Flute,Folk Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1265481 Composed by Traditional Cornish. Arranged by Darhon Rees-Rohrbacher. Celtic,Folk,Historic,Irish,Multicultural,Traditional,World. 54 pages. Afghan Press Music for the Harp #858280. Published by Afghan Press Music for the Harp (A0.1265481). ALL HARPS INTERMEDIATE + MELODY INSTRUMENT – Fifteen Traditional Tunes from Cornwall arranged for Lever harps tuned in Eb, Bb or F, or any pedal harp.  All of these arrangements fit within the 26-string range. Fifteen Arrangements of Traditional Tunes from Cornwall arranged for Lever harps tuned in Eb, Bb or F, or any pedal harp.  Guitar chords included, with duo parts for Flute or Violin.These tunes have been placed in progressive key order to create a satisfying “Cornish suite� that facilitates lever and pedal changes. All tunes were typeset to fix exactly on two facing pages to eliminate any page turns within a piece.Guitar chords are included so that the melody may be played by any C instrument, accompanied by chords on harp, lute, guitar, or keyboard. Also, the transcribed harp part can be played on any keyboard instrument with only minor adjustments. Only one song in this collection, #6, has any lever or pedal changes (B-flat and B-natural). Otherwise, there are only lever or pedal presets in preparation for the next song. Dynamic markings, fingerings, metronome markings, breath marks, and lever/pedal changes are provided throughout. However, the musicians should use whichever expressive markings and lever/pedal adjustments suit them, no matter what this book indicates! Due to space constraints, first and second endings were only indicated above the flute/violin part in the full score and dynamics only within the harp part; but these markings apply to both instruments. (However, all markings are indicated on the separate instrumental leaflet.) This entire book of arrangements can be played on a harp of only 26 strings (3.5 octaves), from low C to high G. Simply treat the C two octaves below middle C as the lowest C on your harp and adjust the octaves accordingly. Ignore any 8va indications and shorten any glissandos.Table of Contents:Helston Furry DanceThe Cottage Thatched With StrawThe White CockadeThe Lovers’ TasksStrangerLimadieThe MarigoldLullabyWilly CoombeRouse, RouseThe BlackbirdCaptain PearseCome My LadsOn A May Morning So EarlyThe Siege Of St. MaloRelated products.

Harp Duet - Intermediate - Digital Download Composed by Traditional. Arranged by Valerio Nicosia. World, Folk, European. 16 pages. Published by Valerio Nicosia

By Anna Dunwoodie. By Anna Dunwoodie and Trad. Arranged by Anna Dunwoodie. Christmas. Score and parts. 34 pages. Anna Dunwoodie #734891. Published by Anna Dunwoodie

By Cat Stevens. Arranged by Serena O'Meara. Score, Set of Parts. 15 pages. Published by O'Meara Music

Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.913048 Composed by Anonymous (Romanian vocal folk song). Arranged by Andrei Lucian Dragoi. Folk,Multicultural,Standards,World. 2 pages. Andrei-Lucian Dragoi #5711073. Published by Andrei-Lucian Dragoi (A0.913048). Arrangement (with modifications) and lead sheet

Instrumental Duet Flute,Folk Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1117185 By Sara Watkins. By Oscar Hammerstein and Richard Rodgers. Arranged by Cynthia A. Boener. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 5 pages. Cynthia Boener #718764. Published by Cynthia Boener (A0.1117185). Harp and flute duet of this lovely tune from The Sound of Music. Kelly Filson on flute, Cynthia Boener on lever harp. Contrary to popular belief, this is NOT a traditional folk tune, but was composed specifically for the musical. Richard Rodgers, in particular, thought that Captain VonTrapp needed a farewell song for the country that he loved. This was the last song written by Oscar Hammerstein II.

Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803969 Composed by American Folk Hymn/ English Ballad. Arranged by Serena O’Meara. Country,Easter,Sacred,Spiritual,Traditional. 5 pages. O'Meara Music #5791547. Published by O'Meara Music (A0.803969). In 1835 William Walker published The Southern Harmony and Musical Companion. He used a haunting melody that he’d heard during his travels through Appalachia with a poem that had been published in 1811. He titled the hymn Wondrous Love. The melody has now been traced back to an English Ballad (Roud #5089). In the Dorian mode, the sixth scale degree is lowered in the harmony some of the time. Arranged for Lever or Pedal Harps, dynamics and pedal changes are clearly marked. Lever Harp I will set one flat at the beginning and leave it on throughout the entire piece.  

Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.808035 Composed by American Folk Hymn/English Ballad. Arranged by Serena O’Meara. Country,Easter,Sacred,Spiritual,Traditional. 15 pages. O'Meara Music #5791535. Published by O'Meara Music (A0.808035). In 1835 William Walker published The Southern Harmony and Musical Companion. He used a haunting melody that he’d heard during his travels through Appalachia with a poem that had been published in 1811. He titled the hymn Wondrous Love. The melody has now been traced back to an English Ballad (Roud #5089). In the Dorian mode, the sixth scale degree is lowered in the harmony some of the time. Arranged for Lever or Pedal Harps, dynamics and pedal changes are clearly marked. Lever Harp I will set one flat at the beginning and leave it on throughout the entire piece.  You will receive the Score, Harp I and Harp II.  

Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803968 Composed by American Folk Hymn/ English Ballad. Arranged by Serena O’Meara. Country,Easter,Sacred,Spiritual,Traditional. 5 pages. O'Meara Music #5791545. Published by O'Meara Music (A0.803968). In 1835 William Walker published The Southern Harmony and Musical Companion. He used a haunting melody that he’d heard during his travels through Appalachia with a poem that had been published in 1811. He titled the hymn Wondrous Love. The melody has now been traced back to an English Ballad (Roud #5089). In the Dorian mode, the sixth scale degree is lowered in the harmony some of the time. Arranged for Lever or Pedal Harps, dynamics and pedal changes are clearly marked. Lever Harp I will set one flat at the beginning and leave it on throughout the entire piece. 

Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803921 Arranged by Serena O’Meara. Classical,Multicultural,Romantic Period,Standards,Traditional,World. 18 pages. O'Meara Music #5721365. Published by O'Meara Music (A0.803921). The Ball season of 1867 was particularly challenging to the Strauss brothers and their orchestras due to the defeat the previous summer by the Prussian army and cancellation of that Ball season. Johann met the challenge with first presenting The Blue Danube and then three weeks later giving the Ball attendees its twin, Artist’s Life. This autobiographical piece starts slow, as if just waking up, but once the Waltzes start, it’s all fun.   This arrangement has four out of five of the original Waltzes with all the Waltzes and sections marked to make creating a shorter version easier. It has both a pedal harp and lever harp version that is intended to be performed together. They only differ in the pedal/lever markings and an occasional harmony note. The dynamics are clearly marked.

Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803922 Arranged by Serena O’Meara. Classical,Multicultural,Romantic Period,Standards,Traditional,World. 19 pages. O'Meara Music #5721373. Published by O'Meara Music (A0.803922). The Ball season of 1867 was particularly challenging to the Strauss brothers and their orchestras due to the defeat the previous summer by the Prussian army and cancellation of that Ball season. Johann met the challenge with first presenting The Blue Danube and then three weeks later giving the Ball attendees its twin, Artist’s Life. This autobiographical piece starts slow, as if just waking up, but once the Waltzes start, it’s all fun.   This arrangement has four out of five of the original Waltzes with all the Waltzes and sections marked to make creating a shorter version easier. It has both a pedal harp and lever harp version that is intended to be performed together. They only differ in the pedal/lever markings and an occasional harmony note. The dynamics are clearly marked.

Instrumental Duet Harp,Instrumental Duet - Level 4 - Digital Download SKU: A0.803925 Arranged by Serena O’Meara. Classical,Multicultural,Romantic Period,Standards,Traditional,World. Score and parts. 19 pages. O'Meara Music #5721391. Published by O'Meara Music (A0.803925). The Ball season of 1867 was particularly challenging to the Strauss brothers and their orchestras due to the defeat the previous summer by the Prussian army and cancellation of that Ball season. Johann met the challenge with first presenting The Blue Danube and then three weeks later giving the Ball attendees its twin, Artist’s Life. This autobiographical piece starts slow, as if just waking up, but once the Waltzes start, it’s all fun.   This arrangement has four out of five of the original Waltzes with all the Waltzes and sections marked to make creating a shorter version easier. It has both a pedal harp and lever harp version that is intended to be performed together. They only differ in the pedal/lever markings and an occasional harmony note. The dynamics are clearly marked.

Instrumental Duet Harp,Instrumental Duet - Level 4 - Digital Download SKU: A0.803924 Arranged by Serena O’Meara. Classical,Multicultural,Romantic Period,Standards,Traditional,World. Score and parts. 18 pages. O'Meara Music #5721385. Published by O'Meara Music (A0.803924). The Ball season of 1867 was particularly challenging to the Strauss brothers and their orchestras due to the defeat the previous summer by the Prussian army and cancellation of that Ball season. Johann met the challenge with first presenting The Blue Danube and then three weeks later giving the Ball attendees its twin, Artist’s Life. This autobiographical piece starts slow, as if just waking up, but once the Waltzes start, it’s all fun.   This arrangement has four out of five of the original Waltzes with all the Waltzes and sections marked to make creating a shorter version easier. It has both a pedal harp and lever harp version that is intended to be performed together. They only differ in the pedal/lever markings and an occasional harmony note. The dynamics are clearly marked.

Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803920 Arranged by Serena O’Meara. Classical,Multicultural,Romantic Period,Standards,Traditional,World. 62 pages. O'Meara Music #5721361. Published by O'Meara Music (A0.803920). The Ball season of 1867 was particularly challenging to the Strauss brothers and their orchestras due to the defeat the previous summer by the Prussian army and cancellation of that Ball season. Johann met the challenge with first presenting The Blue Danube and then three weeks later giving the Ball attendees its twin, Artist’s Life. This autobiographical piece starts slow, as if just waking up, but once the Waltzes start, it’s all fun.   This arrangement has four out of five of the original Waltzes with all the Waltzes and sections marked to make creating a shorter version easier. It has both a pedal harp and lever harp version that is intended to be performed together. They only differ in the pedal/lever markings and an occasional harmony note. The dynamics are clearly marked.

Instrumental Duet,Lever Harp - Level 2 - Digital Download SKU: A0.803858 Composed by Traditional Welsh Melody. Arranged by Serena O’Meara. Celtic,Folk,Irish,Sacred,Standards,Traditional. 15 pages. O'Meara Music #5026319. Published by O'Meara Music (A0.803858). The Ash Grove melody has been used as a hymn tune. This arrangement joyfully travels with the breeze as it intertwines the two lines. It travels from the key of G, through the key of C to the key of F. The melody is equally divided between parts. Dynamics are clearly marked. You will receive Score, Harp I & Harp II. The Multi-level pieces were initially arranged in an A Version. When that was completed, it was then simplified to form the B Version.  The B Version has thinner lines and allows more time for placing the fingers. The purpose is to permit harpists of various playing levels to enjoy performing together.