Cello,Piano - Level 5 - Digital Download

SKU: A0.1280306

Composed by Brian Strohmetz. Chamber,Classical,Contemporary. Score and part. 46 pages. Brian Strohmetz #871769. Published by Brian Strohmetz (A0.1280306).

Around the Bend is a journey of tranquility, adventure, and discovery down a section of the Monocacy Creek in Bethlehem, PA. The first section of the music that appears throughout the piece is a simple melody that is reminiscent of a simple art song. It represents the river flowing along peacefully on a beautiful day. Occasionally, we come across an area where the water hits a small obstacle that causes the water to change its path and speed. We hear this as violent 16th note interruptions in the music. The river then returns to its natural flow and pace. Further along we encounter a small waterfall area with rapids and obstacles. The music cascades and has a rhythmic drive representing the rapids and the swift moving waters. After we have traversed the rapids, we return to the calm waters of the river as it continuously flows peacefully. The next portion of our journey is inspired by a specific and unique section of the Monocacy, where we find the hidden ivy. Trees surround the creek. When looking into them, at a certain angle, you will find a tree covered in ivy hidden amongst the other trees. When we reach this point in our journey, the music starts off mysteriously as though looking through the trees. When we find the hidden ivy, we are greeted by a majestic melody that reflects this hidden beauty. The piano plays a rising arpeggio repeatedly, reflecting the ivy’s goal to grow higher and closer to the sky. Once we pass the ivy, we return to the peacefully flowing river. We approach a bend in the river that we cannot see beyond. There is a bit of trepidation, but as we start to go around the bend, everything ends peacefully, and we know everything will be fine. The river will keep moving and we will survive. 

For Cello & Piano.

Cello,Piano - Level 2 - Digital Download

SKU: A0.1136399

By Pink Floyd. By Roger Waters. Arranged by Thiago Marconato. Rock. Score and part. 4 pages. Thiago Marconato #736399. Published by Thiago Marconato (A0.1136399).

Sheet music for cello and piano of Another Brick In The Wall (part 2), recorded by Pink Floyd, in D minor (original key). The file contains full score and cello part.

Small Ensemble B-Flat Trumpet,Cello,Piano - Level 3 - Digital Download

SKU: A0.524871

Composed by Traditional Gospel Tune. Arranged by John A. Dempsey. Blues,Country,Sacred,Spiritual,Traditional. Score and parts. 19 pages. John A. Dempsey #6430999. Published by John A. Dempsey (A0.524871).

A river finds its ripples: the traditional gospel/bluegrass tune Down to the River to Pray flows into the surging waters of rhythm and blues.  Especially effective as a prelude, postlude or special music for traditional church services and other worship events, including youth rallies.  Also recommended for recitals, concerts and anywhere upbeat, joyful music is played.  15 pages of music (that includes separate two-page parts for Bb trumpet and cello).  Concert Key (Piano): F major.  Trumpet Key: G major.  Cello Key: F major.

Violin, cello and piano - advanced - Digital Download

SKU: S9.Q52931

Composed by Enjott Schneider. This edition: score and parts. Downloadable, Score and parts. Duration 15 minutes. Schott Music - Digital #Q52931. Published by Schott Music - Digital (S9.Q52931).

In the center of this work is the melody of the middle section Moon reflected on the Erquan Spring (Erquan Yingyue) composed 1949 by the blind Erhu player Hua Yanjun. The melody rapidly spread throughout China and became a cultural symbol throughout the world. Asian conductor Seiji Ozawa heard it in 1978 saying that one can appreciate it only on bended knees.

Cello,Piano - Level 3 - Digital Download

SKU: A0.1252822

By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Century,Sacred. Score and part. 9 pages. Maria Thompson Corley #846622. Published by Maria Thompson Corley (A0.1252822).

“Pax Aeternam� was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.

“How Beautiful� was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,� and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.

Like “How Beautiful,� “Pax Aeternam� is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.� I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.

I created a cello transcription for a performance with Sara Male, my partner in Duo Chiaroscuro. This seemed appropriate, since “Still Waters Running Deep,� one of our signature pieces, is a transcription of the slow movement of Barbara’s bassoon sonata, created at our request by the composer.