In the beginning clarinets should play full with good airflow and firm embouchures. Accompanying parts should be connected and delicately tongued. When breathing students must always take in plenty of air. Long sounds require lots of support. Whenever eighth notes occur do not allow fingers to be slow - be accurate and assertive. In the forte section at measure 41 continue to play beautifully connected tones with great airflow. Work hard to achieve the piano in measure 47 and the crescendo in measure 48 for a glorious musical effect.
