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Flute,Piano - Level 3 - Digital Download

SKU: A0.525028

Composed by Johann Sebastian Bach. Arranged by John A. Dempsey. Baroque,Christmas,Classical,Easter,Wedding. Score and part. 16 pages. John A. Dempsey #6613077. Published by John A. Dempsey (A0.525028).

With its bell-like refrain, Bach's exquisite, elegant Sheep May Safely Graze (from Cantata, No. 208), appeals not only to fans of the Baroque era but also to lovers of classical, romantic and pop music.  This duet for flute and piano is recommended for concerts, recitals, weddings, traditional church services and other worship events.  Suggested wedding uses: a prelude, unity candle music, a bridesmaid processional, bridal march and wedding recessional.  As worship music, Sheep May Safely Graze may serve as a prelude, postlude, an offertory, interlude, a Christmas play overture, silent prayer accompaniment and special music.  Key: Bb major.  12 pages of music (that includes a separate two-page flute part).

Sheep May Safely Graze (Bach): Flute and Piano
Flûte traversière et Piano

$6.99 6.64 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 2 - Digital Download

SKU: A0.829830

Composed by Frederic Chopin. Arranged by John May. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 3 pages. Lost Key Music #4780713. Published by Lost Key Music (A0.829830).

Prelude in B minor is from Frederic Chopin's 24 Preludes, which covers all major and minor keys. It is believed that this prelude, along with others, were played at his funeral. Nicknames given to this prelude after Chopin's death include Homesickness and Tolling Bells.

This arrangement for flute solo can help students learn to play in a legato style, as well as learning to play expressively.

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Prelude in B minor-Flute Solo
Flûte traversière et Piano

$9.00 8.55 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download

SKU: A0.1144421

Composed by Frederic Chopin. Arranged by John May. Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 4 pages. Lost Key Music #744749. Published by Lost Key Music (A0.1144421).

Prelude in E minor, Op. 28, No. 4, by Frederic Chopin is one of his 24 Preludes. By Chopin's request, this piece was played at his own funeral, along with Mozart's Requiem. It is arranged here for flute solo with piano accompaniment. Includes separate solo flute part. www.lostkeymusic.com.

Prelude in E minor-Flute Solo
Flûte traversière et Piano
Chopin's request, this piece was played at his own funeral, along with Mozart's Requiem It is arranged here for flute solo with piano accompaniment
$9.00 8.55 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download

SKU: A0.1138310

Composed by Angel Villoldo. Arranged by John May. Chamber,Contest,Festival,Folk,Latin,Multicultural,World. Score and part. 7 pages. Lost Key Music #738586. Published by Lost Key Music (A0.1138310).

On the Missouri Prescribed Music List

El Choclo (The Corn Cob) is one of the most popular tangos in Argentina. It is arranged here for flute solo. Includes a separate flute solo part that can be played with or without piano accompaniment. www.lostkeymusic.com Follow Lost Key Music on social media: https://www.facebook.com/lostkeymusic... https://twitter.com/lostkeymusic https://www.pinterest.com/lostkeymusic/ https://www.instagram.com/lostkeymusic/.

El Choclo-Flute Solo (Optional Piano Accompaniment)
Flûte traversière et Piano

$9.00 8.55 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 2 - Digital Download

SKU: A0.829797

Composed by Francisco Tarrega. Arranged by John May. Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 4 pages. Lost Key Music #3475389. Published by Lost Key Music (A0.829797).

Francisco Tarrega (1852-1909) was a Spanish composer and classical guitarist regarded by many as the father of the classical guitar. Adelita is a mazurka originally composed for guitar by Tarrega. The mazurka originated in Poland and was popularized by Frederic Chopin. Arranged for flute solo with optional piano accompaniment.

The tempo is indicated as Lento, but seems to work better at a faster tempo. The audio file here is at 80 bpm. However, this piece should not be performed metronomically, but rather with a more rubato style.

https://www.youtube.com/watch?v=ObBKcVU25rE

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Adelita-Flute Solo (Optional Piano Accompaniment)
Flûte traversière et Piano

$9.00 8.55 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 2 - Digital Download

SKU: A0.549847

Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847).

Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.

Wachet auf, ruft uns die Stimme

(Awake, the Voice is calling us) also known as: Sleepers Awake

Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera.

Fourth Movement

Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales.

Bach Overview

First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

 History

Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

 Style

It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival                

Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

Bach: Wachet auf for Alto Flute & Piano
Flûte traversière et Piano

$24.95 23.7 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 2 - Digital Download

SKU: A0.550917

Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888281. Published by jmsgu3 (A0.550917).

This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. 


Ave Maria

Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.

Bach Overview

First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

 History

Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.

 Style

It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival              

Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

 Voyager

NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.

Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
Flûte traversière et Piano

$32.95 31.3 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 2 - Digital Download

SKU: A0.549839

Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839).

Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.

Wachet auf, ruft uns die Stimme

(Awake, the Voice is calling us) also known as: Sleepers Awake

Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera.

Fourth Movement

Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales.

Bach Overview

First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

 History

Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

 Style

It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival              

Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

&nb.

Bach: Wachet auf BWV 140 for Flute & Piano
Flûte traversière et Piano

$26.95 25.6 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 2 - Digital Download

SKU: A0.549353

Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490009. Published by jmsgu3 (A0.549353).

This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano -S0.661745. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.


Ave Maria

Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.

Bach Overview

First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

 History

Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

 Style

It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival              

Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

 

Bach-Gounod: Ave Maria for Flute & Piano
Flûte traversière et Piano

$32.95 31.3 € Flûte traversière et Piano PDF SheetMusicPlus






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