Par RAVEL MAURICE / NICHOLAS ELLIS MAURICE (ARR.). Pavane pour une infante défunte was originally written for solo piano and remains one Ravel’s most popular pieces. Written in 1899 while the French composer was studying at the Conservatoire de Paris under Gabriel Fauré, a small orchestra version was published in 1910 using woodwind, two horns, harp, and strings. In this arrangement - first perfor…

Par ARNOLD MALCOLM. Malcolm Arnold composed his Second Flute Concerto in 1972 for Richard Adeney, who premiered it at the Aldeburgh Festival with the English Chamber Orchestra. Cast in three movements, this delightful 14-minute concerto is scored for solo flute, pairs of oboes and horns, and strings. / Instrumental Music / Répertoire / Flûte Traversière et Piano

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Par JACKSON GABRIEL. for T. solo, SATB (with divisions), and orchestra This spiritual work draws its evocative texts from diverse sources ranging from a hymn by St Ambrose to contemporary poems by Doris Kareva and Kenneth White. Profound words by Wallace Stevens draw this monumental work to a close, with wind and strings leading us to a final chord resounding with quiet optimism to end this transf…

Par VINE CARL. Lyrical, direct and exhibiting a masterful understanding of vocal writing, Carl Vine's secular cantata for soprano and strings, The Tree of Man, is a gift to audience and musicians alike. The 11-minute work, written in 2012 for the Australian Chamber Orchestra and soprano Daniele de Niese, is based on a passage from a novel of the same name by the Nobel Prize-winning author Patrick …

for violin and piano. Par CASKEN JOHN. 'Après un silence' was originally written as a work for violin and piano. The piano part was subsequently orchestrated in such a way that the work may be performed with a chamber orchestra or with an ensemble of the same forces using strings. 'The violin's opening interval of a rising sixth is the gem from which everything is developed into one extended movem…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

for cello and orchestra (2 oboes, 2 horns, strings).Edited by Alessandro Bares (copyright 2022)ISMN: 979-0-52017-523-4Series: Minghén dal Viulunzèl​1 volume (55 p.) / Viole de gambe / Musedita

Riduzione Per Canto E Pianoforte Di G. Luporini. Par VERDI GIUSEPPE. Te Deum, together with Ave Maria, Stabat Mater and Laudi alla Vergine Maria, is one of the Quattro pezzi sacri composed by Giuseppe Verdi between 1890 and 1898 and first released by Ricordi in 1898. According to the composer, Te Deum is the best piece and undoubtedly one of the most significant. For double SATB choir, with a shor…

/ Violon Et Piano / 39 pages / Partition

/ Ensemble A Cordes

Couverture Rigide. Par MARTINU BOHUSLAV. Replaces H 277 The two concertos contained in this volume represent two different stylistic periods within Martinu's work. The 'Concerto da Camera” (1941) is the last of his works inspired by the Baroque concerto grosso. The 'Rhapsody-Concerto”, composed eleven years later (1952), was the first work of his so-called 'fantasia period”, marked by a more open …