Cello,Instrumental Solo,Piano - Level 4 - Digital Download

SKU: A0.987858

Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages. Robert M. Greenberg #115605. Published by Robert M. Greenberg (A0.987858).

Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://mail.google.com/mail/?tab=wm#inbox/14f3cea616cb0a88?projector=1 Duration: ca. 12 minutes Year of composition: 2014 Program Note: I. Overture II. Nigun no. 9 III. Molad’ti IV. Gilu Hagalilim V. Y’mey Hanoar VI. The Gigue Is Up My apologies upfront for all the first person pronouns in this program note! A few years back, Nina Flyer asked me to write for her a piece of music that would contain or make reference to Jewish/Yiddish/Hebrew dance music and/or folk songs. The more I thought about it, the more difficult I realized the challenge would be. As best as I could tell, I had three options. Option one: I could set said dance music/songs for cello and piano, with the result being a series of arrangements: nice, but artlessly unoriginal (meaning dull). Option two: I could weave the tunes into a single narrative and in doing so write another version of Schlomo (a self-proclaimed Hebraic work for cello and orchestra by Ernst Bloch). Option three: I could make up my own ethnic-sounding melodies and either arrange them for cello and piano or weave them into some sort of Hebraic narrative: options one and two all over again. So I came up with option four. I selected four folk tunes (movements II, III, IV, and V) and composed a counter-melody to each. The first half of movements II, III, IV, and V set that counter-melody without any reference to the original folk tune. The second half of those movements then combines the counter-melody with the original tune (and thus the revelation, as the original tune is revealed). The generally two-part shape described above (excepting movement IV, which is A-B-A in structure) suggested Baroque binary dance form, and so I turned the piece into a sort of Baroque dance suite. It begins with a French Overture based on the counter-melodies of movement III and V, and concludes with a gigue based on the counter melodies of movements II and IV. The historical references are supposed to be tongue-in-cheek and I can only hope they will be taken that way. A thousand-and-one thanks to Nina Flyer and Lori Lack for their patience, hard work, and musical brilliance. Suite Revelation is dedicated – with the greatest respect and affection – to Nina Flyer.

Cello,Piano - Level 3 - Digital Download

SKU: A0.586424

By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Martin Lass. Broadway,Hip-Hop,Latin,Musical/Show,Pop,R & B. Score and part. 9 pages. MA Lass & I Lass #195713. Published by MA Lass & I Lass (A0.586424).

In this Level 2.5 (Intermediate) arrangement, Martin Lass has arranged the hit song, We Don't Talk About Bruno, for solo cello and piano accompaniment. Guitar chords and chord boxes are included. We Don't Talk About Bruno is a song from Disney's 2021 animated feature film, Encanto, with music and lyrics written by Lin-Manuel Miranda. It was released by Walt Disney Records as part of the film's soundtrack in November, 2021. It has achieved many accolades and charted No. 1 or Top Ten across the world, including No. 1 on US Billboard Hot 100. Wikipedia notes that, musically, We Don't Talk About Bruno eschews Disney's traditional formula of a sentimental ballad performed by a solo character, opting for a subdued, mid-tempo tune blending Latin music styles such as salsa and guajira with pop, hip hop, dance and Broadway elements, sung by an ensemble and climaxing in a polyphonic outro. This arrangement has been specifically tailored for intermediate-level cello while retaining all of the original elements of the song, as well as some original interpretative elements. The lead line combines some of the different voices in the original song. The key have been changed from the original C minor to the more cello-friendly G minor.

Instrumental Duet Cello,Instrumental Duet,Piano - Digital Download

SKU: A0.962291

Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 21 pages. Sergio Roberto de Oliveira #2613325. Published by Sergio Roberto de Oliveira (A0.962291).

Falls House Press has published his works  Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam).  The Spanish Magazine Sonograma has published 2 interviews with Sergio.

Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.

To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012.  More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).

His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra.  

Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.

He died from pancreatic cancer in 2017.

Cello,Piano - Level 3 - Digital Download

SKU: A0.588496

By Diane Guerrero & Stephanie Beatriz. By Lin-Manuel Miranda. Arranged by Martin Lass. Broadway,Latin,Musical/Show,Pop. Score and part. 10 pages. MA Lass & I Lass #197511. Published by MA Lass & I Lass (A0.588496).

In this Level 2.5 - 3.0 (Intermediate) arrangement, Martin Lass has arranged the hit song, What Else Can I Do?, for solo cello and piano accompaniment. Guitar chords and chord boxes are included. What Else Can I Do? is a song from Disney's 2021 animated feature film, Encanto, with music and lyrics written by Lin-Manuel Miranda. It was released by Walt Disney Records as part of the film's soundtrack in November, 2021. The soundtrack has achieved many accolades and charted No. 1 or Top Ten across the world, including No. 1 on US Billboard Hot 100. Wikipedia notes that, to develop the soundtrack, the composer, Miranda, and team visited Colombia—the setting of Encanto—to study the country's music. Consequentially, the album is rooted in genres such as vallenato, cumbia, bambuco and rock en español, making use of the traditional music instruments of Colombia, and incorporates salsa, tango, reggaeton and bachata styles alongside pop, hip hop, folk and musical theatre elements. In the film, the songs are performed by the Madrigals, who are a multigenerational family with magical powers granted to them by a miracle; the lyrical themes revolve around individuality, self-worth, transgenerational trauma and familial love. This arrangement has been specifically tailored for intermediate-level cello while retaining all of the original elements of the song, as well as some original interpretative elements. The lead line combines some of the different voices in the original song. The key has been changed from the original A minor/C major to the more violin-friendly F minor/Ab major, which changes the modulation halfway through the song from the very challenging Bb minor/Db major to the more friendly F# minor/A major.

Cello,Piano - Level 3 - Digital Download

SKU: A0.577160

Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Celtic,Christmas. Score and part. 8 pages. David Warin Solomons #2101741. Published by David Warin Solomons (A0.577160).

Arrangement of the old Irish Christmas song about the lady whose cake was so rich that it couldn't be sliced.
The repeats of the chorus and verse are given some variations in the melody instrument part.
The pdf file contains the piano score and a separate part for the melody instrument.
The sound sample is an electronic preview.

If you need a downloadable mp3 of the piano accompaniment, please use this reference in the sheetmusicplus search box: S0.706299

Cello,Piano - Level 3 - Digital Download

SKU: A0.983606

Composed by Allan Leslie McDougall. Concert,Holiday,Patriotic,Romantic Period. Score and part. 5 pages. Allan Leslie McDougall #4995349. Published by Allan Leslie McDougall (A0.983606).

For cello and piano accompaniment. In memory of my (distant) Aunty Mary whose soldier fiance never returned home to Australia from France in the First World War.  She always remembered me at Christmas and would give me a box of handkerchiefs. Looking back, I now realize I didn't quite appreciate her then for the remarkably lovely and warm lady that she was. She never married.