Praise to Thee, Jesus Christ. Gelobet seist du Jesu Christ (We Praise You Jesus Christ) is an old Christmas hymn dating from the 16th century, which can still be found in many hymnbooks today. John Blanken has created a varied and imaginative arrangement on four verses of the hymn. After the introduction, derived from the opening notes, the hymn is first accompanied by an agile harmonisation. Next…

Par ROPARTZ. Considered as one of the hardest works for solo Trombone, Piece in Eb minor by Joseph Guy Ropartz is a mix of Romantic and Impressionist influences. This piece requires a strong endurance: the second part starting after the half of the first page shows the hardest run, when most players would already start lacking of endurance! Great piece for recitals and exams for advanced players, …

Easy-to-intermediate arrangements designed to bring out the best qualities of the flute. The side range of compositions inlcude works by Beethoven, Brahms, Dvorak and Schubert, as well as folk songs, dances, jigs and reels from all over the world. Arranged for flute and piano. Includes score and part. / Flûte Traversière

1. Violin, 2. Violin (Viola) Violoncello. Par SASSMANNSHAUS EGON / SASSMANNSHAUS KURT. The Sassmannshaus 'Early Start” string methods cultivate playing together as early as possible, initially in duets. However playing in larger mixed ensembles is also encouraged and this tried-and-trusted edition for strings provides the perfect start for this. The first songs can all be performed in canon: each …

Kantate Zum Ersten Ostertag. Par BACH JOHANN SEBASTIAN. The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring – which changed slightly from per…

Kantate Zum Ersten Ostertag. Par BACH JOHANN SEBASTIAN. The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring – which changed slightly from per…

In his choice of the title La Follia, Krzysztof Penderecki recalls the tradition of virtuosic variations on a Sarabande originating from the Baroque period. The theme is introduced first in pizzicato, then arco, and is developed in nine variations which exploit the full range of playing techniques on the violin. The breakneck speed of double stopping passages, artificial harmonics, extensive melod…

Par ANDRE MARC. The most distant is more familiar to us then the nearest. Primeval man, furthest in the past, is also the essential man. Anticipation, pointing furthest into the future, leads us in its way to the essential man. Thus the distant is connected with the most inner [Edgar Morin, Le vif du sujet, Paris 1968, S. 68]./ Répertoire / Clarinette Basse, Trombone, Alto, Violoncelle, Con

Music notation is a language that has been developing for thousands of years- even the manner in which we read music today has been around for several centuries. In learning to read music, we encounter basic symbols for pitch, duration, and timing. As we advance, we learn about dynamics, expression, timbre, and even special effects. How to Read Music will introduce you to the basics, then provide …

Par DELISE LOUIS ANTHONY. Natural Light, by composer Louis Anthony deLise is a diverse collection of pieces for piano solo, including: American Darkness, Autumn Twilight, But Not Forgotten, Early January, In the Edge of the Water, Mosaic, Natural Light, And Then She Was Gone, Spring Rain, Three Little Dancers, Winter's Chill, and Variations on Moonlight. Natural Light, by composer Louis Anthony de…

Par NAOUMOFF EMILE. These songs by Emile Naoumoff are squarely in the tradition of French lied composition such as by Gabriel Fauré. Here, Naoumoff chose texts by late 19th-century French lyricists: Auguste Villiers de l'Isle-Adam, Emile Verhaeren, Charles Baudelaire and René-François Sully-Prudhomme. In their elegance and suppleness, the four songs sound typically French. As they are all easy to …

La comédie musicale par lequel tous les autres sont jugés, chef-d'oeuvre de Leonard Bernstein fournit encore chansons avec profondeur musicale et de la substance qui transcendent les frontières de style tous. Michael Sweeney a fait un travail incroyable de garder l'authenticité intacts avec ce mélange facile très efficace et qui paraissent impressionnants pour bande symphonique. Comprend : Prologu…

Par . / Niveau : très facile / Recueil / Flûte Avec Accompagnement Piano Ou Audio