A setting of a selection from the Panikhida Service (Service For Those Fallen Away). For unaccompanied SATB choir. Large (A3) score. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.
Tua Bethlem Dref by David Davies is arranged here for Unaccompanied SATB Choir by Geoffrey Webber. Part of the lyrics are in Welsh but there is a useful phonetic pronunciation guide to aid non-speakers.
My Jesu Sleep is a work for unaccompanied SATB Choir composed by Adam Harvey with text by clergyman Reverend H. R. Bramley. In the March 2016 edition of Organists' Review Rebecca Tavener writes that this work has a 'memorable lilting melody' and that 'choirs of modest ability will learn it quickly and no doubt appreciate its easy charm.'
A carol for unaccompanied SATB choir by John Tavener with words by Mother Thelka. This work was first performed in December 1989 at Westminster Abbey London by the Choir of Westminster Abbey conducted by Martin Neary.
Using the traditional lyric May the road rise to meet you Joyce's a cappella creation makes a moving easily-taught concert closer. Available: SATB a cappella.
This tender a cappella ballad recorded by Alison Krauss captures all the emotion and expressiveness you could ever want. Perfect for jazz and pop groups you'll create sheer magic in concert! Available: SATB. Duration: ca. 3:10.
The traditional French carol Quelle Est Cette Odeur Agréable has here been arranged for unaccompanied SATB choir by Matthew O'Donovan. Originally published in Noël! 3.
Peter Maxwell Davies' 1990 work for unaccompanied SATB choir written for the BBC singers. Words by George Mackay Brown.'Written for the BBC Singers this piece requires a high level of choral expertise in its rhythms intricate textures (though nearly always in four parts) wide-ranging vocal lines and characteristically dark but luminous harmony impregnated with tritones and seconds. Not for the…
The Great Doxology-Slavosloviye Velikoye (The Great Doxology) is a work by Sergei Rachmaninoff for Unaccompanied SATB Choir. From the 'All-Night Vigil ' this is the Vocal Score featuring a pronunciation guide and an explanation of the transliteration and translation. The lyrics are in the original and a phonetic transliteration.
First published in 1926 Bye Bye Blackbird has been enduringly popular ever since. It has been recorded by numerous artists and its simplicity brings a beauty which works perfectly for SATB choir.This a cappella arrangement is simple and easy to learn and choirs of all standards will enjoy singing it.Bye Bye Blackbird is here arranged for SATB choir a cappella. Piano reduction included for easy…
The Flemish School For 4 Voices-The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts and contain a mixture of well known and unfamiliar pieces some of which are published for the first time.Allappear in completely new editions by Anthony G. Petti.
My Song Is Love Unknown is a wonderful sacred work set for a solo quartet of singers and SATB choir and is based on John Ireland's well-loved hymn-tune Love Unknown. Alexander L'Estrange expertly takes fragments of Ireland's melody developing interweaving and re-harmonising them to create a powerful ethereal sound-world that perfectly reflects the poem's themes of love sorrow passion death…
For SATB unaccompanied.Let nothing trouble you is a striking and atmospheric setting of a prayer by the Spanish mystic St Teresa of Ãvila. This work is both comforting and meditative reflecting the mood of the text and the music adds a beautifully haunting quality through the use of a murmuring two-note motif widely arching melodies and reflective imitation. Commissioned by The Genesis Foun…
(from The Phantom of the Opera)-The powerful and dramatic song from The Phantom of the Opera in a brilliant a cappella setting! For unaccompanied SATB choir. Performance Time: 4:50.
Coldplay's biggest hit to date this pop juggernaut manages to marry sweeping melodies with repetitive textures reminiscent of Steve Reich or Philip Glass-esque minimalism. The rich overlapping vocal lines split into as many as nine different parts at times (in addition to the tenor solo) but the repeating patterns keep it from being challenging.