Arrangeur: Rachel Jennings. Par JENNINGS RACHEL. Red Hot Violin and nbsp - is an exciting new series of graded performance repertoire with a difference, featuring sizzling arrangements of contemporary show-stoppers for intermediate violin with piano. With pieces in a wide variety of styles, violinists of all ages will enjoy showing off these sparkling takes on popular favourites. They're perfect f…

Following Dittersdorf (HN 759) and Hoffmeister (HN 721), Johann Baptist Vanhal and his sole double-bass concerto add a further highlight to the classical bass literature in our catalogue. The virtuoso work was transmitted only in a copy of a part owned by the famous double-bass player Johannes Sperger (1750-1812) and found in his estate, which raises a few questions on account of the many later ad…

Musikalisches Drama TVWV 21:18. Par TELEMANN GEORG PHILIPP. In Georg Philipp Telemann’s opera “Orpheus”, the focus is not on Eurydice, but on Queen Orasia, who is inflamed with mad but unrequited love for the legendary singer. The first documented performance of the work took place in Hamburg in 1726. In keeping with the appealing multilingualism of the libretto (German, Italian and French), the …

Solo For Eb Cornet And Brass Band. Par ROELS STIJN. Lyrica is a solo work for E-flat-cornet. As the title conveys, it is based on an expressive, lyrical theme that gives the soloist the chance to bring his or her musical skills into the limelight. The attractive accompaniment has been crafted in an original polyphonic way. Highlight your soprano player with this sumptuous solo. / Niveau : 3 / oe…

The art of arranging has a long tradition. When arranging three movements from the third and fifth cello suites of J.S. Bach, the trombone virtuoso Mike Svoboda was inspired by the piano parts which had been added to Bach's solo suites by Robert Schumann. A dialogue across the centuries (also available as download in a version for accordion). / Trombone Et Piano

Par VIVALDI ANTONIO. One of the best-loved and most endearing works of the late Baroque, Vivaldi's set of Violin Concertos The Four Seasons Op. 8 are presented here in an authoritative Barenreiter Urtext edition. This publication of Vivaldi’s masterpiece is a critical performing edition of the Manchester manuscript source, which originates from Vivaldi’s circle and represents an alternative (in ma…

Par VIVALDI ANTONIO. One of the best-loved and most endearing works of the late Baroque, Vivaldi's set of Violin Concertos The Four Seasons Op. 8 are presented here in an authoritative Barenreiter Urtext edition. This publication of Vivaldi’s masterpiece is a critical performing edition of the Manchester manuscript source, which originates from Vivaldi’s circle and represents an alternative (in ma…

Par MOUSSORGSKY MODESTE / KURTAG GYORGY. For György Kurtág, Mussorgsky's works have always been an important model. Several of his works contain pieces referring to Mussorgsky (Games III, The Small Snag), and in his opera, Fin de partie, he also refers to Mussorgsky's declamation style. He made these two transcriptions for piano duet in 1989, continuing a series of his earlier pre-Classical transc…

Want to develop a formidable technique and become a virtuoso drummer? Joel Rothman's Sticking Patterns is for you.This book has been taken directly from Basic Drumming. Included in this study are mixed stickings, left hand control, measured single-stroke rolls, measured double-stroke rolls, all types of paradiddiles, flames, drags, ruffs and accent studies. The exercises in this book are, for the …

Par STORY MICHAEL (Arr.). A must for any regal ceremony. The traditional 'Pomp and Circumstance' has been scored for young full orchestra or strings alone. It includes a processional and the majestic 'Rondeau' from Premiere Suite as the recessional. This arrangement would be an outstanding graduation choice for any level orchestra performing without graduating seniors. A welcome necessary arrangem…

This anonymous sextet arrangement of Beethoven's Fourth Piano Concerto was highly popular in Vienna during the composer's lifetime.We know this from at least two sets of handwritten parts which were then in circulation.No piano part has been handed down- indeed, the original sets of parts probably omitted the piano.The soloist presumably studied his part from the first edition of the solo part, pu…