The Awakening Hour

For Flute, Clarinet In Bb, Harp, and String Quartet. Par LASH HANNAH. Form and Postlude is a piece in one continuous movement but with a distinct postlude which ends the work. I play throughout with the idea of pacing on many levels: the largest level is the idea of proportion of sections to one another, then harmonic rhythm (in the broad sense), then harmonic rhythm on a more local level, and of …

for flute and guitar. Par BEASER ROBERT. / Répertoire / Flûte Traversière et Guitare

For Solo Piano. Par LASH HANNAH. Pianist Lisa Moore has an extraordinary charisma and energy at her instrument, with a kind of musical laser focus that I find tremendously inspiring. I wanted to write her a set of pieces that would play to her wonderful range and character as a performer. So I decided to write pieces in the spirit of etudes: each focuses on a different type of playing or technique…

Par RANDS BERNARD. This string quartet is in one continuous movement of fifteen sections, with each section being a ’transcription’ of the music in a previous section. In these transcriptions the changes can be somewhat minimal – a slight altering of register, dynamics, rhythms, or more radical resulting in new harmonic and contrapuntal relationships. With this compositional method Rands aims to c…

/ Flûte, Alto Et Harpe

Par SPEARS GREGORY. Troika is a Russian word meaning “set of three” or a “sled pulled by three horses.” In many places in the score there are three rhythmic layers working at different speeds to create a sense of forward motion. Sometimes these layers create a sense of a headlong rush, at other points the music glides along gently. The pianist may find places in the score that evoke other aspects …

for solo piano. Par LASH HANNAH. / Répertoire / Piano

Par SPEARS GREGORY. The Tower and the Garden is a setting of three poems for choir and string quartet. The texts juxtapose the dangers of technological hubris (the tower) and the need for a place of refuge (the garden) in a world threatened by war and ecological disaster. Each text suggest ways in which Catholic thought and imagery might challenge the status quo. The first text, poem 80 from the …

for harp. Par LASH HANNAH. Stalk’s organic structure and dreamlike material reflect its inspiration: a nightmare in which the composer was trapped in a garden of beautiful white flowers—each turn in the path leading deeper into a maze of fragrant but dangerous beauty. - Hannah Lash/ Répertoire / Harpe

for wind ensemble. Par SCHWANTNER JOSEPH. / Répertoire / Instruments à Vent

from Thérèse Raquin. Par PICKER TOBIAS. / Répertoire / Mezzo-Soprano et Piano