Par PART ARVO. / Date parution : 2023-03-21/ Répertoire / Choeur Mixte (SAT) et string Orchestre

An original and exciting collection of anthems and other choral pieces written for the Orthodox Church and inspired by the Church in Russia, selected by Ralph Allwood. Partly because of the re-emergence of the Church in the former Soviet Union, interest in Christian musical sources alternative to the great body of the Anglican and other Western Christian traditions has grown sharply in recent year…

Par PART ARVO. The SATB Choral Score to Arvo Part's Magnificat./ Répertoire / Choeur SATB

Par PART ARVO. Pärt's take on the Te Deum text, also known as the Ambrosian Hymn, employs his signature tintinnabuli style of composition. The melodic lines, as well as their harmonies, strictly follow the rhythms of the text, resulting in heightened importance given to the text itself and an unconventional setting. For advanced players and vocalists. The liturgical text of the Te Deum consists of…

Par PART ARVO. The basic musical material of 'Pari intervallo' by Arvo Pärt consists of two parts which move exactly parallel to each other, so that the interval between them is always the same- hence the title. 'Pari Intervallo' is reminiscent of achorale prelude which might be prefaced with the lines from Romans 14/8: 'lf we live, we live to the Lord, and if we die, we die to the Lord.' Now for…

For Children's Choir and Piano . Par PART ARVO. ‘I went to nursery school every day until the end of secondary school!’ Arvo Pärt says and pauses, staring slyly at his listener. ‘My mother worked at a nursery school in Rakvere, and I always went to visit her after my lessons.’ There, the future composer often sat at the piano and played or improvised for his little friends. Arvo Pärt is a composer…

Par PART ARVO. Chad Smith, Artistic Director of the Los Angeles Philharmonic, has long nurtured the desire to commission a new work by Arvo Pärt. When the Los Angeles Philharmonic submitted this idea to Arvo Pärt in February 2007, the suggestion came at precisely the right moment. Pärt was working at that time with an ancient canon in Church Slavonic containing a prayer to a guardian angel - the c…

Par PART ARVO. Arvo Pärt's The Woman with the Alabaster Box for mixed choir SATB a cappella. This work is Arvo Pärt's beautiful musical interpretation of the anointing in Bethany (the Gospel according to St Matthew 26, 6-13)./ Répertoire / Choeur SATB

Par PART ARVO. `Spiegel im Spiegel` is a well-known example of Arvo Pärts Tintinnabuli style and has been used in many films. Arvo Pärts Spiegel im Spiegel illustrates his creative principles: above a permanent flow of chords on the piano, the cello unfolds acantilena in long note values, which grows out of succinct steps. This cantilena spins out sweeping, chorale-like arches and spreads itself o…

Par PART ARVO. Arvo Pärt received a commission to compose this work from the Agenzia Romana per la preparazione del Giubileo, that was, the body responsible for the organisation of the Holy Year 2000 in Rome. Pärt was asked to write a work to be performed by the Chorus and Orchestra of the Accademia Nazionale di Santa Cecilia. Pärt was inspired by the story of the martyrdom of Saint Cecilia and he…

Par PART ARVO. On 4 July 2011 Arvo Pärt performed his “Vater unser” (“Our Father”) for Pope Benedict XVI at a ceremony in the Vatican celebrating the 60th anniversary of his ordination to the priesthood. Pärt also presented the Pope with a copy of the manuscript, which is dedicated to him. To honour the anniversary, over 60 artists from around the world have been invited to contribute to a new exh…

Par PART ARVO. Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in Pärt's very own 'Tintinnabuli'-style, this piece allows many different settings because it is not bound to a specific tone color. 'The highest virtue of music, for me, lies outside of …

Par PART ARVO. Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in Pärt's very own 'Tintinnabuli'-style, this piece allows many different settings because it is not bound to a specific tone color. 'The highest virtue of music, for me, lies outside of …

Par PART ARVO. Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in Pärt's very own 'Tintinnabuli'-style, this piece allows many different settings because it is not bound to a specific tone color. 'The highest virtue of music, for me, lies outside of …