Choral Choir,Choral,Voice (2-Part) - Digital Download

SKU: HX.410842

By Georgia Mass Choir. Arranged by Rollo Dilworth. This edition: scorch. Concert,Sacred,Spiritual. 7 pages. Duration 210. Hal Leonard - Digital #255252. Published by Hal Leonard - Digital (HX.410842).

Instrumental Solo,Piano - Level 2 - Digital Download

SKU: A0.1448524

Composed by E.M. Hall & J. Grape (1865 ). Arranged by Luis Villamizar II. Christian,Sacred,Traditional. Score and individual part. 12 pages. LUIS O VILLAMIZAR II #1028437. Published by LUIS O VILLAMIZAR II (A0.1448524).

This piece is very dear to me because I wrote it as a response to my daughter's performance at a laymans convention. It was her first time playing the piano as a accompanyist for a violin soloist.
She performed so well that I got inspired to write this piece. It starts with a very soft sublime section of the classic song's theme Jesus Paid It All and it ends with a victorious proclamation of this powerful phrase.

Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.582417

By The Beatles. By Brian Holland, Freddie Gorman, Georgia Dobbins, Robert Bateman, and William Garrett. Arranged by Jeff Tincher. Contemporary. Score. 13 pages. Jeff Tincher #3088079. Published by Jeff Tincher (A0.582417).

This is a piano/vocal/guitar arrangement of one of the more popular 60's hits. Done by a lot of artists, this arrangement is the one The Beatles released on their With The Beatles (English release) and Second Album (U.S. release) projects. This is a transcription from the original recording in the original key. I used The Beatles version because I really liked Paul's bass line. Great for any live performance or playing along with the recording. Duration=2.34. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftinktincher.

Euphonium,Instrumental Duet,Trombone - Level 3 - Digital Download

SKU: A0.747026

By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5899355. Published by Keith Terrett (A0.747026).

A great sounding arrangement of A Night in Tunisia arranged for Baritone, Euphonium, Trombone (BC) & Piano, low brass players will love this!

A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!

A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.

It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.

On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.

The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.

Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Piano,Viola - Level 3 - Digital Download

SKU: A0.747027

By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899685. Published by Keith Terrett (A0.747027).

A great sounding arrangement of A Night in Tunisia arranged for Viola & Piano, Violists will love this!

A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!

A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.

It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.

On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.

The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.

Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Flute,Piano - Level 3 - Digital Download

SKU: A0.747025

By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899351. Published by Keith Terrett (A0.747025).

A great sounding arrangement of A Night in Tunisia arranged for Flute & Piano, Flautists will love this!

A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!

A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.

It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.

On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.

The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.

Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download

SKU: A0.747043

By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043).

A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!

A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!

A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.

It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.

On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.

The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.

Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Piano Trio,String Ensemble - Level 5 - Digital Download

SKU: A0.1021523

Composed by Victor Rebullida. Concert,Contemporary. Score and parts. 34 pages. Victor Rebullida #6072941. Published by Victor Rebullida (A0.1021523).

Requiem-Trío. Elegía al poeta Miguel Hernández fue compuesto por encargo del Trío Salduie, de Zaragoza (España), que lo estrenó el 30 de marzo de 2012 en esta misma ciudad.

En cada uno de los cinco movimientos se asocia un verso del poeta con una parte de la Misa de Difuntos que considero relacionada en su esencia. Esta conjunción inspira el carácter de la música. En este canto en recuerdo del poeta sus versos trascienden en una espiritualidad laica y humanista.

Requiem-Trio. Elegy to the poet Miguel Hernández was composed for the Trio Salduie, from Zaragoza (Spain), who premiered it on March 30, 2012 in this same city.

In each of the five movements I associate a verse of the poet with a part of the Requiem Mass because I consider them essentially related. This conjunction inspires the character of the music. In this song in memory of the poet his verses transcend a lay and humanist spirituality.

Miguel Hernandez (1910-1942) was a Spanish poet dead in prison after the end of the Spanish Civil War.

Percussion Ensemble - Level 2 - Digital Download

SKU: A0.958089

Arranged by David Moraga Jr. Contemporary. Score and parts. 51 pages. David Moraga Jr. #3396847. Published by David Moraga Jr. (A0.958089).

There is another score that I have on here called Someone Watching Over Me and they are the same music but this is is a lot easier that that one because I don't want to discourage anyone for buying my music ( Middle School A Class ).

Percussion Ensemble - Level 5 - Digital Download

SKU: A0.1011784

Composed by Dalton McLaughlin. 20th Century,Jazz. Score and parts. 95 pages. Dalton McLaughlin #3452087. Published by Dalton McLaughlin (A0.1011784).

This percussion ensemble, which was written for the Wisconsin Youth Symphony Orchestras Percussion ensemble, is a jazz inspired blend of the music that fascinated me when I wrote this. It is inspired by the work of Claude Debussy and Jacob Collier, because I felt like there ins't really much in the way of a percussion ensemble in that vein. It is also inspired by the idea of Sisyphus, the Greek Myth, and the idea of a phoenix burning up to become renewed.

This piece works great for college percussion ensembles.

Woodwind Ensemble,Woodwind Quartet Flute - Digital Download

SKU: A0.889303

Composed by Mary Jane Lang. Standards. 35 pages. MaryJaneLang #32371. Published by MaryJaneLang (A0.889303).

This is written in one broad movement for a Flute in C quartet. I wrote it because I love the flute and want to incorporate a theme and variations approach. Each terrace gets a little more involved with counterpoint, etc., in the tonal fabric, building up to a dramatic tension point and then a D.C. back to the beginning to hold it all together and come to a final cadence. It is loosely based and inspired by the Baroque dance suite approach, very freely using the drama, echoes, tensions and cadences, telling a story. It is motivated by universal human experiences in living life (the drama of the terrace dynamics), making the most of opportunities using available resources -- all that good stuff! The title page is a dramatic photo of the Northern Lights from Alaska showing terraces, starting with our earth and looking upwards to infinity. The audio clip is not a sample, but a MIDI rendition of the whole composition.

Instrumental Duet Bass Guitar,Instrumental Duet,Ukulele - Level 1 - Digital Download

SKU: A0.1003806

Composed by Traditional. Arranged by Zachary Oon. Children,Christmas. Score and parts. 3 pages. Zachary #3367701. Published by Zachary (A0.1003806).

I arranged this song in a simple way because I want beginners to have a beautiful yet simple song to try out. Tablature and standard notation included.

Concert Band - Level 3 - Digital Download

SKU: A0.1088152

Composed by Wolfgang Amadeus Mozart. Arranged by Gabriele Delfino. Classical,Sacred. Score and parts. 18 pages. Gabriele Delfino #692401. Published by Gabriele Delfino (A0.1088152).

The beautiful Ave verum corpus composed by Wolfgang Amadeus Mozart arranged for small wind band. I decided to arrange it for only few instruments because I wanted to recreate the original sound of the orchestra. THIS ARRANGEMENT CAN BE PERFORMED WITH THE ORIGINAL PART OF THE CHOIR! This arrangement has the same key and number of measures of the original.

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.842139

Composed by Andrew Mc Donald. Christian,Country,Gospel. Score. 7 pages. Andrew Mc Donald (Macka Records) #4840845. Published by Andrew Mc Donald (Macka Records) (A0.842139).

Would You Rather is a song about hearing the Gospel. Sometimes people want us to water down the word of God or tickle their ears by saying things that may sound nice but not necessarily explain the truth. I would rather get someone saved because I was frank with them.