Par PASTORE CARMINE. Kids love to rock and roll! Hit ‘em where they live with Carmine Pastore’s lively new young band powerhouse, Rockadelic! This will be a great contrast to that overture or march you’ve programmed for your next concert, and the band will Love it. A few well-chosen accidentals help add spice to the mix, but don’t overwhelm the group with too many “new” notes at one time. Irresist…

Ursula Mamlok was born in Berlin in 1923, but was forced to emigrate via Ecuador to New York in 1939 because of her Jewish descent. In 2006 she returned to the city where she was born.Above Clouds for viola and piano, created in 2013/14, is one of Mamlok's most recent compositions and is no longer than about three minutes. In this period, however, many a thing happens, even if, as is often the cas…

WoO 27Clarinette(flûte, hautbois, violon) et basson (violoncelle)The present edition is based on the score published in the Complete Edition of 1864, which in its turn took as its source a print published by André in Offenbach circa 1830. An autograph or transcription has yet to befound. Whereas earlier Beethoven specialists traced the Duets back to the time of the Septet Op. 20, which was compose…

The Enchanted Forest. Par HENZE HANS WERNER. This music is taken from the second act of my early opera King Stag. In the original, the aria - here rescored for the orchestra alone - is sung by the protagonist (tenor) who yearns to return to the woods, to nature, to the origins of his animal existence. The rondo is set in a very fast dance tempo (a Tarantella?) and is in three parts: the first one …

This unique resource shows you how to play the piano intros to 100 favorite songs/ Recueil / Piano

Raising the curtain on Christopher Norton's Micromusicals - exciting and accessible musicals for schools based on popular classroom teaching topics from the creator of the internationally-acclaimed Microjazz series. Designed for children aged 6-12, each production lasts around 30 minutes and can be learned, rehearsed and performed in as little as 2 days.Stage a real class act with this comprehensi…

Partitions arrangées pour clarinette + un CD audio contenant 2 versions de chaque titre: une démonstration complète puis une version sans la clarinette qui vous permettra de jouer accompagné. / Clarinette

Arrangeur: Ralf Bienioschek. Par BEATLES THE. The 1967 song 'Penny Lane' is one of the Beatles' biographical songs. Penny Lane is a street in Liverpool, where The Beatles were from, and the song's lyrics reference several aspects of growing up in the city. This arrangement was made by the renowned German recorder soloist and teacher Ralf Bienioschek for his special 'Ralf Bienioschek Signature Edit…

Ce livre/cd permet aux bassistes de tous niveaux d'étudier le langage du jazz. Il contient 21 solos qui sont enregistrés sur le CD par Mike LeDonne (Piano), Peter Washington (Basse) et Kenny Washington (Batterie). Deux enregistrements par morceaux : une version complète une version sans la partie solo. / Guitare Basse

This excellent collection of 12 varied folk songs from near and far offers fresh settings by well-known Alfred Music arrangers including Jay Althouse, Andy Beck, Mark Hayes, Douglas E. Wagner, Dave and Jean Perry, and more. Available in Medium High and Medium Low editions. / Voix

The collection of nine Vedic Hymns (Op. 24) for solo Voice with Piano accompaniment marked a turning point in Holst's compositions. They were inspired by Hindu scripture and Indian raga, and first published in 1908. Vac (Speech) is the seventh movement, and is the first of the third group of hymns, where the theme shifts into the human sphere. Gustav Holst (1874-1934) was an English composer and t…

'I ask for one day where I don't have to hear about pain, or life that's lost, I ask for one day where whispers of hope are alive inside my heart.? These words, written by 5th graders in a writing workshop, moved the composer to create this inspiring work. / Choeur Mixte

This work was originally scored as a tone poem that was written in 1874 by well-known French composer Camille Saint-Saëns. The basis of the piece is an old French superstition where at the stroke of midnight on Halloween, Death appears and summons the dead to dance while he plays his music for them. In a familiar 3/4, it's spooky enough for a Halloween performance and classical enough for any prog…