Song List:
Chapter One: simple harmonic ideas
Form: major blues
Harmonic elaboration: major blues
Arpeggio ideas, Ex. 1 F blues
Arpeggio ideas, Ex. 2 Bb blues
Arpeggio ideas, Ex. 3 F blues
Arpeggio ideas, Ex. 4-6
Motivic arpeggios, Ex. 7-9
Chapter Two: fourths
F mixolydian four-note fourth voicings explanation/example, Ex. 10
Bb mixolydian four-note fourth voicings, Ex. 11
F# melodic minor four-voice fourths explanation/example, Ex. 12
Db & Eb Melodic minor four-note fourth voicings, Ex. 13-14
Study #1, blues in F, comping four-note fourths
Study #2, blues in F, comping four-note fourths
Three-note fourth voicings, Ex. 15-16
F#, Eb, & Db melodic minor three-note fourth voicings, Ex. 17-19
Study #3, blues in F, comping three-note fourth voicings
Arpeggiated three-note fourths, Ex. 20
Study #4, comping three-note fourths, blues in F
Arpeggiated three-note fourths, Ex. 21, blues in F
Eb lydian, three-note fourth voicings
Study #5 (Blues for J.T.)
Ex. 22 one chorus solo ala Joe Henderson on Blues for J.T.
Chapter Three: minor blues
Ex. 23 Gmi7 pentatonic scale against Cmi7 chord
Ex. 24 C minor blues form
Ex. 25 dominant b7b13 chord and harmonic minor
Ex. 26 C harmonic minor exercise
Study #6 C minor blues
Study #7 5/4 C minor blues groups of 3 over 5
Chapter Four: more complex harmonic ideas
Charlie Parker style F blues
Study #8 Parker blues exphasizing upper-structure
Ex. 27 Coltrane blues changes
Ex. 28 Cycle blues changes
Study #9 Bb blues with Coltrane changes
Appendix A: practice tracks
Practice tracks 36-41, F, Bb and G blues
Practice tracks 42-47, Db, C minor and C minor 5/4 blues
Practive tracks 48-53, F Parker blues, F and Bb Coltrane blues
Appendix B: alternate vertical elements
Ex. 29, Alternate pentatonic vertical elements, G minor pentatonic
Ex. 30, C minor pentatonic alternate voicings
Ex. 31, G minor pentatonic fourth voicings
Ex. 32, C minor pentatonic fourth voicings
Ex. 33, C harmonic minor fourth voicings
Ex. 34, F harmonic minor fourth voicings, Ex. 35, C harm. Minor non-fourth voicings
