In his seventh string quartet, the well-known Swiss composer Rudolf Kelterborn has achieved something special in terms of form: the title and subtitle already suggest that this quartet plays with a distinctively fragmented inner structure. It is highly appealing how the succession of short individual fragments becomes a cohesive one-movement whole.Both performers and audience encounter a skilful dramaturgy enabling them to experience the diverse spectrum of expression which this genre, steeped in tradition, opens up. / 2 Violons, Alto Et Violoncelle
