Belgian composer Rudi Tas has created this haunting setting of the ancient Miserere text. The solo cello rises out of the vocal cluster and the music gradually becomes more intense as the voices plead for mercy. Finally, it ends as it began, with a haunting vocal cluster giving way to the solo cello on a high E. With cello. Duration: Approx. 8:10. Recorded by the Dale Warland Singers. Concert reco…

Summerly Jeremy (Editor). Par SUMMERLY JEREMY. This substantial collection of medieval songs and carols for Upper Voices is a perfect introduction to the treasures of an extraordinary and colourful musical period, progressing from Celebration and Victory to Christmas via Spring, Annunciation and Passion. Containing the well-known Gaudete Ghristus Est Natus , Agincourt Carol and There Is No Rose as…

Par . The new Finer in Minor With beautiful, easy to moderately difficult, familiar and above all not so familiar pieces, our bestseller Finer in Minor has now been a companion for many generations on their way to the wonderful works of major piano literature. In the meantime, the sister edition Greater in Major (EB 8936) expands the sound palette, showing that playing the piano in a major key is,…

By choosing to set this text, which speaks of charity and the love of God, for treble voices, Douglas Pew seeks to create images of celestial bodies and celestial spheres where this type of sacred love can exist in its full capacity. Using the full range of the mature voice, this will be a wonderful addition to your advanced women's choir literature. / Choeur SSSAAA A Cappella Et Soprano

The Library Of Romantic Music is a comprehensive collection of the greatest works of the Romantic period. Featuring composers like Frédéric Chopin, Claude Debussy and Gabriel Fauré, the works represented here truly some of the most beautiful ever composed. Now they're all in one conveniently spiral-bound volume, arranged for solo Piano for your sheer playing pleasure.Like the Baroque and Classical…

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Trois poèmes d'Henri Michaux was written for the Zagreb Biennale and first performed there by the orchestra and choir of Radio Zagreb, conducted by the composer and Slavko Zlatic on 9 May 1963. It is composed for 20-part choir and an orchestra similar to that of the Symphony of Psalms, though without the lower strings of the latter.Lutoslaswski has said that the general outline of the work came to…

fantasy for orchestra with voices. Par PINTSCHER MATTHIAS. / Répertoire / Orchestre et 4 Sopranos

Par PART ARVO. The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and pictorial elements, exuding quiet dignity and a profound sense of joy. The vocal scores have almost no interpretive markings. Dynamics and tempi are left to the performers; it is their t…

Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staf…

Par PART ARVO. The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and pictorial elements, exuding quiet dignity and a profound sense of joy. The vocal scores have almost no interpretive markings. Dynamics and tempi are left to the performers; it is their t…

Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera.” On the same scale as chamber music is to the symphony, it is rather the other way of talking onstage. The movable apparatus permits sophisticated voice-leading. A large ensemble demands simple conception to achieve the complexity it perhaps intends; this can be formulated more sharply and nuanced in a chamber ensemble…

Bach's Inventions and Sinfonias are rightly considered as indispensable to every pianist. In his famous preface to the collection, Bach himself called it an 'Instruction? which teaches students and keyboard lovers to 'treat correctly? both two and three voices, to 'achieve a singing style in playing? and to 'acquire a strong foretaste of composition?. To this end, Bach created timelessly beautiful…