaths (2009), Music Fo…

Songbuch für Klavier 100 Stücke von Pop und Rock bis hin zu Piano Classics arrangiert für Klavier herausgegeben von Hans-Günter Heumann mit Texten und Akkorden sehr leichter bis leichter Schwierigkeitsgrad ISBN 9783795746353, ISMN 9790001181518, Verlags-Nr. ED 21333 Format: 23 x 30,5 cm 296 Seiten / Schott

Songbuch für Klassische Gitarre 23 Melodien aus Folk, Pop, Jazz und Film für klassische Gitarre in Standardnotation und Tabulatur mit Texten und Akkorden mit Schlagmustern und Grifftabelle leichter bis mittlerer Schwierigkeitsgrad ISMN 9790001128506, Verlags-Nr. ED 9247 Format: 23 x 30,5 cm 80 Seiten / Schott

Par FERNANDEZ MICHELE. Get ready to move! Opening with a warm and sultry flute solo (opt. Alto or Flugelhorn) this chart transitions into a burning Son Montuno with an infectious melody full of lots of syncopations. Meticulously marked percussion will teach your rhythm section authentic interpretations of the Cáscara, Campanéo and Songo grooves. Your bass player is also in for a treat. Open solo s…

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Apprenez les lignes de basse de marque derrière la plupart des rock duo songwriting influentes. Une analyse en profondeur de 8 chansons. / Guitare Basse

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Par GUERINEL LUCIEN. Suite de poèmes de différents auteurs autour de la beauté du monde. 1 ALME (Ce grain qui nous attend) Nous quitterons les terres basses le regard perdu sur les lisières où terre et ciel se mêlent là où sommeille l’alme dans son manteau de givre épargnant – maternelle – le grain qui nous attend à qui nous demandons le feu que préparent nos songes mais il nous faut monter encore…