Opera in three acts. Par STRAWINSKY IGOR. New edition of Stravinsky?s largest work, his only full-length work for the theatre, and his first major work in English. It also represents the culmination of his neoclassical years, after which he started to rethink his musical language. Inspired by an exhibition in Chicago in 1947 of a series of Hogarth prints, the depiction of the ironic progress of th…

Kantate Zum 3. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Bach composed BWV 135 as the fourth cantata in the second annual cycle of Leipzig cantatas. The hymn 'Ach Herr, mich armen Sünder' was written in the 16th century to the tune of 'Herzlich tut mich verlangen'. The unidentified Leipzig librettist of the 2nd cycle of chorale cantatas made free use of this hymn as the basis of an exemp…

Kantate Zum 3. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Bach composed BWV 135 as the fourth cantata in the second annual cycle of Leipzig cantatas. The hymn 'Ach Herr, mich armen Sünder' was written in the 16th century to the tune of 'Herzlich tut mich verlangen'. The unidentified Leipzig librettist of the 2nd cycle of chorale cantatas made free use of this hymn as the basis of an exemp…

Kantate Zum 3. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Bach composed BWV 135 as the fourth cantata in the second annual cycle of Leipzig cantatas. The hymn 'Ach Herr, mich armen Sünder' was written in the 16th century to the tune of 'Herzlich tut mich verlangen'. The unidentified Leipzig librettist of the 2nd cycle of chorale cantatas made free use of this hymn as the basis of an exemp…

Kantate Zum 3. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Bach composed BWV 135 as the fourth cantata in the second annual cycle of Leipzig cantatas. The hymn 'Ach Herr, mich armen Sünder' was written in the 16th century to the tune of 'Herzlich tut mich verlangen'. The unidentified Leipzig librettist of the 2nd cycle of chorale cantatas made free use of this hymn as the basis of an exemp…

Tonalité : C-Dur - Horn, Wolfgang (Arr.) - Zwv 107. Par ZELENKA JAN DISMAS. Gattungen: Magnificat - Verwendung / Anlässe: Marienfeste, Marianische Gesänge, Stundengebet - Verwendung / Kirchenjahr: Advent, Wei cor achten - Langue : Latin / Hymnes et chorals / Répertoire / Solo S, Choeur SATB, 2 Hautbois, 2 Violons, Alto e

Written for and dedicated to the Toronto Children's Choir, legendary Canadian composer Ruth Watson Henderson has constructed a piece that incorporates all levels of a broad based Community Children's Choral organization. Written for a 2-part training choir, a 3-part intermediate treble choir and an SATB advanced choir, this is the perfect closer for a combined Christmas Concert. / Choeur A 2 Parti…

Par BRUCKNER ANTON. Bruckner?s mighty Mass in F minor is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music. In doing so, he ventures into extreme forms of expression, which caused some disgruntlement among the musicians at rehearsals for the premiere in November 1868. In subsequent years…

Following on the success of her two operatic works for children and teens - Douce et Barbe Bleue, Les Fables Enchantées, Little Thummie and Cendrillon (based on Perrault), as well as the adaptation of Maupassant's short story The Dumpling (2014) - Isabelle Aboulker once again hits the bull's eye with Myla And The Boat-Tree, a commission from the Villecroze Music Academy. In 2015, this musical tale…

Par JENKINS KARL. One World deals with a fractured world (populist governments, plagues, climate change, human trafficking, disrespect for basic human rights, terrorism, war) and heralds a vision of a peaceful and egalitarian planet. The work is best encapsulated by one of the texts set: ‘Tikkun Olam’, Hebrew for ‘repair the world’, a Jewish concept of stewardship over God’s creation. Scored for s…

Par BEETHOVEN LUDWIG VAN / MEALOR PAUL (Arr.). For solo soprano, solo tenor, SATB choir and orchestra (1824 arr. 2024). Commissioned by Classic FM for Classic FM Live at the Royal Albert Hall. First performed on 22 April 2024 at Classic FM Live, Royal Albert Hall, London, UK by the Royal Scottish National Orchestra and Chorus, conducted by Ben Palmer. Duration: c. 7 minutes / Date parution : 2024…

Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all th…

Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all th…

Par MOZART WOLFGANG AMADEUS. Piano scores for mixed choir, solo voice and piano. Soli: SATB and Choir: SATB / Hymnes et chorals / Répertoire / Choeur Mixte, Soprano et Orchestre