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Clarinet Solo - Level 4 - Digital Download

SKU: A0.1018906

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064753. Published by Benjamin Sajo (A0.1018906).

Programme Notes:

 It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller

 Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time.

 This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.

About the Composer:

 Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.


Aubade: A Pairing with Beethoven's Symphony #1 - Clarinet 1 in Bb
Clarinette

$3.50 3.36 € Clarinette PDF SheetMusicPlus

Clarinet Solo - Level 5 - Digital Download

SKU: A0.1018879

Composed by Benjamin Harry Sajo. Contemporary. Individual part. 3 pages. Benjamin Sajo #6056077. Published by Benjamin Sajo (A0.1018879).

Programme Notes:

Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph.

 This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.

About the Composer:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Clarinet 1 in Bb
Clarinette

$3.50 3.36 € Clarinette PDF SheetMusicPlus

Clarinet Solo - Level 5 - Digital Download

SKU: A0.1018929

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929).

Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.

This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?

There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.

Future Performances: If you are interested in performing this work, please e-mail me.

ABOUT THE COMPOSER:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 2
Clarinette

$3.50 3.36 € Clarinette PDF SheetMusicPlus

Clarinet Solo - Level 5 - Digital Download

SKU: A0.1018927

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927).

Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.

This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?

There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.

Future Performances: If you are interested in performing this work, please e-mail me.

ABOUT THE COMPOSER:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
Clarinette

$3.50 3.36 € Clarinette PDF SheetMusicPlus

B-Flat Clarinet Solo - Level 2 - Digital Download

SKU: A0.1142137

Composed by Henry John Gauntlett and Louis H. Redner. Arranged by Diana Meux. Christian,Christmas,Holiday,Sacred. Individual part. 2 pages. Download Church Music #742511. Published by Download Church Music (A0.1142137).

Two different Bb clarinet descants for the Christmas hymns O Little Town of Bethlehem and Once in Royal David’s City, including intro and interlude that connects the hymns. For concert key of F major. Based on the tunes ST. LOUIS by Lewis H. Redner and IRBY by Henry J. Gauntlett. 1 page (file is 2 pages; first is sample page). Use hymnal or other source for accompaniment. Descants for both hymns fit Lutheran Worship (LW) settings, and Lutheran Service Book (LSB) provided the C is changed to C# in measure 36:4. “O Little Town of Bethlehem” also fits the Lutheran Book of Worship (LBW) setting. Descants may also fit other hymnal settings. Example: For Christmas Eve or Service of Lessons and Carols, sing the first stanza of each hymn after the reading Luke 2:1-4, with clarinet playing solo intro, descants, and solo interlude, such as: - Reading: Luke 2:1-4 - Clarinet solo intro - Hymn: O Little Town of Bethlehem, stanza 1 [with descant] - Clarinet solo interlude - Hymn: Once in Royal David’s City, stanza 1 [with descant] Or use descants separately and omit interlude.

O Little Town of Bethlehem and Once in Royal David's City - Clarinet descants
Clarinette

$2.25 2.16 € Clarinette PDF SheetMusicPlus

B-Flat Clarinet Solo - Level 1 - Digital Download

SKU: A0.1148083

By Shawn Mendes. By Geoffrey Warburton, Scott Harris, Shawn Mendes, and Teddy Geiger. Arranged by Josiel Oliveira. Pop. Individual part. 2 pages. M das Melodias #748275. Published by M das Melodias (A0.1148083).

Sheet Music for Clarinet in Bb. There's Nothing Holdin' Me Back is a song by Canadian singer Shawn Mendes, recorded for the reissue of his second studio album Illuminate (2016). It was written by Mendes, Teddy Geiger, Geoff Warburton and Scott Harris, with production by Geiger and Andrew Maury. It was released as the album's third single on April 20, 2017 by Island Records. The music video was released on June 20, 2017. Composition There's Nothing Holding Me Back is a dance-y pop rock track.[1] A Billboard editor noted that it features some electric guitars and taut vocals in the chorus.[2] As the upbeat track progresses, it incorporates handclaps, funky guitar riffs and foot-tapping bass. The pre-chorus was inspired by early work by Timbaland and Justin Timberlake.[3].

There's Nothing Holdin' Me Back
Clarinette
Shawn Mendes
$4.99 4.79 € Clarinette PDF SheetMusicPlus

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Kana-Boon : Naruto: Shippuden - Silhouette (niveau trs facile) Clarinette
Téléchargez la partition Clarinette Naruto: Shippuden - Silhouette (niveau t…
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Kana-Boon : Silhouette (niveau trs facile) Clarinette
Téléchargez la partition Clarinette Silhouette (niveau très facile) d…
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Smetana : Ma patrie (M vlast) - La Moldau (Vltava) (niveau trs facile) Clarinette
Tlchargez la partition Clarinette Ma patrie (M vlast) - La Moldau (Vltava) (niveau trs…
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Carlos Santana : Europa (Earth's Cry Heaven's Smile) (niveau intermdiaire) Clarinette
Téléchargez la partition Clarinette Europa (Earth's Cry Heaven's S…
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