The three parts that form the triptych are inspired by three love poems by the poet Luis Cernuda, which describe different moods and temperaments of the lover. This subject is an infinite source of musical ideas full of expression. Intentionally, harmonic language and different pianistic textures are used with clear allusions to the sonorous world of Romanticism. The three pieces use the same thematic material which is transformed in order to adapt to the varying emotional states that the poems suggest.
