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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of Río de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. Río de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenías en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over Río de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles Rodríguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA

$3.99 3.43 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.773930 Composed by Traditional. Arranged by Anthony Giamanco. A Cappella,Sacred,Spiritual. Octavo. 7 pages. Whole Tone Press #6134719. Published by Whole Tone Press (A0.773930). This well-known Spiritual is expertly arranged for SSAA quartet or choir, a cappella. Key of G major. Lowest note for Alto 2 is F3. Highest note for Soprano 1 is G5. Ideal for conerts/recitals, church services, both live and virtual.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
Lord, I Want to Be a Christian - SSAA voices, a cappella
Chorale SSAA

$2.10 1.81 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.773841 Arranged by Anthony Giamanco. A Cappella,African,Concert,Jazz,Spiritual. Octavo. 6 pages. Whole Tone Press #5747521. Published by Whole Tone Press (A0.773841). A rousing arrangement of a lesser-known Spiritual. For SSAA chorus, a cappella. Intermediate. Most appropriate for concert venues. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.
OH, MARY, DON'T YOU WEEP [SSAA chorus, a cappella]
Chorale SSAA

$2.25 1.94 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1205942 Composed by Linda Stalls. Arranged by Thomas J. West. A Cappella,Barbershop,Christian,Country,Religious. Octavo. 7 pages. Thomas J. West #804128. Published by Thomas J. West (A0.1205942). SSAA Barbershop Style, Grade 4Parts labeled for barbershop quartet (tenor, lead, baritone, bass) with the bari and bass parts written in bass claf 8va.Ranges:Tenor: C4-F5Lead: C4-E5Baritone: Ab3-C5Bass: Eb3-Ab4www.thomasjwestmusic.comThis upbeat Contemporary Christian chart has elements of gospel music along with good old American country swing using the barbershop style, but with the bass voice as a walking bass line during the choruses. Multiple key changes, including a higher, higher, higher chromatic climb make this arrangement an exciting showcase piece. Note: this arrangement is not suitable for barbershop harmony competitions and adjudications.Audio sample is a MIDI file. Fully recorded studio version available soon.
Stepping On The Clouds
Chorale SSAA

$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.871471 Composed by Adam Schlesinger, Jack Dolgen, and Rachel Leah Bloom. Arranged by Hannah Wickham. Contemporary. Octavo. 4 pages. Hannah Wickham #6009515. Published by Hannah Wickham (A0.871471). A fun little piece from the show Crazy Ex Girlfriend arranged in a barbershop style. I've used the lyrics from the show, but you could easily change them, for example That's what religion is for could become That's what barbershop's for. This is best for a quartet, but could work for a slightly larger group too. Should easily transpose to be suitable for male voices too - I'd recommend down about a 6th.Approx performance time: 2:00Difficulty: Advanced IntermediateClean?: YesRange: S1 D4-F5, S2 D4-Eb5, A1 Db4-Bb4, A2 Eb3-F4
I've Got My Head In The Clouds
Chorale SSAA

$2.99 2.57 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.505695 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Holiday,Irish,Jewish,Traditional. Octavo. 23 pages. Alan Wagstaff #117353. Published by Alan Wagstaff (A0.505695). This original song uses English folk idioms to retell a traditional snowdrop legend. The chorus is an English 'weather rhyme'. It has been set for choir (SSAA), piano, harp, fiddle, and flute. One of the Snowdrop’s folk names is ‘Eve’s Comforter’; another ‘Maid of February’. Candlemas Carol Maid of February, if you will, grace mantle, hearth, and windowsill. So let us all be of goodwill and gather round, together. When Winter holds the world in thrall, and ice and snow lie over all, the Maiden can at once recall, the coming Summer weather. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. When Eve and Adam left Eden fair, the snow and ice lay ev’rywhere, which filled their hearts with bleak despair, for they could find no pardon. They glimpsed the flowers of paradise, beyond the earthly cold and ice, but they could not be perfect, twice, nor get back to the garden. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. A teardrop fell from Eve’s sad eye, and froze upon the ground close by. An angel raised it up on high, and called for Heaven’s power. The ice became a snowdrop, then. Thus hope returned to Eve again. And all the people say: ‘Amen!’ in praise of Winter’s flower. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. Alan Wagstaff The legend tells that, after Adam and Eve were banished from Eden’s perpetual summer, they wandered, despondently, into Earth’s freezing winter. Eve wept as the snow fell around them. Seeing her tears, an angel intervened. He caught a teardrop when it froze and breathed on it, turning it into a snowdrop. When the angel left more snowdrops sprang up. Thus, snowdrops in Winter, serve as a reminder, that better times will come around. The tale was often recalled at Candlemas: February 2nd.
Candlemas Carol
Chorale SSAA
Alan Wagstaff
$100.00 86.07 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.877133 By Adele. By Adele Adkins and Paul Epworth. Arranged by Mister Tim. A Cappella,Pop,R & B. Octavo. 7 pages. Vocality Music #3620107. Published by Vocality Music (A0.877133). Challenging SSAA or SAA+solo a cappella arrangement of Rolling in the DeepA bit different stylistically from the original Adele recording, this arrangement requires discipline and maturity from the singers, a high level of independent singing, and a willingness to commit to a different interpretation of the song than your singers are probably used to.Included body percussion / stomps & clapsFull demo audio available at: https://soundcloud.com/vocalitymusic/rolling-in-the-deep-ssaa-or-saasoloRehearsal tracks available by requestArranged by Mister TimCheck out Mister Tim's other arrangements here at SMP:Full audio of other Mister Tim arrangements: https://soundcloud.com/vocalitymusic/sets/mister-tim-arranging-demo-audioMister Tim is available to arrange for hire.
Rolling In The Deep
Chorale SSAA
Adele
$25.00 21.52 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1000875 Composed by Charles Griffin. 20th Century,Contemporary. Octavo. 8 pages. Coriolis Press #5982771. Published by Coriolis Press (A0.1000875). SSAA with piano accompaniment (1999 rev. 2020) ca. 3’e.e. cummings, Text.Commissioned by the Piedmont Choirs, for use in the International Choral Olympics in Linz, Austria, July, 2000.The MP3 recording is of the original composition. A handful of small tweaks were recently made, all of which simplify the performance challenges.Text:who knows if the moon’sa balloon, coming out of a keen cityin the sky-filled with pretty people?(and if you and I shouldget into it, if theyshould take me and take you into their balloon,why thenwe’d go up higher with all the pretty peoplethan houses and steeples and clouds:go sailingaway and away into a keencity which nobody’s ever visited, wherealwaysit’sSpring)and everyone’sIn love and flowers pick themselves
who knows if the moon's a balloon - SSAA (Children) & Piano
Chorale SSAA

$2.99 2.57 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.924087 Composed by Dominic McGonigal. Contemporary,Sacred. Octavo. 4 pages. C8 Music #5990771. Published by C8 Music (A0.924087). The words for I Carry The Light were written specially by poet Euan Tait, reflecting on the flickering light of love, passed to the world. The rich harmonies burst into chords from a single note, creating clouds of light. The two upper parts (soprano) create a duet of interweaving melodies and can be sung by soloists, semi-chorus or full choir. It's piece where the beauty shines through. It is suitable for almost any amateur choir as the lower parts are simple (and limited range so could be sung by sopranos) and it sounds fabulous with professional voices. 3'45 www.dominicmcgonigal.com
I Carry The Light (SSAA)
Chorale SSAA

$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1163839 Composed by anonymous/traditional. Arranged by Stella Claire ter Hart. Celtic,Contest,Festival,Folk,Historic,Irish,Multicultural,World. 14 pages. Stella ter Hart #749496. Published by Stella ter Hart (A0.1163839). A new, exciting arrangement for SSAA choir of this much loved Scottish folk song. Stirring, powerful, harmonically rich and innovative, Skye Boat Song arranged by Stella ter Hart is perfect for advanced high school choirs, community and professional choirs. The words behind this well-known song carry significant historical significance. The piece is actually not just a isn't that a lovely tune folksong. The familiar main chorus Speed bonny boat like a bird on the wing... is repeated between the four verses which tell the story of the brutal battle of Culloden in Scotland and the end of the Highland way of life. The accompanying violin and piano are characters in their own right and use word painting to highlight the emotional text. Scottish snare adds drama! The vocal writing uses different effects to ensure each verse has its own impact and expression. Sure to be a favourite with intermediate and higher level treble choirs!Speed bonny boat like a bird on the wing. Onward! the sailors cry. Carry the lad that is born to be King over the sea to Skye. Loud the winds howl, loud the waves roar. Thunder clouds rend the air. Baffled our foes stand by the shore. Follow they do not dare. Though the waves leap soft shall ye sleep ocean's a royal bed. Rocked in the deep, Flora will keep watch by your weary head. Many's the lad fought on that day. Well the claymore did wield. When the night came silently lay Dead in Culloden's field. Burned are our homes. Exile and death scatter the loyal men. Yet e'er the sword cools in the sheath Charlie will come again. Speed bonny boat like a bird on the wing. Onward! the sailor’s cry. Carry the lad that is born to be King over the sea to Skye.
Skye Boat Song
Chorale SSAA

$2.45 2.11 € Chorale SSAA PDF SheetMusicPlus






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