SKU: A0.893819

This is the third part of my series Fictional Soundtracks. It is a series of piano pieces in a Hollywood soundtrack or new age piano style. The style is also a hommage to great film composers like Ludovico Einaudi and Yann Tiersen. These pieces shall help you to relax, to take a rest, to focus or to inspire your imagination. They are no soundtrack to an existing movie, they are meant to be the soundtrack for the movie in your mind.

SKU: A0.953625

La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP)

Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale

A setting of an excerpt of Río de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938)

Copyright © 2020 Adrienne Inglis

Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.

Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina.

Río de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain

Ya casi el cielo te apretaba, ciego,

y sumergida una ciudad tenías

en tu cuerpo de grises heliotropos

neblivelado en su copón de llanto.

[The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city,

with the misty sky like a chalice about to overflow with tears.]

Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over Río de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming.

The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020.

Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dʒ] sound and llanto begins with the [ʒ] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both.

Duration: 3:08

Link to video with soundtrack is available from the composer (http://adrienneinglis.com).

Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, �ngeles Rodríguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission.

Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com

SKU: A0.953632

This delightful intermediate-level nature-themed piece is fun to sing and put together with organ and nature soundtrack. Your audience will chuckle and applaud this whimsical work!

For the Toad on the Kitchen Step (2021) by Adrienne Inglis (ASCAP) sets the poem For the Toad on the Kitchen Step by Oregon's 2018-2020 Poet Laureate and Lewis & Clark College Associate Professor Kim Stafford (ASCAP) for SATB mixed chorus, organ, and nature soundtrack. Commissioned by Inversion Ensemble, it contrasts both the whimsical levity of the poem with the darker implications of humans’ impact on toads and their habitats. Colorful choral harmonies, grand organ gestures, delicate vocal effects, and the nature soundtrack create a soundscape that draws the audience into the toad’s world view. The nature soundtrack was recorded by Adrienne Inglis in June 2021 on Cow Creek Road, western Travis County, Texas (https://youtu.be/CWXMUt6RyNM).

SKU: A0.953628

Great for concerts about nature and the environment, pandemic life, creativity!

Shelter in Place by Adrienne Inglis (ASCAP) for mixed SSAATB chorus with nature soundtrack created by Chris Clark-Johnson

a setting of Shelter in Place, a poem by Kim Stafford

Commissioned by Lewis & Clark College, Portland, Oregon, April 2021

Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.

Poet Kim Stafford grew up in Oregon, Iowa, Indiana, California, and Alaska, following his parents as they taught and traveled through the West. He is the author of a dozen books of poetry and prose, and the founding director of the Northwest Writing Institute at Lewis & Clark College, where he has taught since 1979. He holds a PhD in Medieval Literature from the University of Oregon, and has worked as a printer, photographer, oral historian, editor, and visiting writer at a host of colleges and schools, and offered writing workshops in Italy, Scotland, and Bhutan.

Shelter in Place by Kim Stafford (used with permission)

Long before pandemic prisoned us,

the trees knew how to guard their place

with roots and shade.

Moss found how to hug a stone for life.

Every stream knows how to move in place,

stay home and yet flow outward,

sending bounty far.

Now is our time to practice-

now to sing from balconies,

now send words of comfort

by any courier,

now to hoard lonesome generosity-

and then to shine in all directions like stars.

Program note: Shelter in Place (2021) by Adrienne Inglis, commissioned by Lewis & Clark College, Portland, Oregon, April 2021, sets former Oregon poet laureate Kim Stafford’s poem Shelter in Place (2020) for SSAATB mixed choir with Oregon nature soundtrack created by Chris Clark-Johnson, Lewis & C lark College class of 2021. Written during the coronavirus pandemic, the poem expresses how quarantine can serve as a conduit for healing, how words of comfort flow despite barriers, and how the paralysis of sheltering in place generates creative movement. The music and poem draw inspiration from ancient forest wisdom, shown musically with a pentatonic scale. The tight harmonies of Locrian mode bind moss to stone and stream to its own flow. Then vocal expression bursts forth with lush harmonies as singers serenade from balconies, sharing compassion through music. Returning to the pentatonic scale, we overcome obstacles and send generosity beyond our ancient and modern world into the celestial realm. 

The nature soundtrack features sounds of the Oregon forest, stream, and night sky.

Acknowledgements: The composer warmly thanks Katherine FitzGibbon, Bailey Dean, Chris Clark-Johnson, Kim Stafford, and the Lewis & Clark College Community Chorale. 

Contact the composer to obtain the audio file of the nature soundtrack.

Copyright © 2021 Adrienne Inglis | adrienne.inglis.com

SKU: A0.949008

You can listen to the full soundtrack on soptfy, deezer, apple music and all streaming platforms. Pano de Boca premiered in July 2015 with Cia. Teatro do Incêndio. Emblematic work by Fauzi Arap (1938-2013), written over 40 years ago, had its only staging in 1976. The play portrays the implosion of a theater group after its members crossed all boundaries between art and life. I wrote this soundtrack totally immersed in the work of Canadian cellist Julia Kent and in the essays that accompany the creation of each scene. The grandeur of Fauzi's text required a soundtrack that gave the audience the feeling of participating in the story, and various instrumentations were used. It was the company's only soundtrack that needed to be fully recorded. Good studies! Bisdré Santos 

SKU: A0.1313382

This is the soundtrack for the church choir song, Jesus Savior, for SATB.   

NOTE:  this soundtrack has 2 verses while the sheet music has 3 verses.  When using this soundtrack for performance, choirs will want to plan for 2 verses only.

The sheet music for this song is sold separately.

SKU: A0.953629

How Dare You (2020) by Adrienne Inglis (ASCAP) for mixed chorus, flute (and optional bass flute), and nature soundtrack dramatizes excerpts from young Swedish climate activist Greta Thunberg’s memorable speech at the United Nations Climate Summit September 23, 2019. The nature soundtrack was recorded by the composer in the hill country of central Texas, summer of 2020 and is available on request from the composer.

Duration 4:19

SKU: A0.1068402

ADVISORY: Ballet story contains mature subject matter.  ACT 3 Soundtrack. (Act 1 and 2 soundtrack, piano vocal score  https://www.sheetmusicplus.com/title/21374063  , full orchestral score, https://www.sheetmusicplus.com/title/21410180   individual orchestral parts sold separately.  Also available are many excerpt arrangements and an orchestral suite.) Here, this mp3 set is suitable for performance or score study. Story may be toned down for more general audiences. The 2,000 year old novel Satyricon by Roman writer Petronius was written in the time of Nero, 50AD. The story and ballet follows three gay friends and their adventures and misadventures through the ancient Roman world, satirizing everything from love, to extreme wealth and many personality types  of this time in the southern Italian peninsula.  Act 3 includes: The Fight, Enclopius' Lament, Dance of the Philosopher, Search for Giton,  Off to the Ship, The Storm At Sea, The Island, Pas de Deux of the Princess and Enclopius, Ballet Finale.

SKU: A0.1312795

This is the performance soundtrack for children's church choir. It is is a contemporary take on the old Sunday School classic, “Jesus loves me this I know�.  The syncopated rhythm and soundtrack give this song a calypso feel.  The sheet music for this song is sold separately.

SKU: A0.1029793

This piece has been composed and produced by Rodrigo Pérez Ortiz as the main theme of the soundtrack composed for a series of podcasts produced by Lourdes Bernalte (Coaching & Marca Personal). The Main Theme Title is 1:37 seconds long and features a full orchestra with harp and piano. Both the conductor score and the individual parts of all instruments involved are included in the purchase.
The music and the score can be used on any audiovisual media, such as TV, adds or films, through the obtainment of a
synchronization license or performed live  with a public performing license. This piece, along with the rest of the soundtrack, will be released on Spotify, Apple Music and all major music platforms in April 2021. For further information, please free to contact: email: rodrigoperezortiz05@gmail.com; phone: +34 695 49 19 35.

SKU: A0.915002

Until February 24th I had been working as a composer. Now when other people are listening to music at night or walking - I am listening in silence for every sound, whether there is a siren. #Ukraine #Ukranian

I couldn't even imagine that such a thing is real in our time. Bombs, shots, information warfare, threats of nuclear attack - this is now my reality. Now world can make movies about what's going on in my country.
Many heroes have appeared. But what would the soundtrack to this film sound like? What If the Ukrainian Anthem sounds like a soundtrack?

SKU: AX.00-PC-0015847_TMP

UPC: 038081453132.

Imagine a reluctant vampire with an irresistible allure, a mysterious ingA(c)nue who is inexorably drawn to him, a jealous vixen who is both seductress and sorceress and a strange family in a creepy old mansion with secrets around every corner. Director Tim Burton brings the cult classic series Dark Shadows to the big screen in a film featuring an all-star cast. A great opportunity to introduce cinematic soundtrack, this medley certainly depicts the intensity of Danny Elfman's original score. (4:15) This title is available in SmartMusic.