By The White Stripes. Arranged by Kenneth Pasciak. Score, Tablature. 4 pages. Published by Kenneth Pasciak

Flute,Guitar,Instrumental Duet - Level 5 - Digital Download SKU: A0.1319297 Composed by Amos Elkana. 21st Century,Contemporary. 6 pages. Amos Elkana #907936. Published by Amos Elkana (A0.1319297). A concise composition for flute and guitar, crafted in my distinctive style that blends modern elements with an accessible approach. This work delves into contemporary playing techniques, emphasizing more than just timbre. It engages in a dialogue with post-minimalism, adding a unique perspective to the genre. The piece is designed to be enjoyable to play while maintaining depth and substance. The flute and guitar engage in an ongoing interplay, creating a dynamic musical conversation. As the composer, I welcome a broad range of interpretations and am open to modifying the original score based on insightful feedback from the performers.

Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.576908 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 8 pages. David Warin Solomons #512599. Published by David Warin Solomons (A0.576908). Instrumental arrangement of my song A latter-day Ronsard which is effectively a modern sonnet to a young lady, exhorting her to make the most of her youth (gather ye rosebuds while ye may). The pdf file contains the score and parts. The audio sample is an electronic preview The words of the original song (also available on this site) are: If you but think, Think on and on My little one. If you but think It will go on ... Going for ever, This time of love This time for lovers, You’re for a fall, My little girl, You’re for a fall If you maintain You will retain Fine blushing skin And waist cinched in Delicate arms Fine varnished nails Tender of thigh And fleet of foot, And if you think my sweet It will be true Going for you You're for a fall My little girl, You're for a fall. Gone the good days, Pleasure and holidays. Planets in orbit Circle around But you my sweet You will go straight Toward the unknown And overblown with sagging skin and treble chin Heavy with fat and flesh that's slack Come gather ye roses Look ye around, My little one Blossoms abound Let them repose On the slack tide Of every happiness. So, gather them all Or you'll be sure Pride comes before a fall.

Guitar - Intermediate - Digital Download SKU: M0.31076MEB Chamber. Classical. Ebook/insert/online audio. 32 pages. Mel Bay Publications - Digital Sheet Music #31076MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31076MEB). ISBN 9781513477718. 8.75x11.75 inches.Following the model established by Bach and Chopin, George Gershwin (1898 – 1937) originally planned to write 24 modern preludes for piano, one in each major and relative minor key. The collection was to be called The Melting Pot as it combined cross-cultural elements of classical, popular, jazz, and blues styles. Already established as a composer of popular songs, Broadway musicals, and masterpieces like Rhapsody in Blue and Concerto in F, Gershwin’s frenetic musical activities and an early death intervened, and for various reasons—only three of the completed 5-7 preludes were published in 1927. By omission and circumstance, these three compositions have endured the test of time as Gershwin’s Three Preludes. This book presents idiomatic flute/guitar arrangements of Gershwin’s iconic Three Preludes. The original keys of the preludes were altered to accommodate drop-D guitar tuning and highlight the strengths and tessituras of the two instruments. The music is written in standard notation only and presented in guitar and flute scores, guitar accompaniment with extensive suggested fingering, and a pull-out flute solo part with guitar cues. Includes access to an outstanding online audio recording by The Cypress Duo, featuring flutist Amanda Hoke and author/guitarist Justin Hoke. Audiences are going to love hearing these preludes rendered by the flute and guitar, particularly “Prelude II”, in Gershwin’s words, “a sort of blues lullaby” that is familiar to many musicians and listeners alike.