Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Piano Solo - Level 3 - Digital Download SKU: A0.1259082 Composed by Frederic Chopin. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 1 pages. Darek #852348. Published by Darek (A0.1259082). Prelude in E minor (MEDIUM PIANO) Op. 28, No. 4 [Frédéric Chopin]Intermediate arrangement for pianists of Prelude in E minor Op. 28, No. 4 by Frédéric Chopin (Frederic Chopin). Intermediate version for pianists / Intermediate piano arrangement. Included: Fingering, Dynamics, Articulation and video Youtube tutorial.  You can delve into the captivating world of piano sheet music with my collection featuring the exquisite Prelude in E minor Op. 28, No. 4 by Frédéric Chopin. Designed specifically for intermediate pianists, this arrangement offers a delightful challenge, allowing you to further refine your skills and explore the depth of this iconic composition. Within my meticulously crafted sheet music, you will find a wealth of valuable markings and instructions. Fingering notations guide your hands effortlessly across the keys, ensuring fluidity and precision in your performance. Explore the full expressive potential of the piece with detailed Dynamics markings, allowing you to shape each note and bring out the soulful melodies. As you navigate through the composition, discover the art of nuanced phrasing and interpretation with comprehensive Articulation instructions. These markings offer invaluable guidance to help you master the delicate balance between legato and staccato passages, adding depth and richness to your rendition. To support your musical journey, this product includes a YouTube tutorial video where an experienced pianist shares expert insights and performs the piece, guiding you through every section step by step. This visual aid allows you to observe their technique, learn interpretative choices, and refine your playing. The Prelude in E minor Op. 28, No. 4 originates from the Romantic era, an artistic period known for its passionate expression and evocative melodies. Immerse yourself in this musical epoch and experience the profound beauty that Chopin's composition encapsulates. With a strategic focus on online visibility, my product caters to intermediate pianists seeking comprehensive sheet music that ensures growth and artistic development. This arrangement strikes the perfect balance between challenge and accessibility, allowing you to expand your repertoire with confidence. Experience the transformative power of music as you unlock the melodies of the Prelude in E minor. Let my meticulously prepared sheet music, complete with Fingering, Dynamics, Articulation, and a YouTube tutorial, guide you towards a captivating performance. Elevate your piano playing and create an unforgettable musical experience that reflects the mastery and passion of Chopin's timeless creation.

Voice and piano - Medium - Digital Download SKU: MQ.8492-11E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-11E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-11E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Trombone Solo - Level 1 - Digital Download SKU: A0.1258976 Composed by Stephen Foster. Arranged by Glauco Fernandes. Instructional,Traditional. Individual part. 1 pages. Glauco Fernandes #852238. Published by Glauco Fernandes (A0.1258976). Exclusive Sheet Music! Solo Trombone Arrangement of Oh Susanna Attention trombonists! We are thrilled to present to you the sheet music for a captivating solo trombone arrangement of the beloved melody Oh Susanna! This arrangement has been carefully crafted to allow you to explore the full range and expressive capabilities of the trombone in a solo setting.The sheet music features the melody of Oh Susanna adapted specifically for the trombone, providing you with the opportunity to showcase the instrument's unique sound and expressiveness. Each note comes to life, allowing you to convey the expressive and lyrical qualities that make the trombone so captivating.With this arrangement, you can take your audience on a musical journey filled with charm. From the most delicate moments to the most powerful ones, each note will be an expression of your musicality and passion for the trombone. Imagine the unique sound of the trombone resonating as you deliver a captivating and passionate performance of Oh Susanna.The sheet music is suitable for trombonists of different skill levels, providing a rewarding experience for both beginners and experienced musicians. The arrangement has been carefully notated to ensure an accessible and enjoyable performance, allowing you to add your personal touch to the interpretation.In addition to the melody, the sheet music also includes chord symbols, providing a harmonic foundation for your improvisations and variations during the performance. This flexibility allows you to explore different harmonizations and create unique and personalized musical moments.Don't miss the opportunity to add this beautiful solo trombone arrangement of Oh Susanna to your repertoire. Let your trombone shine and captivate your audience with the timeless charm of this melody. Get your sheet music today and embark on a musical journey filled with expressive melodies and sincere emotions!Elevate your trombone performance, captivate your audience, and enjoy the pleasure of playing this beloved melody. The music is waiting for you. Get your sheet music today and dive into the enchanting world of Oh Susanna!

Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1259058 Composed by Ludwig van Beethoven. Arranged by Darek. 19th Century,Classical,Romantic Period,Wedding. Tablature. 1 pages. Darek #852323. Published by Darek (A0.1259058). Ode to Joy (GUITAR TAB) Theme from 9th Symphony [Ludwig van Beethoven]Guitar arrangement of Ode to Joy Theme from 9th Symphony by Ludwig van Beethoven. Simplified arrangement for guitarists. Easy-intermediate arrangement for beginners. Included: Sheet Music, Tabulature, Chords and Youtubue tutorial.  I am delighted to present you with the opportunity to learn and master the Ode to Joy Theme from Beethoven's 9th Symphony on the guitar. As a passionate guitarist and music enthusiast, I am thrilled to offer you my meticulously crafted guitar tablature for this timeless composition. Designed specifically for beginner-intermediate guitarists, my sheet music provides a seamless learning experience. With a focus on accessibility and progressive difficulty, you can confidently embark on your musical journey with this remarkable piece. Whether you're just starting out or looking to expand your repertoire, this guitar tablature will guide you every step of the way. The Ode to Joy Theme is a true gem from the classical era, showcasing the genius of Ludwig van Beethoven. As you dive into this composition, you'll be transported to a world of beauty, passion, and musical brilliance. The chords and tablature included in my sheet music faithfully capture the essence of the original piece, allowing you to recreate the iconic melody with ease. To enhance your learning experience, I have also included detailed sheet music and a video tutorial on YouTube. This comprehensive approach ensures that you have all the resources necessary to master the Ode to Joy Theme. From understanding the notes and chords to refining your technique and expression, my goal is to empower you to bring this masterpiece to life. Unlock your musical potential and embrace the joy of playing the guitar with this exceptional sheet music. Whether you dream of performing solo, jamming with friends, or simply immersing yourself in the magic of Beethoven's music, this guitar tablature will serve as your trusted companion. Experience the thrill of mastering the Ode to Joy Theme on the guitar and create music that resonates with your soul. Order your copy today and embark on a musical journey that will leave a lasting impression. Let the timeless beauty of Beethoven's composition inspire you as you strum the strings and bring forth the joyous melody.

Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.844555 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3537429. Published by Phil Beaman (A0.844555). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges.  Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato.  This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.

Voice and piano - Medium - Digital Download SKU: MQ.8492-16E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-16E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-16E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Flute,Piano - Level 2 - Digital Download SKU: A0.844541 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3516891. Published by Phil Beaman (A0.844541). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges.  Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato.  This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.

Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-28E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Piano Solo - Digital Download SKU: A0.987919 Composed by Christina Cheng Lian Tan. Concert,Contemporary. Score. 4 pages. Christina ChengLian Tan #496645. Published by Christina ChengLian Tan (A0.987919). 2015 Piano Contest Christina CL Tan COMPASS YouTube 2 minutes 2003 Marked Andante inquieto e appassionato Inquiétude is an étude or study in rhythmic subdivisions of two versus three, and three versus four, besides also being a word meaning restlessness; hence, the double entendre…inqui-étude. Inqui-étude – Andante inquieto e appassionato is found after Sonnambula 36:45.

Organ - Level 3 - Digital Download SKU: A0.1327693 Composed by Leonardo Antonio Di Chiara. 21st Century,Classical,Contemporary,Sacred. Score. 37 pages. LEONARDO ANTONIO DI CHIARA #915737. Published by LEONARDO ANTONIO DI CHIARA (A0.1327693). Questa raccolta di dieci brani per organo, concepita tra il 2021 e il 2023, rappresenta un passo significativo nel mio percorso compositivo. Manualiter volume II costituisce la continuazione di un viaggio musicale compositivo iniziato con la mia prima raccolta dall’omonimo titolo. Ogni brano è una riflessione sulla potenza espressiva dell'organo, guidata principalmente dai manuali e con l'uso parsimonioso dei pedali. Attraverso queste miniature organistiche, cerco di comunicare la mia visione della musica, invitando gli interpreti e gli ascoltatori ad immergersi in un'esperienza emotiva unica. La sequenza di brani inizia con la complessa Ciaccona palindroma, seguita dalla Ciaccona sopra DCHLA, il cui tema si basa sulle iniziali del mio nome e cognome, conferendo un carattere personale e distintivo. Cantabile d'affetto ed Elevazione introducono emozioni intense e profonde, mentre la Toccata aggiunge dinamismo e vitalità. Herzlich tut mich verlangen merita una menzione speciale. Questo brano è un corale seguito da due variazioni, con il tema tratto dal famoso corale della tradizione luterana dedicato al tempo di passione. Le variazioni esplorano le sfumature emotive del tema, offrendo un viaggio attraverso interpretazioni ricche e personali. La Toccata breve e il Canto di Pace presentano contrasti significativi, evidenziando la mia volontà di esplorare una vasta gamma di atmosfere ed emozioni. Inoltre Canto di Pace è un omaggio musicale alle vittime dell'attacco del 07 ottobre 2023 in Israele, un tentativo di commemorare coloro che hanno perso la vita in quel tragico evento attraverso la potenza emotiva della musica. Le Partite sopra In dulci jubilo si ispirano al corale natalizio della tradizione luterana In dulci jubilo e sono articolate in quattro variazioni, ognuna unica        nel suo approccio e nell'esplorare le possibilità sonore dell'organo. Infine c’è il brano U vaqa Sënd Vit, che tradotto dall'arbëresh significa Sono andato a San Vito. Questo brano è un omaggio alle mie origini arbëresh e trae ispirazione da un canto popolare della comunità arbëresh di Greci ed è dedicato al Cavaliere della Repubblica dott. Bartolomeo Zoccano che tanto si è prodigato per la diffusione della cultura arbëresh. La composizione adotta la forma della variazione, esplorando le potenzialità di questo canto tradizionale attraverso il linguaggio ricco ed evocativo dell'organo. Manualiter volume II rappresenta il frutto del mio impegno e della mia passione per l'arte dell'organo. Confido che questa raccolta possa essere accolta con la stessa gioia e apprezzamento con cui è stata creata, offrendo un viaggio musicale che va oltre le note, esplorando le profondità dell'anima attraverso le tastiere e i pedali dell'organo, e trovi un luogo speciale nei cuori degli organisti, degli appassionati di musica e di tutti coloro che cercano un'esperienza musicale significativa e avvincente.

Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.889415 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 18 pages. Luis Anjos Teixeira #3479405. Published by Luis Anjos Teixeira (A0.889415). Dear music Lovers and Friends. Gnome`s Dream revealed in the2018 Chamber Music Contest Entry.    Gnome`s Dream was designed to be performed by a group of five artists, or even seven, nine, one thousand or more!  Any kind of diatonic Harp can be used to perform this piece.  When playing the harp with the rest of the ensemble it might be better to perform it mostly as it was written.  In the absence of a Double bass, than should the cello take its part. In the case of an ensemble with more artists where we have already formed a bowed stringed orquestra, The double bass while playing the introduction of the piece remains a soloist and it will than be reenforced with a cello while the other bowed instruments are also playing. It would be good to tune the E string of the double bass down to a D but if this is not possible than simply play the lower „D notes one octave higher. It is a perfect piece for a mixed group of early beginners and „early soloists, it is very easy to perform. It can be played by a group of five artists, as well as a complete string orquestra with harp. Some interpretation symbols where used in the score as a performance suggestion. Most of the score is left virgin to the interpretation of the artists involved, particularly the use of bowing and fingering. It is a very flexible piece that can be used in all kinds of events. The score For the 2018 Chamber Music Contest Entrywas written on Finale.  The sound file For the 2018 Chamber Music Contest Entry, was produced with samplers from Garritan, conceived as an audio support for the presentation of the score. It is here presented as a Harp Quintet. Thank you very much for taking your time to read this text and to listen to the file. This is the first time that it has been published in Sheet Music Plus. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Thanks to Stray Queen Mimi for my Family, all the Love and Compassion. Special thanks to my feline Family for all the Patience, Love and Compassion. Luis Anjos Teixeira

Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.889414 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 40 pages. Luis Anjos Teixeira #3478441. Published by Luis Anjos Teixeira (A0.889414). Celtiberian Fantasy For Harp And Strings written for the - 2018 Chamber Music Contest Entry. Dear music Lovers and Friends.  Celtiberian Fantasy was designed to be performed by a group of five artists, or even seven, nine, one thousand or more!  Any kind of diatonic Harp can be used to perform this piece.  The harp part can also be performed as a solo piece.  When performing the piece solo and according to the size of the harp or the needs of the artist of course, it is possible to transpose the left hand part an octave lower and to open many of its chords or adding a bass without damaging the caracter of the music. When playing the harp with the rest of the ensemble it might be better to perform it mostly as it is written. The double bass is a soloist but it can be reenforced with a cello. Otherwise the cello joins the ensemble only in the „Tutti. However in the absence of a Double bass, than should the cello take its part. A Cello should always be present in the case that a little stringed orquestra performs the piece. It is a perfect piece for a mixed group of early beginners and „early soloists, it is very easy to perform by experienced artists. It can be played by a group of five artists, as well as a complete string orquestra with harp. Some interpretation symbols where used in the score as a performance suggestion. Most of the score is left virgin to the interpretation of the artists involved, particularly the use of bowing and fingering. It is a very flexible piece that can be used in all kinds of events. The score For the 2018 Chamber Music Contest Entrywas written on Finale.  The sound file For the 2018 Chamber Music Contest Entry, was produced with samplers from Garritan, conceived as an audio support for the presentation of the score. It is a Harp Quintet with a Double Bass instead of a Cello. Another audio version with the full orquestra will be found in sound cloud at „Anjos Teixeira Music. Thank you very much for taking your time to read this text and to listen to the file. This is the first time that it has been published in Sheet Music Plus. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Thanks to Stray Queen Mimi for my Family, all the Love and Compassion. Special thanks to my feline Family for all the Patience, Love and Compassion. Luis Anjos Teixeira

Piano and voice - Digital Download SKU: LV.17695 Composed by Moore. Courtship & love, Compassion. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17695). Come Rest in This Bosom. Written by Moore. French Air. Published 1823 by G. Willig in Baltimore. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Courtship & love, Compassion. First line reads Come rest in this bosom, my own stricken deer!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.912930 Composed by Brandon Nelson. Concert,Contemporary,Jewish. Octavo. 18 pages. Brandon Nelson #2082135. Published by Brandon Nelson (A0.912930). El Malei Rachamim (God full of compassion) is a Jewish prayer for the departed that is recited at funeral services, on visiting the graves of relatives (especially during the holy month of Elul), and after having been called up to the reading of the Torah on the anniversary of the death of a close relative. The prayer originated in the Jewish communities of Western and Eastern Europe and since the end of the Holocaust, the prayer has been adapted as a memorial prayer for the victims of the Holocaust and Nazi persecution. The full text (which has been freely adapted in this piece): O God, Who art full of compassion, who dwellest on high, grant perfect rest in Thy Divine Presence to all the souls of our holy and pure brethren whose blood was spilt by the murderers in Auschwitz, Belzec, Bergen Belsen, Dachau, Majdanek, Sobibor, Treblinka and other extermination camps in Europe; who were killed, strangled, burned and buried alive for the sanctification for Thy Name. For whose souls we now pray. May their resting place be in the Garden of Eden, may the Master of Mercy shelter them in the shadow of His wings for eternity; and may he bind their souls in the Bond of Live. HASHEM is their heritage, and may they repose in peace in their resting places. Now let us say: Amen This setting features of mix of traditional and contemporary composition methods to create a highly emotional and deeply meaningful experience for performer and listener. The subject is explored from a number of angles, including reverence, mystery, grief, anger, and hope. (Learn more about me at bnelsonmusic.wordpress.com).