Laudatio Trinitatis (1969) is in three movements. In nomine Patris is a mighty proclamatory hymn, Ket Filii begins in a quiet, ardent mood that acquires tortured tones as the texture thickens, and the final movement, Ket Spiritus Sancti, is sturdily energetic. A triplet figure gradually emerges as an ongoing ostinato that brings the work to a spirited conclusion.
