Par ORFF CARL. Orff-Schulwerk has been translated and adapted for use in many countries and there are editions in numerous languages, with a comprehensive range of supplementary material. Those teachers using the various English editions will find here a rich and exciting source of traditional folk songs, dance melodies and original material from other countries, which will enlarge and enrich the …

a gospel medley and classic spiritual. Par L'ESTRANGE ALEXANDER. This rollercoaster collection opens with a show-stopping gospel medley and closes with a reflective arrangement of a classic spiritual. These simple choral arrangements have been carefully designed to provide rewardng, varied repertoire for beginner choirs. Perfect for singers of all ages. / Niveau : Facile / Date parution : 2005-0…

John Thompson's Easiest Piano Course. Par THOMPSON JOHN. First published in 1954, John Thompson's Easiest Piano Course is one of the most-loved and best-selling Piano methods in the world. John Thompson's timeless approach to teaching has been trusted by generations of teachers to start millions of students on their musical journey. Featuring beloved Christmas favourites, this bumper songbook incl…

Piano reduction. Par VANHAL JOHANN BAPTIST. Following Dittersdorf (HN 759) and Hoffmeister (HN 721), Johann Baptist Vanhal and his sole double-bass concerto add a further highlight to the classical bass literature in our catalogue. The virtuoso work was transmitted only in a copy of a part owned by the famous double-bass player Johannes Sperger (1750-1812) and found in his estate, which raises a f…

From Rio to Red Square, Mike Mower?s Musical Postcards features ten captivating pieces in different musical styles from around the world. Experience the thrill of Puerto Rican salsa, the magic of an Irish reel, the romance of French café music, and much more ?Available in editions for alto saxophone, flute, clarinet, trumpet and violin, each book contains melody lines with chord symbols to aid imp…

Rhapsody For Fanfare. Par DE HAAN JAN. The work Prevision has been composed in a freefantasy form. Sunk in thought the composersketches his prevision: the development of hissmall grandson growing up to be an adult man. After a brilliant introduction, a slow march follows, which symbolises the first steps toward adulthood. Aspects such as love and a sense of security, thatare indispensable for a po…

Par SAMITZ NICO. 'Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the „BlechReiz BrassQuintett“ ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music—and even to pop-oriented compositions. While honing his skills …

Par SAMITZ NICO. Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the ?BlechReiz BrassQuintett? ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music?and even to pop-oriented compositions. While honing his skills i…

Arr. Jan De Haan. Par TRADITIONAL. Die Hanover Hymn stammt vom Anfang des 18. Jahrhunderts, die heutige Form und ihren Namen bekam sie allerdings erst später. Das Arrangement von Jan de Haan beginnt mit einem luftigen, verspielten Thema, an welches sich die Liedmelodie, zunächst in den Posaunen gespielt, anschließt. Dann wird das Lied vierstimmig wiederholt, bevor das hohe Blech mit einer von dem …

Arr. Jan De Haan. Par TRADITIONAL. Die Hanover Hymn stammt vom Anfang des 18. Jahrhunderts, die heutige Form und ihren Namen bekam sie allerdings erst später. Das Arrangement von Jan de Haan beginnt mit einem luftigen, verspielten Thema, an welches sich die Liedmelodie, zunächst in den Posaunen gespielt, anschließt. Dann wird das Lied vierstimmig wiederholt, bevor das hohe Blech mit einer vom gesa…

g-moll Op. 33 B. 63. Par DVORAK ANTONIN. Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and p…