Choral 3-part choir mixed Voices, Piano SKU: CF.CM9567
Composed by Michael John Trotta. Traditional with additional lyrics by Michael John Trotta. Mjts. With Standard notation. 12 pages. Duration 5:12. Carl Fischer Music #CM9567. Published by Carl Fischer Music (CF.CM9567). ISBN 9781491153642. UPC: 680160911141. 6.75 x 10.5 inches. Key: A major. English. Traditional with additional lyrics by Michael John Trotta.
Conceived as a work for emerging choirs looking for a positive message that affords opportunities to develop musical skills within appropriate ranges, this work is easy to learn, fun to sing, and offers many options for the growing choral ensemble. Whether chosen for its close harmonies, optional a cappella middle section or rhythmic vigor, Whatever Is True is a favorite with choirs and audiences alike. Optional claps and stops afford opportunities to underscore the rhythmic intensity of the final section whether performed a cappella or with the piano accompaniment.
Conceived as a work for emerging choirs looking for a positive message that affords opportunities to develop musical skills within appropriate ranges, this work is easy to learn, fun to sing, and offers many options for the growing choral ensemble. Whether chosen for its close harmonies, optional a cappella middle section or rhythmic vigor, Whatever Is True is a favorite with choirs and audiences alike. Optional claps and stops afford opportunities to underscore the rhythmic intensity of the final section whether performed a cappella or with the piano accompaniment.
Conceived as a work for emerging choirs looking for a positive message that affords opportunities to develop musical skills within appropriate ranges, this work is easy to learn, fun to sing, and offers many options for the growing choral ensemble.Whether chosen for its close harmonies, optional a cappella middle section or rhythmic vigor, Whatever Is True is a favorite with choirs and audiences alike.Optional claps and stops afford opportunities to underscore the rhythmic intensity of the final section whether performed a cappella or with the piano accompaniment.
