Playing on the Changes features 13 jazz etudes through the various chord qualities found in standards and jazz tunes in all 12 keys. Areas covered include major 7th chords, minor 7th chords, dominant 7th chords (Mixolydian, altered dominant, and half-whole diminished), minor ii (flat-5) chords, tritone substitutions, and a variety of progressions using all of the above. Bob Mintzer has written out…

Playing on the Changes features 13 jazz etudes through the various chord qualities found in standards and jazz tunes in all 12 keys. Areas covered include major 7th chords, minor 7th chords, dominant 7th chords (Mixolydian, altered dominant, and half-whole diminished), minor ii (flat-5) chords, tritone substitutions, and a variety of progressions using all of the above. Bob Mintzer has written out…

Media Type : Book Level : Intermediate Musical Genre : All Styles Number of pages : 72 Designed to help people master all 24 major and minor scales. In this book, first, all the violin scales are re-organized to be more simple, practical, and easy to learn. Then all the fingerings of the single-stop scales are classified into only a few basic patterns. When practicing, violinists can study these …

Arr. Kurt Engelmann. Par SCHARF JR. / FRANZ G.STEINER / PETER SEYFRIED. Alto Adige est une marche traditionnelle du trio « Die Bergdiamanten », qui triomphe dans l’univers de la musique traditionnelle en Autriche, en Allemagne et au Tyrol du Sud, depuis plus de dix ans. Alto Adige évoque l'authenticité et la spontanéité des habitants du Haut-Adige. / Niveau : 3 / Classique / Répertoire / Concer…

Par MANUS STEVEN / MANUS RON. Learn to play the harmonica and open up a brand new world of musical knowledge with this exciting method from Alfred. Beginners of all ages can start their journey to a lifetime of musical enjoyment. Beginning with the fundamentals, you will learn about various harmonica types, how to care for and groom your very own harmonica, how to hold and break it in and getting …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Here's a kickin' gospel original with energy to spare. Spirited syncopations and intricate chord changes authenticate the style, and a short piano solo paves the way for a funky vocal stack that drives to the end and brings it all home! / Choeur Mixte (SATB)

This enjoyable introduction to harmonica lets you listen to the CD, practise the pieces in the book and then play along with the backing tracks. Starting Blues Harmonica has been created with beginners in mind. All the tunes have fantastic CD backing tracks recorded by a live band. As you gradually become familiar with different harp techniques, you'll progress from playing single notes and chords…