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Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Orchestre

$9.99 8.65 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
One Sows for the Benefit of Another Age - Orchestra
Orchestre

$49.99 43.27 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.525156 By The Moody Blues. By Gary Osborne, Jeff Wayne, and Paul Vigrass. Arranged by Kevin Riley. 20th Century,Film/TV,Rock. Score and parts. 43 pages. Kevin Riley #135691. Published by Kevin Riley (A0.525156). Forever Autumn is a song written by Jeff Wayne, Gary Osborne and Paul Vigrass. The original melody was written by Wayne in 1969 as a jingle for a Lego commercial. Vigrass and Osborne, the performers of the original jingle, added lyrics to the song and recorded it for inclusion on their 1972 album Queues. Their interpretation was also released as a single and gained moderate commercial success in Japan, selling more than 100,000 copies and becoming a top-20 hit on the country's record chart. The best-known version is the recording by Justin Hayward from the album Jeff Wayne's Musical Version of The War of the Worlds. Wayne wanted to include a love song on the album that sounded like Forever Autumn, and he decided that the best course of action was to simply use the original song. Wayne chose Hayward, of The Moody Blues, to sing it saying that he wanted that voice from 'Nights in White Satin'.It was recorded at London's Advision Studios in 1976. The song reached #5 on the UK Singles Chart in August 1978. A new version was released in late 2012, sung by Gary Barlow for the new album Jeff Wayne's Musical Version of The War of the Worlds – The New Generation.
Forever Autumn
Orchestre
The Moody Blues
$50.00 43.28 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.746958 By Keith Terrett. By Alberich Zwyssig. Arranged by Keith Terrett. Classical,Multicultural,Patriotic,Traditional,World. 29 pages. Keith Terrett #5033583. Published by Keith Terrett (A0.746958). Arranged for the Orchestre national d'Ǝle-de-France, The Swiss Psalm (German: Schweizerpsalm [ˈʃvaÉŖtsərˌpsalm] / Trittst im Morgenrot daher...; French: Cantique suisse, [kÉ‘Ģƒtik sÉ„is]; Italian: Salmo svizzero, [ˈsalmo ˈzvittsero]; Romansh: Psalm Svizzer, [ˈ(p)salm ĖˆŹ’viːtser]) is the national anthem of Switzerland.It was composed in 1841, by Alberich Zwyssig (1808–1854). Since then, it has been frequently sung at patriotic events. The Federal Council declined, however, on numerous occasions to accept the psalm as the official anthem. This was because the council wanted the people to express their say on what they wanted as a national anthem. From 1961 to 1981, it provisionally replaced Rufst du, mein Vaterland (When You Call, My Country; French Ɣ monts indĆ©pendants; Italian Ci chiami o patria, Romansh E clomas, tger paeis), the anthem by Johann Rudolf Wyss (1743–1818) that was set to the melody of God Save the King. On 1 April 1981, the Swiss Psalm was declared the official Swiss national anthem.In 2014, the SociĆ©tĆ© suisse d'utilitĆ© publique [fr] organized a public competition and unofficial vote to change the lyrics of the national anthem.
Swedish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Keith Terrett
$38.00 32.89 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmā??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the ā??Aā? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the ā??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.ā?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
Where Eagles Dare (Theme) - Score Only
Orchestre

$14.99 12.97 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.927988 Composed by Malcolm D Robertson. Contemporary. 75 pages. Mr Malcolm D Robertson #5741511. Published by Mr Malcolm D Robertson (A0.927988). I'd long wanted to compose an opera based on Arthur Miller's masterpiece based around the Salem witchcraft trials in the American colonies in 1692. Knowing that this was unlikely to come to fruition, nevertheless I sketched out some ideas just in case, which I turned into a 3 movement work for a local orchestra in 1999 for performance at their concert in September 2000. During January - March 2020 I revised the work for a larger orchestra adding 2 more movements (nos 3 & 4) and revising the existing movements.Ā TheĀ openingĀ movementĀ isĀ intendedĀ toĀ beĀ theĀ PreludeĀ toĀ theĀ opera.Ā TheĀ 2ndĀ movementĀ theĀ PreludeĀ toĀ theĀ tenseĀ 3rdĀ Act.Ā TheĀ 3rdĀ movementĀ takesĀ placeĀ atĀ theĀ climacticĀ momentĀ ofĀ ActĀ 3,Ā whenĀ JohnĀ Proctor'sĀ valiantĀ andĀ desperateĀ attemptĀ toĀ exposeĀ AbigailĀ Williams'Ā forĀ whatĀ sheĀ isĀ backfires,Ā leadingĀ toĀ hisĀ arrest.Ā TheĀ 4thĀ movementĀ opensĀ withĀ theĀ Hymn/PsalmĀ associatedĀ withĀ theĀ peopleĀ ofĀ SalemĀ andĀ continuesĀ withĀ theĀ reconciliationĀ inĀ prisonĀ betweenĀ JohnĀ ProctorĀ andĀ hisĀ wifeĀ Elizabeth.TheĀ 5thĀ andĀ finalĀ movementĀ accompaniesĀ JohnĀ Proctor'sĀ marchĀ toĀ executionĀ havingĀ noblyĀ tornĀ upĀ hisĀ confessionĀ ofĀ witchcraft.Ā TheĀ Hymn/PsalmĀ returnsĀ beforeĀ reminiscencesĀ ofĀ theĀ openingĀ PreludeĀ returnĀ endingĀ theĀ workĀ inĀ aĀ senseĀ ofĀ uneasyĀ peace.Ā  Parts can be made available upon request.
Scenes from 'The Crucible' for Orchestra
Orchestre

$20.99 18.17 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1494117 Composed by Vangelis. Arranged by Chris Siddall. Film/TV. 22 pages. Chris Siddall Music Publishing #1070727. Published by Chris Siddall Music Publishing (A0.1494117). Marking the 500th anniversary of Christopher Columbus’ first voyage, director Ridley Scott reunites with Greek composer Evangelos Odyssey Papathanassiou, better known as Vangelis for 1492: Conquest of Paradise.  Actively seeking a “non-traditional” score, Scott wanted Vangelis to provide something both appropriate for the period and also contemporary.  The score which he delivered combines the vast array of synthesizers which Vangelis was well known for, with vocals from the English Chamber Choir and soloists including Spanish guitar, mandolin, violin and a variety of flutes.
Conquest Of Paradise - Score Only
Orchestre

$14.99 12.97 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1077397 Composed by Jerry Goldsmith. Arranged by Chris Siddall. Film/TV. Score and parts. 8 pages. Chris Siddall Music Publishing #681583. Published by Chris Siddall Music Publishing (A0.1077397). After Phillip Lambro’s original score for Chinatown was rejected at the last minute, composer Jerry Goldsmith was brought in to ā€œsave the dayā€. It’s amazing to think that what is now considered a classic score, and a template for the film noir sound, was written in only ten days. In a meeting with producer Robert Evans, it was suggested that they wanted a contemporary 1930s feel to the music, but Jerry pushed back on this idea saying that this was already displayed on the screen, and that the underscore should enhance the emotion, and emotions are timeless. Jerry hadn’t yet considered what he was going to write, when asked what he envisiged in terms of orchestration, so he quickly replied ā€œfour pianos, four harps, strings, solo trumpet and two percussionā€ which Evans liked the idea of. Having spoken himself into this ā€œtrapā€, Jerry then had to go home and write it, and it turned out to be an interesting combination of instruments to write for Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
Chinatown - Score Only
Orchestre

$4.99 4.32 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.995852 Composed by Andrew Strawn. Contemporary,Romantic Period. Score and parts. 125 pages. Andrew Strawn #4726553. Published by Andrew Strawn (A0.995852). Dedicated to the Notre Dame Cathedral in Paris which caught fire during the writing of this piece.  The Great Cathedral is a long-anticipated work. I have had the primary chorale melody for nearly a year prior to the time of publication. So it seems rather overdue to complete it. Being the first large work for orchestra I have composed in a while, it was certainly a challenge. Nevertheless, this piece has come together just as I wanted it to. Written for full orchestra, choir, harp, piano, and organ, The Great Cathedral is a colossal work. It features the principal violinist and travels through a variety of orchestrations. From a French revolution-style march, swelling chorales, fugal expositions, and dissonate sforzandos this piece transforms the primary melody across the score. I am proud to have finally completed this work and I hope you enjoy, The Great Cathedral. In the event a choir is unavailable, choir parts have been cued in the organ. The organ would then play on a reed setting.Includes a legal-sized score and a letter-sized set of parts.
The Great Cathedral
Orchestre

$55.00 47.6 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869362 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 109 pages. Thomas Oboe Lee #25513. Published by Thomas Oboe Lee (A0.869362). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.
Mass for the Holy Year 2000, pt. 1 (2000) for SATB soloists, chorus and orchestra
Orchestre

$9.99 8.65 € Orchestre PDF SheetMusicPlus

Full orchestra - Grade 4 - Digital Download SKU: IZ.OMW176 Composed by Britt Andrew Burns. Score and Parts. 29 pages. Imagine Music - Digital #OMW176. Published by Imagine Music - Digital (IZ.OMW176). 9 x 12 in inches.NORDIC OVERTURE was written as a follow-up work to the NORDIC TRIO (for low brass) I had composed in 2013. This short piece for symphony orchestra features two of the same themes previously used in the brass trio, but here they are developed in original ways. Once again, the inspiration comes from the desolate, snow-covered land of Norway. I felt the original trio material deserved to be arranged for a larger ensemble, and using strings as the main emphasis seemed most ideal. In the end, a stripped-down orchestra instrumentation was how I felt the music wanted to be heard. However, there are optional brass parts included.
Nordic Overture
Orchestre

$50.00 43.28 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 2 - Digital Download SKU: A0.940116 Composed by Christian James Jesse. Contemporary,Film/TV,Folk,Holiday,Patriotic. Score and parts. 32 pages. Christian James Jesse #5751467. Published by Christian James Jesse (A0.940116). After each tour of duty, every soldier has a range of emotions and thoughts racing through his or her head as the make the trip home. A Soldier’s Memory explores a few of those emotions including feelings of heroism, memories of being reunited and PTSD flashbacks. I wanted to share my love and support of our nation’s military by telling a more realistic story rather than an idealized victorious celebration. Coming from a family of many veterans, I am honored to write a piece remembering our nation’s veterans’ stories.-A Soldier’s Memory was commissioned by Maestro Hector Guzman for the Irving Symphony Orchestra as part of the SMU-Irving Symphony Orchestra Student Composer-in-Residence program for the 2018-2019 Concert Season. A Soldier’s Memory premiered on November 3rd, 2018 at the Irving Arts Center by the Irving Symphony Orchestra conducted by Maestro Hector Guzman. -https://christianjesse.com/a-soldiers-memory
A Soldier's Memory - Conductor Score - Score Only
Orchestre

$20.00 17.31 € Orchestre PDF SheetMusicPlus






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