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Classical Guitar Pedagogy


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Matériel : Partition

by Anthony Glise. For classic guitar. Anthony Glise Urtext. Classic. Level: Multiple Levels. Book. Reference. Size 8.75x11.75. 282 pages. Published by Mel Bay Pub., Inc.

Instrumentation :

Guitare


Sous-instrumentation :

Guitare classique


Editeur :

Mel Bay


Song List: Preface Publishing Credits Introduction BOOK I: PRINCIPLES OF TECHNIQUE Introduction to Book I Chapter One - Sitting Position of the Instrument Position of the Arms Position of the Legs Chapter Two - Anatomical Function of the Hands General Anatomical Terms Finger Movement The Thumb The Left Hand Position of the Wrist Guitar-related Injuries General Warning About Injuries Chapter Three - The Right Hand Position and Movement of the Right Hand (Closed and Open Techniques) Position and Movement of the Thumb Shape of the Nails Nails vs. Flesh Chapter Four - The Left Hand Position of the Left Hand (Turned Hand and Flat Hand Positions) Movement of the Left Hand Fingers Afterword to Book I BOOK II: PRINCIPLES OF PEDAGOGY Introduction to Book II Chapter Five - The Right Hand Scratching Exercise Moving Exercise Releasing Exercise Additional Exercises Alternation Right Hand Fingering Chapter Six - The Left Hand Left Hand Fingering - "The Fourth-Finger Approach" Chapter Seven - The Right and Left Hands Exercises - "The Basic Seven" Rhythmic Variants of "The Basic Seven" Pulsing Scales Arpeggios (Individual Full Plant, Full Plant, Sequential Plant and Free Arpeggio techniques) Chapter Eight - The Teacher Teaching (Research, Reading, and Memorization) Coaching Chapter Nine - Practicing Practicing Practicing for Performances Chapter Ten - Additional Subjects for Intermediate Students Bars Vibrato (Arm, Wrist, and Finger Vibrato) Developing Speed (Right and Left Hand Speed Development) Accuracy in Fast Passages Tremolo Chapter Eleven - Additional Subjects for Advanced Students Advanced Bar Techniques (Hinge Bar and Split Bar) Appagado Arpeggiating Chords Cadential Arpeggiation Harmonics (Natural and Artificial) Left Hand Split Trills Playing with the Flesh Rest Stroke Melodies in Arpeggios Right Hand Cross Alternation Right Hand String Crossing with P Subito Piano Slurs Tamboura Timbre Changes (Opposition and Complementary Movements) Chapter Twelve - Performing Stage Presence Chapter Thirteen - On Stage Stage Etiquette Stage Fright Media Chapter Fourteen - Teaching Children Chapter Fifteen - Arranging a Private Studio BOOK III: MUSICIANSHIP Introduction to Book III Chapter Sixteen - The Middle-Man - An Introduction to Aesthetics The Artist The Art Chapter Seventeen - Physical Control Over the Sound Dynamics Timbre Articulation Phrasing Chapter Eighteen - Mental Control Over the Sound Singing Mental Dynamics Mental Orchestration Mental Practicing Chapter Nineteen - Phrasing: "The Strong-Weak Maxim" Chapter Twenty - Schenker Analysis for Interpretation Chapter Twenty-One - Temporal Modes in Music Epilogue Appendix I: Troubleshooting Checklist for Teachers Appendix II: Sample 16-Week Lesson Outline Appendix III: Suggested Methods, Studies and Pieces Appendix IV: Suggested Magazines Appendix V: Selected Research Source Materials Author's Biography

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