Par PHILLIPS BOB. A cute, pedagogically-based (get it'), first-year bass section feature, this piece will be fun and is sure to make your beginners sound fabulous. This piece is in first position for all players except basses. Basses shift up to C and D on the G string and only play pizzicato. Continuing Bob Phillips' tradition of bass section features, Dance of the Bowless Basses is sure to becom…

Experience the exciting music of the marichi tradition! Lifelong mariachi performer and educator John Nieto joins Bob Phillips to provide authentic orchestral settings of familiar, traditional tunes for string orchestra alone, mariachi band alone, or string orchestra and mariachi band together. Trumpet and accompaniment books are available to provide optional parts for trumpet, guitar, guitarron, …

Vivez la musique excitante de la tradition Marichi! Tout au long de mariachi interprète et pédagogue John Nieto rejoint Bob Phillips de fournir authentiques paramètres d'orchestre de familiers, des airs traditionnels pour orchestre à cordes seules, groupe de mariachis seul ou orchestre à cordes et bande de mariachi ensemble. Trompette livres et d'accompagnement sont disponibles pour fournir des pi…

Score Parties. Par GREEN DAY / PHILLIPS BOB (Arr.). / Répertoire / Orchestre à Cordes

Par STACY PHILLIPS. Pourquoi les violonistes doivent avoir tout le plaisir ? Stacy Phillips, auteur avant tout de l'Amérique de livres pour violoneux, a transformé son expertise au violoncelle. Les airs de violon pour deux violoncelles contient 56 restitutions authentiques des airs de violon disposées en harmonie pour deux violoncelles. Parfait pour les duos enseignant/élèves ou simplement étendre…

Gymnopédie No. 3 By Erik Satie arr. Bob Phillips Full Orchestra Conductor Score and Parts Take them to festival with this stunning, minimalist piece, arranged with the melody doubled in many sections, for a first full orchestra experience. With an emphasis on slow bows, the easy rhythms and notes are very true to the original piano piece. The first violins play F-natural, but all ranges are beg…

This charming piece is a perfect choice for a first festival experience and will help any group sound more mature. Written by Emil Waldteufel and arranged by Bob Phillips, the melody moves around to all sections in this setting. Written in first position in the keys of G and D, it is a great piece to work on lo and hi 2s in the upper strings as well as stopped bows in the entire string section. Al…

The poem and original hymn-like music of 'Lift Every Voice and Sing,' by James and J. Rosamond Johnson, reverberate through the decades of the civil rights movement. Originally performed for Booker T. Washington in 1900, it is sometimes called the 'African-American National Anthem.' This setting, by Bob Phillips, teaches 6/8 and uses chromatic alterations in first position. A vocal lead sheet is i…

The Real Vocal Book has many of the selections from volumes 1 and 2 of the instrumental Real Books, but now with the lyrics added to the pre-existing melody line.This songbook contains nearly 300 essential songs compiled especially for singers, including: Alfie, All of Me, Autumn Leaves, Bewitched, Bluesette, Don't Get Around Much Anymore, Fever, Georgia on My Mind, Misty, Moon River, My Funny Val…

All sections are featured, including the cellos and basses, in this bouncy tango. With romantic tension building in the middle section, you can make this one romantic and dramatic, or comedic by envisioning dancing bulldogs! (3:40) Correlates to Sound Innovations Book 2, Level 2. / Orchestre A Cordes

For Halloween or any scary time, this eerie, yet easy piece remains on the G, D, and A strings in first position and reinforces F-natural on the D string for all instruments. Add skits and theatrics and remember, 'Ssshhh!' (2:15) Correlates to Sound Innovations Book 1, Level 3. / Orchestre A Cordes

Cette pièce luxuriante et magnifique est idéal pour le festival. L'ouverture majestueuse comprend mètre mixte avec une impulsion quart de note commune. Les altos et violoncelles brillent dans la section du milieu obsédante, tandis que les basses accompagnent avec un contre-chant. La section de clôture permet aux violons de monter en flèche. / Concert Band

Cute narration and easy string parts! The perfect piece to play with parents of younger players or for older players performing for elementary students, the narration takes the audience on a musical tour of the creation of a beautiful stringed instrument. (3:25/6:45) / Orchestre A Cordes