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Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.796144 Arranged by Christopher Esther. Christmas. Individual part. 2 pages. Christopher Esther #6121433. Published by Christopher Esther (A0.796144). This piece is part of a 12 song collection available for just $9.99 (or only $0.83 per song)! Find the full collection for your instrument by going to…https://sites.google.com/view/cpesther/sheetmusic/boughs-of-holly-or-https://www.sheetmusicplus.com/search?Ntt=Classic+Christmas+Songs+-+The+%22Boughs+of+Holly%22+SeriesAll of these pieces are also completely compatible with any others in the series, so you can build your own instrumentation without worrying about whether the music will work together!
Hark! The Herald Angles Sing for Alto Saxophone
Saxophone Alto

$1.99 1.72 € Saxophone Alto PDF SheetMusicPlus

Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.796156 Arranged by Christopher Esther. Christmas. Individual part. 2 pages. Christopher Esther #6121457. Published by Christopher Esther (A0.796156). This piece is part of a 12 song collection available for just $9.99 (or only $0.83 per song)! Find the full collection for your instrument by going to…https://sites.google.com/view/cpesther/sheetmusic/boughs-of-holly-or-https://www.sheetmusicplus.com/search?Ntt=Classic+Christmas+Songs+-+The+%22Boughs+of+Holly%22+Series...All of these pieces are also completely compatible with any others in the series, so you can build your own instrumentation without worrying about whether the music will work together!
Hark! The Herald Angles Sing for Soprano Saxophone
Saxophone (partie séparée)

$1.99 1.72 € Saxophone (partie séparée) PDF SheetMusicPlus

Tenor Saxophone Solo - Level 1 - Digital Download SKU: A0.796159 Arranged by Christopher Esther. Christmas. Individual part. 2 pages. Christopher Esther #6121461. Published by Christopher Esther (A0.796159). This piece is part of a 12 song collection available for just $9.99 (or only $0.83 per song)! Find the full collection for your instrument by going to…https://sites.google.com/view/cpesther/sheetmusic/boughs-of-holly-or-https://www.sheetmusicplus.com/search?Ntt=Classic+Christmas+Songs+-+The+%22Boughs+of+Holly%22+Series....All of these pieces are also completely compatible with any others in the series, so you can build your own instrumentation without worrying about whether the music will work together!
Hark! The Herald Angles Sing for Tenor Saxophone
Saxophone Tenor

$1.99 1.72 € Saxophone Tenor PDF SheetMusicPlus

Oboe Solo - Level 1 - Digital Download SKU: A0.796155 Arranged by Christopher Esther. Christmas. Individual part. 2 pages. Christopher Esther #6121453. Published by Christopher Esther (A0.796155). This piece is part of a 12 song collection available for just $9.99 (or only $0.83 per song)! Find the full collection for your instrument by going to…https://sites.google.com/view/cpesther/sheetmusic/boughs-of-holly-or-https://www.sheetmusicplus.com/search?Ntt=Classic+Christmas+Songs+-+The+%22Boughs+of+Holly%22+SeriesAll of these pieces are also completely compatible with any others in the series, so you can build your own instrumentation without worrying about whether the music will work together!
Hark! The Herald Angles Sing for Oboe
Hautbois (partie séparée)

$1.99 1.72 € Hautbois (partie séparée) PDF SheetMusicPlus

Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.    
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking
$20.00 17.32 € 2 Pianos, 4 mains PDF SheetMusicPlus

Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
Trombone

$25.00 21.65 € Trombone PDF SheetMusicPlus

C Instrument - Level 2 - Digital Download SKU: A0.769498 By Simply Red. By Mick Hucknall and Neil Moss. Arranged by FakeBook Guy. Pop. Lead Sheet / Fake Book. 1 pages. Fakebook Guy #377130. Published by Fakebook Guy (A0.769498). Discover the ultimate collection of high-quality sheet music for all your musical needs! Our sheet music is carefully crafted to bring you the best in notation and layout, so you can play your favorite tunes with confidence and ease.With our sheet music, you'll enjoy exceptional detail and clarity in every note and chord, ensuring that you can play with accuracy and precision. Our sheet music is designed with the musician in mind, with a clean, easy-to-read layout that makes it simple to follow along and practice.Whether you're a beginner or an experienced musician, our sheet music is perfect for anyone who wants to improve their skills and enjoy the full expression of their musical talents. So why wait? Order your sheet music today and start playing like a pro!
Holding Back The Years
Instruments en Do
Simply Red
$5.00 4.33 € Instruments en Do PDF SheetMusicPlus

Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521780 Composed by Ludwig van Beethoven. Arranged by Sherry Lewis. Classical,Holiday,Spiritual,Wedding. 12 pages. Sherry Lewis Publishing #6449207. Published by Sherry Lewis Publishing (A0.521780). PATHETIQUE SONATA  Adagio cantabile, 2nd mov. Op. 13, No. 8 String Duo, Intermediate Level for violin and cello  Score: YES Parts: 4 pages  Time: 4'35 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts  however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit  https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups.  AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations.  ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
PATHETIQUE SONATA, Adagio cantabile, 2nd mov. Op. 13, No. 8 String Duo, Intermediate Level for viol
Violon, Violoncelle (duo)

$4.50 3.9 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Guitar Ensemble - Level 3 - Digital Download SKU: A0.1464400 By Pink Floyd. By Roger Waters. Arranged by Harry O'Brien. 20th Century,Pop,Rock. Score and Parts. 14 pages. Harry O'Brien #1043124. Published by Harry O'Brien (A0.1464400). An Intermediate 4 piece guitar ensemble arrangement of Pink Floyd's hit song, Another Brick In The Wall (Part II). A fun way to engage a group of guitarists under the belief they don't need no education.The arrangement for 3 guitars and 1 bass creatively arranges the rock song into a small guitar ensemble, and can be played by either a quartet, or an ensemble with multiple players per part. It would suit a high school guitar ensemble or similar. Includes space for improvised soloing over a simple chord progression.Comes with Full Score and parts for the following instruments:Guitar IGuitar IIGuitar IIIElectric Bass (can be substituted by a fourth guitar)About the arranger:Harry O'Brien is an emerging composer, arranger, guitarist and music educator in Sydney, Australia. His rock/jazz performance background, orchestral and film composition studies at Sydney Conservatorium, along with being an experienced conductor/director of school-level concert bands and guitar ensembles, give him a highly versatile and distinct arranging sound, one which understands the role every instrument can play in a school band. Arrangements for professional orchestras have been performed in venues around Australia including the State Theatre and Her Majesty's Theatre Adelaide. Website: https://obrienharry08.wixsite.com/music
Another Brick In The Wall
Pink Floyd
$40.00 34.64 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534500 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 429 pages. Musik Fabrik Music Publishing #3573587. Published by Musik Fabrik Music Publishing (A0.534500). J. S. Bach completed the 24 preludes and fugues that make up the first book of the Well-Tempered Clavier in 1722 in Cöthen, where much of his other important instrumentalchamber music was written. The twenty-four segments go through all of the major and minor keys, with an prelude which explores a single texture or figuration and a contrasting fugue in either 2, 3, 4 or 5 voices. In this arrangement, the different voices are either shared by the four instruments or, in the case of the five voices of the Fugue in Bb minor, implied through arpeggios in the alto and tenor voices. Care must be taken to make these implied chordssound through discretely sustaining these voices through resonance.The preludes are generally in relatively free improvisatory forms which explore different types of baroque devises, including italianate keyboard figuration, “arioso†ornamented melodies with ostinato accompaniments, and more abstract forms. Two of the preludes are especially notable: the stately harmonic progression of the First prelude in C major, one of Bach’s most well-known works, and the gigantic prelude and double fugue of the Eb Major prelude.The fugues represent an exploration of all styles, ranging from the Ricacare in the Fugue no. 4 in c# minor and the use of augmentation, canon and inversion in no. 8 in Eb minor.
J. S. Bach: The Well-Tempered Clavier, Book 1 BWV 846-869 24 preludes and fugues arranged for SATB s
Quatuor de Saxophones: 4 saxophones

$77.95 67.51 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus






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