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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download

SKU: A0.1393426

Composed by Felix Jakob Ludwig (dp) Mendelssohn Bartholdy and Gary Loyd Boren. Arranged by Peet du Toit. Romantic Period. 14 pages. Peet du Toit #976937. Published by Peet du Toit (A0.1393426).

Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches, generally being played on a church pipe organ.

At weddings in many Western countries, this piece is commonly used as a recessional, though frequently stripped of its episodes in this context. It is frequently teamed with the Bridal Chorus from Richard Wagner's opera Lohengrin, or with Jeremiah Clarke's Prince of Denmark's March, both of which are often played for the entry of the bride.

The first time that Mendelssohn's Wedding March was used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.

An organ on which Mendelssohn gave recitals of the Wedding March, among other works, is housed in St Ann's Church in Tottenham.

Wedding March
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$21.00 18.82 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download

SKU: A0.882289

Composed by Vince Peterson. 20th Century,A Cappella,Children,Contemporary. Octavo. 5 pages. Personage Press, LLC #5203925. Published by Personage Press, LLC (A0.882289).

Thank you for your interest in this title! You can purchase individual copies for a lower price at PersonagePress.com.


Vince Peterson's setting of Shakespeare's text from The Tempest is a great alternative to the long-treasured staple by Vaughn Williams. The three-part ostinato in the alto line turns the section into a sort of backup group (the nymphettes if you will...) who herald the sea nymphs now caring for Ferdinand's father deep at the bottom of the water. The pulsation and doo-wop nature of the alto trio is meant to heighten the comic effect of Ariel's failed attempt to console Ferdinand at this moment in Act 1, Scene 2 of the play.

Full Fathom Five
Chorale SATB

$54.00 48.4 € Chorale SATB PDF SheetMusicPlus






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