Following the composition of Harold En Italie for Viola and orchestra in 1834, Berlioz began work on the opera Benvenuto Cellini , which subsequently failed on its first performances at the Paris Opera in 1838. Berlioz withdrew the opera for substantial revision, and from some of the discharged material he later fashioned this Reverie Et Caprice (in versions both for Violin and orchestra and Violi…
Ces trois courts de progrès interludes en difficulté et peuvent être joués séparément comme pièces d'examen et d'étude ou ensemble comme une suite de concert court.
