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Piano Trio Cello,Piano,Violin - Level 4 - Digital Download

SKU: A0.532547

Composed by Trad. Arranged by Klas Krantz. Classical,Folk. 7 pages. Amadeus Music #6451829. Published by Amadeus Music (A0.532547).

The origin of the tune was for a long time somewhat mysterious, as no other collector of folk tunes encountered it, and all known examples are descended from Ms. Ross’ submission to Petrie’s collection (1855). The title of the air comes from the name of the county located in Northern Ireland. The air was collected by Jane Ross of Limavady, County Londonderry, who heard it played by an itinerant piper or fiddler. The descendants of blind fiddler Jimmy McCurry assert that he is the musician from whom she transcribed the tune but there is no historical evidence to support this speculation. The tune was listed as an anonymous air, with a note attributing its collection to Jane Ross of Londonderry. This led to the descriptive title Londonderry Air being used for the piece.

Londonderry Air for piano trio
Piano Trio: piano, violon, violoncelle

$8.95 8.02 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano Trio Cello,Piano,Violin - Level 4 - Digital Download

SKU: A0.1411355

By Traditional. By Han-Ki Kim. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Standards,Traditional. 19 pages. Han-Ki Kim #993618. Published by Han-Ki Kim (A0.1411355).

“Taryeong†generally refers to a slow and sad song, or a song that contains a story or narrative. It is mainly used in traditional Korean songs, and a representative example is Arirang, one of the representative folk songs famous for its slow melody and mournful melody. It also reflects the culture, customs, and emotions of each region and has diverse content and rhythm. “Monggeumpo Taryeong†is a traditional Korean folk song handed down from the Hwanghae region. “Monggeumpo†is a port, and the beach here is famous for its white sandy beaches, lush forests, and Rosa rugosa flowers. The content of this folk song consists of a sad melody and lyrics, and it contains the joys and sorrows of the lives of fishermen and the sorrowful feelings waiting for the safe return of a loved one who went out to catch fish. This music is composed in the A-B-A format. The sad part is located in the middle,, and the beginning and end parts were composed in an exciting atmosphere. It is usually played to the traditional Korean “jungmori†rhythm, which is also quoted throughout the piece. It is also called “Jangsangot Taryeong.â€.

Monggeumpo Taryeong (For Piano Trio)
Piano Trio: piano, violon, violoncelle
Traditional
$23.50 21.06 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 4 - Digital Download

SKU: A0.1431354

By Traditional. By Han-Ki Kim. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Standards,Traditional. 20 pages. Han-Ki Kim #1011824. Published by Han-Ki Kim (A0.1431354).

“Taryeong” generally refers to a slow and sad song, or a song containing a story or story. It is mainly used in traditional Korean songs, and a representative example is Arirang, one of the representative folk songs famous for its slow melody and mournful melody. It also reflects the culture, customs, and emotions of each region and has diverse content and rhythm.

“Hangangsu Taryeong” is one of the Gyeonggi folk songs and contains information about the history, nature, joys and sorrows of the Han River, and boating. It is also an exciting song and is usually played to the rhythm of “Gutgeori,” one of Korea’s traditional rhythms. However, in this music, I changed the mood and mainly used the “Jajinmori” rhythm, and also varied the tempo. Traditionally, the “Jajinmori” rhythm is much faster and more exciting than the “Gutgeori” rhythm. This music can be divided into the first half and the second half, and the three themes from the first half are compressed and connected in the second half.

Hangangsu-Taryeong (For Piano Trio)
Piano Trio: piano, violon, violoncelle
Traditional
$23.50 21.06 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 4 - Digital Download

SKU: A0.940598

By Matt Redman. By Jonas Myrin and Matt Redman. Arranged by Lauren Leigh. Christian. Score and parts. 8 pages. Pianospectrum.org.uk #3411673. Published by Pianospectrum.org.uk (A0.940598).

An original arrangement for this popular song for a Small Ensemble of Piano, Violin & Cello at 4.28 minutes duration and would be ideal to play in a church setting, for example, before you sing the actual song or you can minister to the congregation during offering time or contemplation.

It would work as an arrangement for a wedding whilst the guests are arriving or for the signing of the register and would be an ideal practice and performance piece for students and schools for a services like Christmas/Easter Concerts or Christian Union Events.

I have suggested some bowing marks for the strings. However this down to your own interpretation, providing it is gentle and expressive.

I am registered with PRS and my website is
www.healingmusic.today should you wish to hear more original compositions. I write for all genres, Film & TV, worship & contemporary. Please let me know how you got on with this arrangement.  

10,000 Reasons (Bless The Lord) Piano Trio: piano, violon, violoncelle
Matt Redman
$12.99 11.64 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano Trio Cello,Piano,Violin - Level 3 - Digital Download

SKU: A0.1488222

Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222).

The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors.

The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass.

Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309.

The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave.

The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets.

Dianne James.

Piano Trio in E flat major, Op. 2
Piano Trio: piano, violon, violoncelle

$37.00 33.16 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano Trio Cello,Piano,Violin - Level 5 - Digital Download

SKU: A0.1102129

By Lee Johnson. By Lee Johnson. 20th Century,Chamber,Contemporary,Contest,Festival. 22 pages. Lee Johnson Music #705528. Published by Lee Johnson Music (A0.1102129).

The uneven yet persistent ticking of a nearly broken clock holds together this wonderfully expressive work exploring human conflict. Rich harmonies, emotionally charged melodic lines, and fragments of compelling thematic ideas push us through the timeless experiences of hope, pain, and longing. Though resolution may not be fully achieved by the conclusion of the work, it’s obvious from the experiences offered in the music that hope and healing will keep alive our purist dreams and faithful pursuits of a better future. For more information on the composer visit: www.leejohnsonmusic.com YouTube Channel featuring the music of Lee Johnson https://www.youtube.com/channel/UCfneDsBFCvtyc8CSOa85qag The YouTube link below is an example of new music from Lee Johnson.

Twisted Patience
Piano Trio: piano, violon, violoncelle
Lee Johnson
$20.00 17.92 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano Trio,String Ensemble - Level 4 - Digital Download

SKU: A0.511722

Composed by Han-Ki Kim. Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 43 pages. Han-Ki Kim #4848515. Published by Han-Ki Kim (A0.511722).

This Korean Simple Suite No.1 For Violin, Cello and Piano is consist of 5 movements.

1.Prologue-Greeting 2.Oriental Flute 3.Cheerfulness 4.Sorrow 5.Finale-Festival.

 All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La).

1st movement is just for a Greeting. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express oriental flute sound. and for 3rd movement, adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement is major key, but it has a deep sorrow. For Finale, Rondo form is used, and Korean Traditional Children's song is adapted as main Theme. Attached Music file is recorded with Violin and Piano, it’s just for a referrence.

Korean Simple Suite No.1 (For Violin, Cello and Piano)
Piano Trio: piano, violon, violoncelle

$15.90 14.25 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano Trio - Level 3 - Digital Download

SKU: A0.549883

Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883).

Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself.

Mendelssohn: Wedding March

Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858

Mendelssohn Background

Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. 

Artistic Standing

 Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.

Early Family Life

Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.

Early Adulthood

Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.

Mature Adulthood

Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.

Musical Features

In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.

Mendelssohn: Wedding March for Piano Trio
Piano Trio: piano, violon, violoncelle

$36.95 33.12 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus






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