A collection of ideas and exercises based on fundamental elements of horn playing-Following on from Bob Ashworth's brilliant 'Horn Warm-Ups' (EME635) this A5 booklet offers more demanding challenges for horn players: exploring a w…
A brilliant little A5 booklet of daily warm-up exercises designed to consolidate techniques and achieve a focused sound prior to practising or performance. Fits neatly in any case. Thoroughly road-tested by the Opera North hornse…
Adrien Barthe's Couvre Feu or 'Curfew' for Oboe and Piano. Couvre Feu is No.5 (and the best) of a set of six pieces for Oboe (or Violin) and Piano by French bandmaster AdrienBarthe and probably the only one of the six to be in pri…
A delightfully evocative three-movement suite depicting three town scenes for B flat Clarinet Violin Viola Cello.Contents:Market DayThe Old AbbeyThe Flower Show
Sonatas From Opus 1-This first volume comprises seven of Handel's elegant Flute sonatas from Opus 1. This edition was edited and realised by Lionel Salter and aims to provide Flautists and Recorder players with as authentic atext …
Arnold Cooke was born in Yorkshire on November 4th 1906. He was educated at Repton School and then went to Cambridge University in 1925 where he gained a degree in history. He then transferred to the musicfaculty studying with E…
Christopher Ball's beautiful arrangements of four folksongs are simple but extremely effective ideal for showing off the lyrical talents of the performer. They have been recorded by Leslie Craven(Principal Clarinettist BBC Natio…
These six songs Op.154 originally scored for baritone violin and piano have been adapted for medium voice clarinet and piano by Chris Allen and work incredibly well. An excellent addition to the repertoire for this particularc…
Solo Bass Clarinet-Claude Debussy's Syrinx for Bass Clarinet. Despite being written originally for Flute this transcription of Syrinx by Helen Paskins works beautifully for the Bass Clarinet; the timbre of theinstrument really re…
“I wrote Rhapsody in 2000 but it remained unperformed and so I gave a copy to John Orford the Bassoonist and Professor at the Royal Academy of Music. Some years later to my surprise and delight hecontacted me to ask if it …
